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This article explores the pedagogical significance of non-static and hybrid utopian readings and writings by focusing on Margaret Cavendish's educationally-philosophically neglected female utopia The Description of a New World, Called the Blazing World. It questions the exaggerated, inflated and exclusivist emphasis on the pedagogical benefits of homologous spatial signifiers of entry into utopia and return to home and draws examples of utopian passages across genres, texts, minds and worlds from the writing of Cavendish. Such passages can be read as performative ways of hybridising and reinventing both the utopian topos and the traveller's identity. New space is thus opened for learning as imitation and re-writing rather than as a return to, or manifestation of, an original self. Finally, new performative means for fashioning pedagogical authorship, nurturing the other's learning, and fashioning intellectual growth are promoted. Such means comprise mutuality of pedagogical initiatives, improvisation through imitation and supplementarity of cooperative writing. [ABSTRACT FROM AUTHOR]

Much of the best contemporary work in the philosophy of language and content makes appeal to the theories developed in generative syntax. In particular, there is a presumption that—at some level and in some way—the structures provided by syntactic theory mesh with or support our conception of content/linguistic meaning as grounded in our first-person understanding of our communicative speech acts. This paper will suggest that there is no such tight fit. Its claim will be that, if recent generative theories are on the right lines, syntactic structure provides both too much and too little to serve as the structural partner for content, at least as that notion is generally understood in philosophy. The paper will substantiate these claims by an assessment of the recent work of King, Stanley, and others. [ABSTRACT FROM AUTHOR]