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The article features conceptualist artist Cameron Rowland and his activism through his art. Also cited are Rowland's focus on campaigning against racial slavery and for reparations for slaves. Also cited are his 2023 exhibition "Amt 45 i," the 1997 book "Scenes of Subjection: "Emancipation Instituted Indebtedness" by Saidiya Hartman, and his 2018 exhibition "Depreciation."

The article focuses on the historical development of research-based art. It mentions that art schools have been establishing programs and centers for artistic research and research-creation, and PhD degrees in art are now available in multiple countries. It also mentions that in the 1960s and '70s, conceptual artists contended that the idea or concept of an artwork was the art, and texts, diagrams, photographs, and other forms of documentation became integral to conceptual art.

The article discusses the installation artist Park McArthur. Particular focus is given to how her work reflects upon the issues of access and dependency. Additional topics discussed include her upcoming exhibition at the Carnegie International museum in Pittsburgh, Pennsylvania, her use of empty signage in her work, and how her work is so subtle one might not notice it.

The article features Carmen Weisskopf and Domagoj Smoljo, a duo of Swiss digital artists known as !Mediengruppe Bitnik, who are refining the art of espionage. Topics include the duo's artistic style of counter-espionage, the influence of conceptual art, interventionism, and early net art on their work, and why their work also belongs to the still-controversial category of post-Internet art.

The article examines the work of the Japanese-born contemporary artist Yoko Ono. Particular focus is given to her art exhibition "Yoko Ono: One Woman Show, 1960-1971" at the MoMA (Museum of Modern Art) in New York City through September 7, 2015. Additional topics discussed include her contributions to conceptual art, her marriage to the musician John Lennon and her art in the 1960s.

The article focuses on the work of video artist Alix Pearlstein. The article discusses the conventions of her videos, including the use of the same professional theater actors, a bland studio environment and a circulating camera as well as her interest in conceptualism. The article goes on to discuss examples of Pearlstein's work, including a 2012 exhibition at the gallery On Stellar Rays in New York City, which featured videos that focus on the interaction of a group as opposed to the individual.

The article presents a profile and discusses the work of the Croatian conceptual artist Sanja Iveković. Much of the discussion centers on the political and feminist content of her work, which includes performances and videos. Several of her works are pictured and discussed in detail including the 1974 video "Sweet Violence" and the 1982 performance piece "Practice Makes a Master." The author also comments on the exhibition "Sanja Iveković: Sweet Violence" at the Museum of Modern Art in New York City.

An interview with the American artist Vincent Fecteau is presented. Particular focus is given to the sculptures he has been producing and exhibiting since the 1990s. Topics discussed include his interest in the singer Klaus Nomi, his observations on gay culture in San Francisco, California, and his insights on contemporary and conceptual art.

An interview with artist Michelle Grabner is presented. She comments on an exhibition called "Picturing the Studio" and an anthology titled "The Studio Reader." She discusses curatorial practice, conceptual art, and an artist project space that she runs with her husband, called The Suburban. Other topics include visual statements in her paintings, the process of inviting artists to The Suburban, and the purchase of a farm in Wisconsin as an art project space.

The article reviews the exhibition "Type A: Barrier: at the Tang Teaching Museum in Saratoga Springs, New York until January 3, 2010.

An interview with artist John Baldessari is presented. Baldessari discusses his artwork "Jazz at the Art Center" which he completed in 1962, how he felt about moving to Santa Monica, California from National City, California, and how he had decided between a career in writing and a career as an artist.

The article reviews the exhibition "In & Out of Amsterdam: Travels in Conceptual Art 1960-1976," which was at the Museum of Modern Art in New York until October 5, 2009.

The article discusses the varied 30-year career of American Conceptual artist Dan Graham. Topics discussed include his founding of the short-lived John Daniels Gallery in New York City in 1964, his work as an art and music critic, his 1967 photo essay "Homes for America," his 1984 film "Rock My Religion," and assorted other works of art.

This article reviews exhibitions of experimental films and photographs by Robin Rhode at the Hayward Gallery in London, England, the Prospect.1 New Orleans, Louisiana biennial art fair, and "Catch Air: Robin Rhode" at the Wexner Center for the Arts in Columbus, Ohio in 2008-2009.

