40 results on '"Sanders, Julie"'
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2. Geographies of Performance in the Early Modern Midlands
3. Rehearsing across Space and Place: Rethinking A Masque Presented at Ludlow Castle
4. Gender, Exile and The Hague Courts of Elizabeth, Queen of Bohemia and Mary, Princess of Orange in the 1650s
5. The Commonwealth of Paper: Print, News and The Staple of News
6. Alternative Societies: The New Inn and the Late Plays
7. The Commonwealth of Hell: The Devil is an Ass
8. Conclusion: ‘The End of (T)his Commonwealth Does Not Forget the Beginning’
9. The Republic in the Fair
10. Republicanism and Theatre
11. Local Government and Personal Rule in A Tale of a Tub
12. The Alternative Commonwealth of Women
13. ‘Saying Something About Venice’
14. Introduction
15. Roman Frames of Mind
16. Print, Popular Culture, Consumption and Commodification in The Staple of News
17. Introduction: Refashioning Ben Jonson
18. Bubblegum and Revolution: Angela Carter’s Hybrid Shakespeare
19. The End of History and the Last Man: Kenneth Branagh’s Hamlet
20. Midwifery and the New Science in the Seventeenth Century: Language, Print and the Theatre
21. Ben Jonson’s Theatrical Republics
22. Actors and Editors: A Feature of the Edition Richard Brome Online
23. Influencing Editors, Influencing Performers: The Page to Stage Relationship
24. (Un)Editing with (Non-)Fictional Bodies: Pope’s Daggers
25. Playing Ghismonda for ‘fooles’ and ‘noble freinds’: Revising for Performance Between Glausamond and Ghismonda
26. London Commercial Theatre 1500–1576
27. Cressida’s Letter: Readings and Performances in the Shakespearean Archive
28. The Revision of Manuscript Drama
29. The Towneley Manuscript and Performance: Tudor Recycling?
30. Performing the Percy Folio
31. Reading Images, Drawing Texts: The Illustrated Abbey of the Holy Ghost in British Library MS Stowe 39
32. What the Beauchamp Pageant Says about Medieval Plays
33. Hell for Lovers: Shades of Adultery in The Devil is an Ass
34. The Lone Wolf: Jonson’s Epistle to Volpone
35. Jonson’s ‘Comical Satires’ and the Art of Courtly Compliment
36. ‘Defacing the Carcass’: Anne of Denmark and Jonson’s The Masque of Blackness
37. Making and Buying: Ben Jonson and the Commercial Theatre Audience
38. Sejanus: Ethics and Politics in the Early Reign of James
39. ‘The Eccho of Uncertaintie’: Jonson, Classical Drama and the English Civil War
40. ‘Satyres, That Girde and Fart at the Time’: Poetaster and the Essex Rebellion
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