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This paper charts the space of lifestyles in Germany in order to assess whether its structure resembles that famously uncovered in France by Bourdieu. Mobilising multiple correspondence analysis and using data from a bespoke national survey of tastes and lifestyles fielded in 2017–18 (n = 2244), it unveils a two-dimensional system defined by tastes for the culturally exclusive and the economically exclusive. These dimensions are strongly associated with indicators of cultural capital and economic capital, and reveal differences by both capital volume and capital composition, but they are also structured by age and ethnic origin. While age is indicative of Bourdieu's concept of trajectory, the effects of ethnicity underscore the relative autonomy of the space of lifestyles and suggest its determination by more than one structural force. [ABSTRACT FROM AUTHOR]

In postcommunist Estonia, the topic of inequality was considered "embarrassing." The dominant popular assumption was that inequalities just happen naturally. Class and inequality discourse was effectively marginalized due to long-lasting success in focusing attention on nationalizing issues. A "transition culture" that lionized the capitalist future has also contributed to the marginalization of class discourse. Because of this marginalization, and the power of national/ethnic discourse and transitional culture, those most economically vulnerable were deprived of the cultural and discursive resources to resist the most extreme market-oriented policies. Sociologists did discuss inequality more seriously, but mostly according to a gradational and functional stratification paradigm: the central focus has been on individual attributes that divide people into classes. The analysis focusing on relations of exploitation and domination have been virtually absent in postcommunist Estonia. We conclude that the main challenge for Estonian social science is to incorporate concepts of power, exploitation, and domination perspective into study of inequality. [ABSTRACT FROM AUTHOR]