The article presents a review of the conceptual art exhibit "Dario Robleto: Chrysanthemum Anthems," organized by Xandra Eden for display at the Weatherspoon Art Museum in Greensboro, North Carolina from September 24-December 17, 2006 before traveling to museums in Ridgefield, Connecticut and Chattanooga, Tennessee.

The article reviews the exhibition "John Latham: Time-Base and the Universe," at the P.S. 1 Contemporary Art Center in Long Island City, New York from October 29, 2006-January 8, 2007.

Focuses on the life and works of professional artist Robert Smithson. Early beginnings of his career; Influences in his works; Career highlights; Achievements and awards. INSET: New Publications on Smithson.

Presents a record of the process of painting Sol LeWitt's "Wall Drawing #1131, Whirls and Twirls" by a team of eight people at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut. Use of a hired crew working from a plan to draw the wall painting; Media used in the production of the artwork; Total number of days it took to complete the work.

Presents the life and works of Rodney Graham, a Canadian visual artist. Educational background of Graham; Recognition of Conceptual arts that influenced Graham to be a visual artist; Fascination of Graham to music in the later 70s.

Features the life and photo-based works of Dutch conceptual artist Bas Jan Ader. Educational background; Simplicity of Ader's art works; Impetus to the interest of Ader on conceptual art.

Reviews the art exhibition "Montien Boonma: Temple of the Mind," organized by the Asia Society in New York City.

Discusses the returning focus on abstraction in the art field. Reenvisioning of abstraction through the lens of conceptualism; Exhibitions of abstract paintings by three generations of artists in the U.S. and Europe; Abstract art's provision of a primary experience for the viewer.

Focuses on the works of Canadian conceptual artist Rodney Graham. Use of cycles and loops; Exhibition of first experimental installations staged in the Canadian forests and countryside; Sources of Graham's art.

Wellcome Collection, a museum and library located on Euston Road and owned by the pharmaceutical giant GlaxoSmithKline via Wellcome Trust, will host the exhibition "The Cult of Beauty" with an aim to examine the influence of morality, status, health, age, race and gender on the evolution of ideas about beauty through history. Other highlights in this part of the exhibition will include the film installation "Permissible Beauty" by singer-songwriter and art historian David McAlmont, photographer Robert Taylor and filmmaker Mark Thomas. Running from Oct. 26 to April 28, 2024, the admission-free show will feature more than 200 objects and artwork sourced from new commissions, contemporary artworks, and historical and modern materials, and presented under three themes: the ideals of beauty, the industry of beauty and subverting beauty. [Extracted from the article]

Blame all the buzzy talk around AI,but there was something poetic in thecollection and the artisanal approach tofashion Satoshi pushes forward, as well asthe charming way he blends Japanese andItalian culture in his work. The Reviews A presentation in the outskirts of the citydoesn't make for the most convenient ofappointments to squeeze into a packedshow schedule, but the fashion crowd freeda spot on their agenda pronto for Setchu,especially after designer Satoshi Kuwatascooped up the annual LVMH Prize earlierthis month. Standouts included a pastel pinksuit and a pin-striped double-breastedjacket with matching Bermuda shorts withwide pleats that winked to origami foldingtechniques. [Extracted from the article]

Focuses on `Reconsidering the Object of Art: 1965-1975,' a conceptual art exhibit at L.A. MOCA's Temporary Contemporary through February 4, 1996. Organizer of the exhibit; Definition of conceptual art; Absence of any serious grounding in the exhibit.

The article reviews the exhibition featuring the works of Guatemalan conceptual artist Dario Escobar, who created sculptures composed of skateboards, basketball hoops, and baseball bats; and notes that the exhibition is running at Proyectos Monclova art gallery in Mexico.

The article discusses the work of the British experimental filmmaker John Smith. According to the author, Smith's films are rooted in the Structuralist and Conceptual films of the 1960s and 1970s. Films discussed in detail include "The Girl Chewing Gum," "Hotel Diaries" and "The Black Tower." Image stills from these films are included.

The article reports on the German conceptual artist Wolfgang Laib. In the Summer of 2009 Laib launched the exhibition "From me alone all has risen, in me all exists, in me all dissolves" where he constructed 20,000 "mountains" of rice some 3 inches high and 9 accumulations of pollen around a 20-foot-high ziggurat of beeswax. During the end of the exhibition, in June 2009, 45 Brahmin priests from Southern India performed Vedic fire ceremonies.

