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1. Entering a Space That Refuses You: Commentary on Paper by Jade McGleughlin.

2. Narrating illness messianically? Counteracting the biocapitalistic logic of Frank's "restitution narrative" through Benjamin and Derrida.

3. Transparent players: the use of narrative voices in game theory.

4. Brand activism change agents: strategic storytelling for impact and authenticity.

5. Dramatology Revisited: The Person as Doer and Dreamer.

6. Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams's Dessa Rose.

7. Multimodal narrativity in a Pakistani TV advertisement: a socio-semiotic and narratological analysis.

8. Moving house in migrant narratives: the morphology of housing pathways from an anthropological perspective.

9. Forking-path routines for plot advancement and problem solving in narrative composition and dramatic writing.

10. French Narrative Theory and the Boom of Chinese Narrative Studies.

11. In the beginning.

12. Macrostructure and local schemas in the practice of novelistic narrative.

13. Multi-modal engagement with Aranya: appropriating ecological awareness in Amruta Patil and Devdutt Pattanaik's graphic tale Aranyaka: Book of the Forest.

14. On the Lateral Readings of Fiction: Anti-Existentialism in Camus' Stranger.

15. A Sense of Place: VR Journalism and Emotional Engagement.

16. Snapshots of selfhood: curating academic identity through visual autoethnography.

17. 'How to do things with words': teaching creative writing as performance.

18. The role of plotting and action schemata in the consolidation of narrative information in dramatic writing.

19. Picturebooks as Visual-Verbal Poems.

20. Philosophical transgression and self cultivation in the Purātan Janamsākhī: Bhāī Vīr Singh and modern Sikh reading practices.

21. Narrative, Narratology and Intertextuality: New Perspectives on Greek Epic from Homer to Nonnus.

22. Autobiographical self-translation – translator as the author, narrator and protagonist.

23. Two senses of narrative unification.

24. Heroes and victims: fund manager sensemaking, self-legitimation and storytelling.

25. Drowning in a Sea of Love.

26. Monkey See, Monkey Eat. Food As an Anthropocentric Culture Element in Albert Helman's "Mijn Aap schreit" and "Mijn Aap Lacht".

27. Storytelling and fraught histories: Phila Ndwandwe’s Blue Dress.

28. Cognitive poetics and creative practice: beginning the conversation.

29. El presente devorado por el pasado: declinaciones del flashback metaléptico y sus resonancias en el discurso memorístico de La prima Angélica.

30. ‘A Member of the Race’: Dr Modiri Molema's Intellectual Engagement with the Popular History of South Africa, 1912–1921.

31. TRANSFORMING DISCOURSE INTO PRACTICE: COMPUTERHYSTORIES AND DIGITAL CULTURES AROUND 1984.

32. The hum of the earth: natural history as ecological narrative in Elizabeth Hay’s Late Nights on Air and Jennifer Kingsley’s Paddlenorth.

33. The queer case of video games: orgasms, Heteronormativity, and video game narrative.

34. Travelling Without Moving: Navigating the Liminal Space between Memoir and Fiction.

35. Narrative Self-Experimentation: Johann Wilhelm Ritter's Methodology as an Alternative to Objectivity.

36. In search of the empty moment in psychoanalysis.

37. What meets the eye. Cognitive narratology for audio description.

38. On Flora Saunt being vain: aspectuality and the social construction of identity in Henry James's 'Glasses' (1896).

39. Eco & Ricœur: Perspectives in Narrative Theory.

40. Writing with an Accent: Components of Style in the Intercultural Narrative.

41. 'No one heard me!': sexual self-fashioning and the child in 'Lihāf'.

42. Double take: ephemera and viewpoint construction in graphic memoir.

43. New Progression in China's Narratology Studies: Extensive Reform of Western Narratology and Embryonic Construction of Chinese School of Narratology.

44. Emergent Narrative and Affect.

45. The Bion-Field Theory (BFT): Theory, clinical tools, controversial points.

46. The Generative Mechanism of Online Narratives and the Intertextuality of Their Group Communication.

47. Forging a master narrative for a nation: Finnish history as a script during the Second World War.

48. Narration, life and meaning in history and fiction.

49. Narrative and experience: interdisciplinary methodologies between history and narratology.

50. Telling and retelling a historical event: the collapse of the Soviet Union in Finnish parliamentary talk.