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1. From Interactive Digs to International Archaeology Day and Listening Sessions: Engaging Audiences Through the AIA’s Virtual Programs and Digital Outreach

2. The HERISTEM (STEM in Heritage Sciences) Project: Communicating Archaeology During the Pandemic

3. Discovering the Past of Switzerland Through Archaeological Sites, an Archaeotourism Project Using Digital Communication

4. Design for Science: A Cross-Disciplinary Approach to Disseminate Archaeology Online

5. The Digital Evolution of Interpretation and Destination Development at Archaeological World Heritage Sites: The Example of the Augtraveler Platform in India

6. 'They Move!' New Ways of Engaging Rock Art with Visitors at the Coa Museum, Portugal

7. From Ancient Corinth to Every Corner of the World: Teaching Archaeology Through Virtual Field Trips and Flipgrid Topics

8. A Historical Approach to Public Representation of Preventive Archaeology: The Case of the Regional French-Speaking Press of Switzerland

9. A Video Game-Based Learning Approach to Archaeological Knowledge: The Case of ‘Ancestors: Stories of Atapuerca’

10. Why Archaeology Matters? Digging Up Archaeology’s Role in Modern Societies: The ONLAAH: Online Learning on African Archaeology and Heritage Project. Engaging a New Generation of Researchers and the Public into African Archaeology

11. Ullastret 3D: Communicating an Archaeological Site to the Wider Public Through Storytelling, Immersion, and Virtual Reality

12. Introduction: From In-person to Virtual: Archaeology Moves Online

13. Slow Science But Fast Forward: The Political Economy of Rock Art Research in A Globalized World

14. Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation

15. '… And Those Who Expect to Return to the Source Will Find Fog': Resonances of Prehistory in Modern Art

16. Understanding Rock Art: What Neuroscience Can Add

17. Regional Reponses to Global Climate Change: Exploring Anthropomorphic Depictions in Rock and Mobiliary Art Expressions from the Kimberley and Europe During the Late and Terminal Pleistocene

18. Replicated Temporality. Time, Originality, and Rock Art Replicas

19. Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World

20. Local—National—Global: Defining Indigenous Values of Murujuga’s Cultural Landscape in the Frame of International Patrimony

21. Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa

22. Translation and Transformation: The Materiality of Rock Art in a World of Bytes

23. ‘Out of Franco-Cantabria’: The Globalization of Pleistocene Rock Art

24. The UNESCO World Heritage List in a Globalized World: The Case of the Paleolithic Caves of Northern Spain (1985–2008)

25. The Framework for Ochre Experiences (Foes): Towards a Transdisciplinary Perspective on the Earth Material Heritage of Ochre

26. Rock Art Research and Knowledge-Production in the Context of Globalizations. A Comparative Approach to the Cases of Patagonia-Argentina and Eastern Canada

27. Rock Art, Modes of Existence, and Cosmopolitics: A View from the Southern Andes

28. What Were Rock Art Sites Like in the Past? Reconstructing the Shapes of Sites as Cultural Settings

29. The Divide Between ‘European’ and ‘Indigenous’ Rock Arts: Exploring a Eurocentic Bias in the Age of Globalization

30. The Earliest Dated Pictures in the Dispersal of Psychologically Modern Humans: A Middle Paleolithic Painted Rock Shelter (C. 45KA) at Wadi Defeit, Egypt

31. Some Implications of Pleistocene Figurative Rock Art in Indonesia and Australia

32. Why Do Old Dates Fascinate Prehistorians?

33. Deep-Time Images and the Challenges of Globalization

34. Figaro’s Bliss: Changing Theories and Practices – Reflections on Their Effects on Everyday Work, Equality, and Careers in Academia and Other Archaeological Organizations

35. ‘It’s a Long Way!’ The Gender Perspective in Archaeology Museums

36. Always the Same Old Stories? The Representation of Prehistoric Women and Men in Scientific Communication, Popular Culture and the Media

37. Women and Archaeological Collecting in Portugal (1893–1930)

38. Gender Divergence and Convergence in Portuguese Archaeology

39. Food Consumption of Females and Males from the Archaeological Site of Larina-Le Mollard: An Exploratory Study (France, Sixth to Eighth Centuries)

41. Let’s Talk About Money: Third-Party Funds and Archaeological Gender Research in Germany

42. Gender Relations in the Production and Consumption of Portuguese Pottery (Sixteenth to Eighteenth Centuries)

44. Women in Archaeology in Portugal: Historiography, the Case of Costa Arthur and Some Reflections

45. Gender, Change and Identity: Is Gender the Most Important Aspect of a Person’s Identity or Is It Just One of Many?

46. Introduction

47. Works and Femininities in the Late Bronze and Early Iron Age in the Lower Danube (c. 1350–800 BC)

48. Sex and Gender: Watch Your Language! A View from the North

49. ‘Patriarchs’ and ‘Ladies of Power’: Gender and Social Transformation in Early Peasant Societies in Western Iberia

50. Binary or Non-binary? Binary and Non-binary? None? Looking at Gender Expressions in the Egyptian Divine World

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