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The article critiques the diary section of the book "Blindness," by Henry Green, interpreting it as a reflection on the author's own life. It addresses the common reading of the diary section as a means of establishing the protagonist's artistic abilities, and refutes this interpretation based on the amount of personal information contained in the diary section. It comments on errors in the book's chronology, speculations into Green's life, and reading the novel as an autobiography.

This essay argues that Henry Green's autobiographical Pack My Bag is not only a significant achievement in its own right, but also of great interest to readers intrigued by the varieties of modernism and theories of autobiography. Green, the most consciously experimental novelist of his time, wrote an autobiography that, in many ways, confounds expectations of the genre. While establishing himself as a victim of the impending Second World War, Green's text moves quickly to shame remembered, an obsessive rumination on guilt. This interplay between innocence and guilt is the structuring principle of Pack My Bag. [ABSTRACT FROM AUTHOR]

Henry Green’s 1946 novel Back is effectively cut in two because at the arithmetic middle of the book, there is a translated (and quite long) passage from the purportedly eighteenth century Souvenirs of the Marquise de Créquy. While most critics have agreed upon the importance of this passage to the novel, not only structurally but thematically, none have actually looked into the original source and considered the most crucial thing about it: the original source was a forgery. When considering the forged status of this passage and its vital importance to Back, our reading of Green’s novel must change drastically: no longer does the novel read as a quest for authenticity on the part of its protagonist, the disabled war veteran Charley Summers. Rather, one must consider the possibility of a true self in a world of forgery and duplicity. This also implicates our understandings of modernist intertextual practices. [ABSTRACT FROM PUBLISHER]