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In the field of digital cultural heritage (DCH), 2D/3D digitization strategies are becoming more and more complex. The emerging trend of multimodal imaging (i.e., data acquisition campaigns aiming to put in cooperation multi-sensor, multi-scale, multi-band and/or multi-epochs concurrently) implies several challenges in term of data provenance, data fusion and data analysis. Making the assumption that the current usability of multi-source 3D models could be more meaningful than millions of aggregated points, this work explores a "reduce to understand" approach to increase the interpretative value of multimodal point clouds. Starting from several years of accumulated digitizations on a single use-case, we define a method based on density estimation to compute a Multimodal Enhancement Fusion Index (MEFI) revealing the intricate modality layers behind the 3D coordinates. Seamlessly stored into point cloud attributes, MEFI is able to be expressed as a heat-map if the underlying data are rather isolated and sparse or redundant and dense. Beyond the colour-coded quantitative features, a semantic layer is added to provide qualitative information from the data sources. Based on a versatile descriptive metadata schema (MEMoS), the 3D model resulting from the data fusion could therefore be semantically enriched by incorporating all the information concerning its digitization history. A customized 3D viewer is presented to explore this enhanced multimodal representation as a starting point for further 3D-based investigations. [ABSTRACT FROM AUTHOR]

This paper presents an online application—called 3D integrator—enabling visual cross-examinations of architectural and acoustic data on web browsers and explains the rationale behind its development. The tool consists of a series of overlays developed over the Potree 3D point cloud renderer. It is used to display visually, in an interactive environment, the 3D point clouds resulting from a survey protocol tailored to the specific needs of the corpus under scrutiny—15 small-scale edifices often referred to as "minor heritage assets"—and to the research's overall ambition, reasoning on architectural and acoustic features at an interdisciplinary level. One of the tool's distinctive features is to project abstract information (acoustic descriptors) in a "close to real" 3D space (point clouds), hence merging scientific visualisation and information visualisation practices. The paper first shortly sums up the particularities of the survey protocol and discusses the implementation of the analytical add-ons that have been introduced (visual trace of the survey protocol itself, volume calculation, and exploratory 3D representation of acoustic descriptors). It then focuses on use cases that illustrate what the approach helps to observe concerning the interiors of edifices when capturing and co-examining dimensional and acoustic features. [ABSTRACT FROM AUTHOR]

The innovative automated 3D modeling procedure presented here was used to reconstruct a Cultural Heritage (CH) object by means of an unmanned aerial vehicle. Using a motion capture system, a small low-cost quadrotor equipped with a miniature low-resolution Raspberry Pi camera module was accurately controlled in the closed loop mode and made to follow a trajectory around the artifact. A two-stage process ensured the accuracy of the 3D reconstruction process. The images taken during the first circular trajectory were used to draw the artifact’s shape. The second trajectory was smartly and autonomously adjusted to match the artifact’s shape, then it provides new pictures taken close to the artifact and, thus, greatly improves the final 3D reconstruction in terms of the completeness, accuracy and quickness, in particular where the artifact’s shape is complex. The results obtained here using close-range photogrammetric methods show that the process of automated 3D model reconstruction based on a robotized quadrotor using a motion capture system is a realistic approach, which could provide a suitable new digital conservation tool in the cultural heritage field. [ABSTRACT FROM AUTHOR]

Imaging techniques and Image Based-Modeling (IBM) practices in the field of Cultural Heritage (CH) studies are nowadays no longer used as one-shot applications but as various and complex scenarios involving multiple modalities; sensors, scales, spectral bands and temporalities utilized by various experts. Current use of Structure from Motion and photogrammetric methods necessitates some improvements in iterative registration to ease the growing complexity in the management of the scientific imaging applied on heritage assets. In this context, the co-registration of photo-documentation among other imaging resources is a key step in order to move towards data fusion and collaborative semantic enrichment scenarios. This paper presents the recent development of a Totally Automated Co-registration and Orientation library (TACO) based on the interoperability of open-source solutions to conduct photogrammetric-based registration. The proposed methodology addresses and solves some gaps in term of robustness and versatility in the field of incremental and global orientation of image-sets dedicated to CH practices. [ABSTRACT FROM AUTHOR]