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Creative tourism is a growing field of inquiry in tourism studies and engages creative industry, creative city and urban regeneration debates. This research identifies creative experience-based tourism as an example of novel tourism product innovation in Cape Town. Creative spectacles and creative spaces in the Cape Town context are also investigated. Key findings are that creative experience-based tourism is a small, but emerging urban tourism niche market with considerable growth potential in Cape Town; creative events are well developed currently in Cape Town but as yet poorly integrated with the wider tourism destination mix as well as creative industry initiatives, and whilst creative clusters are emerging in Cape Town, minimal development of creative urban spaces for tourism purposes is evident. Critical policy issues emerging from this analysis surround recommendations for fostering creative networks, stimulating demand for creative tourism, developing a comprehensive creative tourism product mix, planning for creative precinct development, and integrating creative tourism into the Cape Town destination image. [ABSTRACT FROM AUTHOR]

Township tourism has emerged as an important part of the urban tourism product in post-1994 South Africa. Approximately, 25% of all international tourists visiting Cape Town participate in township tours. However, in recent years, doubts about personal safety have cast a negative light on the township tourism offering. Consideration regarding tourist safety and security, therefore, is important since it may have implications for the future growth and development of this market. The aim of this study was to investigate tourists' perceptions of safety and security whilst on a township tour. A structured questionnaire was used to collect data from 317 tourists who participated in township tours in the Greater Cape Town area. The study found that the majority (73%) of respondents felt safe whilst on a township tour. Eighty-three percent of those surveyed were satisfied with the township tour that they went on, whilst 82% of respondents said that they would recommend a township tour. This paper argues that there is a latent demand for culture-led, experience-based township tourism product development to create more opportunities for entrepreneurship and local economic development. Further recommendations for policymakers and tour operators are also provided. [ABSTRACT FROM AUTHOR]

Creative industries are increasingly attracting the interest of academics and policymakers around the world. Policy enthusiasm is also directed in many countries towards developing knowledge-intensive or high-technology sectors. The new media sector is considered an innovative growth sector which holds potential for emerging countries. This case study examines innovation in new media firms situated in Cape Town. Theoretically, creative industries are linked to post-industrial and knowledge-based economies and the growth of services, and innovation in high-technology small and medium enterprises is also considered. This paper provides micro data regarding the innovation activities of new media firms based on purposive interviews. The study found that these firms are dynamic in terms of technological innovation. However, their innovation activities tend to be incremental and localised. Furthermore, various barriers limit their innovation enhancement and growth prospects. Public policy can support new media firms in terms of access to new business development funding and programmes supporting small enterprise innovation, improved design education and network opportunities. [ABSTRACT FROM AUTHOR]

Creative industries are often regarded as avenues for urban regeneration, economic development and job creation. The growth of creative industries is linked to post-Fordist economic restructuring in cities. As a result, the economic base of cities has moved away from manufacturing to knowledge-intensive and service-based industries. While countries in the Global South generally contribute marginally to the global economy, some countries are seeking to enhance their competitiveness in the global environment and gain from opportunities presented by the creative economy. Policymakers in the Global South have therefore adopted creative industry policies, and often link these to social development outcomes. However, this presents various challenges. The literature indicates that creative industries can exacerbate existing inequalities and marginalise working class residents. Furthermore, the benefits of creative urban renewal do not necessarily reach poor communities. This paper contributes to debates regarding the role of creative industries in the urban economies of cities in the Global South. This reflects on the impacts of creative urban renewal, and the implications for social development and policy. It also considers recent development and challenges around creative industry promotion in Cape Town, with specific reference to the city-fringe neighbourhood of Woodstock. [ABSTRACT FROM AUTHOR]

Tourism is increasingly regarded as a viable avenue for local economic development. Small towns on the urban fringe have benefitted from tourism development in South Africa, the town of Parys being one of them. Parys has experienced tourism development over the past few years which has resulted in local economic growth, as especially reflected in the trade industry, amidst the decline of sectors such as manufacturing and mining. The study focusses on the factors that gave rise to the development of tourism in this town, as well as on opportunities and barriers to further development. A profile of tourism, small, medium and micro enterprises, is provided along with other main findings regarding the nature of the tourism industry in the area which includes the unique selling points of the area, visitor characteristics, demand and target market segments. Strategic development initiatives, in the light of the findings, recommend for the future development of the tourism industry in the area to include tourism product development focussed on attractions; the identification of key market segments such as budget tourists and the family market; destination and product marketing; investment in tourism infrastructure and ensuring the responsible management of tourism development in the area. [ABSTRACT FROM AUTHOR]

A correction to the article "Innovation in High-Technology SMMEs: The Case of the New Media Sector in Cape Town" is presented.