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Individuals influence each others' decisions about cultural products such as songs, books, and movies; but to what extent can the perception of success become a "self-fulfilling prophecy"? We have explored this question experimentally by artificially inverting the true popularity of songs in an online "music market," in which 12,207 participants listened to and downloaded songs by unknown bands. We found that most songs experienced self-fulfilling prophecies, in which perceived—but initially false—popularity became real over time. We also found, however, that the inversion was not self-fulfilling for the market as a whole, in part because the very best songs recovered their popularity in the long run. Moreover, the distortion of market information reduced the correlation between appeal and popularity, and led to fewer overall downloads. These results, although partial and speculative, suggest a new approach to the study of cultural markets, and indicate the potential of web-based experiments to explore the social psychological origin of other macrosociological phenomena. [ABSTRACT FROM AUTHOR]

Standard statistical methods often provide no way to make accurate estimates about the characteristics of hidden populations such as injection drug users, the homeless, and artists. In this paper, we further develop a sampling and estimation technique called respondent-driven sampling, which allows researchers to make asymptotically unbiased estimates about these hidden populations. The sample is selected with a snowball-type design that can be done more cheaply, quickly, and easily than other methods currently in use. Further, we can show that under certain specified(and quite general) conditions, our estimates for the percentage of the population with a specific trait are asymptotically unbiased. We further show that these estimates are asymptotically unbiased no matter how the seeds are selected. We conclude with a comparison of respondent-driven samples of jazz musicians in New York and San Francisco, with corresponding institutional samples of jazz musicians from these cities. The results show that some standard methods for studying hidden populations can produce misleading results. [ABSTRACT FROM AUTHOR]