Reports on the art exhibit Live in Your Head: Concept and Experiment in Britain 1965-75, at the Whitechapel Art Gallery in London, England. Exhibit's focus on the beginning of conceptual art in Great Britain; Art works featured during the exhibit.

The article reviews an exhibition featuring the drawings by conceptualist Hassan Sharif at Sharjah Art Foundation in the United Arab Emirates.

The article previews an unnamed traveling art exhibition that will feature various works by the Belgian conceptualist artist Marcel Broodthaers, to be held at the Museum of Modern Art, located in New York City, from February 14th through May 15, 2016.

The article briefly profiles the artist Tony Oursler. Particular focus is given to his collection of items focusing on the paranormal, thought photography, fairies, automatic writing and other human belief systems, which will be on view at the Parc des Ateliers in Arles, France. Details relating to Oursler's work in video and conceptual art are also offered.

The article reviews the art exhibition "Take It or Leave It: Image, Institution, Ideology," which featured works by various artists including John Miller, Jenny Holzer and Barbara Kruger, held at the Hammer Museum, located in Los Angeles, California, through May 18, 2014.

The article reviews an unnamed art exhibition that featured various photographs, silkscreen prints, posters and other works by the conceptual British artist Victor Burgin, held at the Richard Saltoun and Ambika P3 galleries in London, England, in 2013.

She brought it back, along with minimalist layering -- a black scuba-knit bandeau dress over a cashmere turtleneck sweater, for one, and a black bandeau top over a white cotton poplin shirt, for another. Sailor pants, cropped sweaters and swimsuit separates added to the California resort-ness of this collection, which was especially strong on chic basics. Mixing at-home pandemic practicality with optimism that the pandemic cloud will someday lift, she sprinkled in a floral print inspired by a '70s vintage store find on playful drawstring pants, camp shirts and shirt dresses. [Extracted from the article]

The article reviews the exhibition "Open Work in Latin America, New York & Beyond: Conceptualism Revisited, 1967-1978" featuring the work of artists such as Ana Mendieta, Claudio Perna and Clemente Padin at the Leubsdorf Gallery at Hunter College in New York City.

The article reviews an exhibition by artist Daniel Buren at the galleries Petzel and Bortolami in New York City.

The article reviews the art exhibition "Conceptual Abstraction," which featured various works by contemporary artists including Sherrie Levine, Philip Taaffe and Peter Schuyff, held at Hunter College located in Manhattan, New York City, in late 2012.

The article reviews the exhibition "The Ozymandias Parade/Concept Tableaux" by artist Nancy and Edward Kienholz at Pace Gallery in New York City.

The article reviews the art exhibition "Materializing 'Six Years': Lucy R. Lippard and the Emergence of Conceptual Art," which featured works by various artists including John Latham, Bruce Nauman and William Allan, at the Brooklyn Museum in Brooklyn, New York City, through February 3, 2013.

The article discusses the conceptual art project titled "The Last Pictures," by the artist Trevor Paglen. The project involves the launching of a time capsule into outer space. The time capsule consists of a silicon disc that contains a collection of images culled from libraries, databases and archives. It is noted that Paglen worked with the public-art nonprofit organization Creative Time. The images have been gathered and published in the book "The Last Pictures."

The article reviews the exhibition "We Regret to Inform You There is Currently No Space or Place For Abstract Painting" at the Martos gallery in New York City.

The article offers art-related news briefs for 2011. The nonprofit organization Venice in Peril has asked 14 artists to photograph Venice, Italy, for an upcoming exhibition titled "Real Venice." An exhibition titled "Nod Nod Wink Wink: Conceptual Art in New Mexico and Its Influences" is opening on July 9, 2011 in Taos, New Mexico. The Whitney Museum of American art broke ground for its building in the meatpacking district of New York City.

A review is presented of an exhibition of work by the conceptual artist Adrian Piper at the Elizabeth Dee gallery in New York City.

The article reviews the exhibition "All I Remember" by artist Elisabetta Benassi at the Magazzino D'Arte Moderna gallery in Rome, Italy.