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Three different appropriations of a 1928 photograph from South India allow insights into German anthropology in the 1920s, contemporary German museum practices, and present-day ritual forms in northern Kerala. Juxtaposing these readings as what Edwards named evidential strategies, power of representation, and re-experiencing demonstrates the possibilities and limits of visual representation. The article contributes to a Picturing Culture debate that considers entrenched visual economies of archived photographs, and opts for an understanding of different aspects of cultural knowledge transported through photographs. [ABSTRACT FROM AUTHOR]

In so-called traditional medicine in South Asia, substances have not ordinarily been prescribed or consumed in isolation, yet the transformations of compound formulations have been comparatively little studied from any position within anthropology or history. Since the early twentieth century, ayurvedic formulations have often been redesigned to address the biomedical disorders of a new global clientele. This has involved overlapping medical cultures and the creation of heterodox epistemologies, which have then allowed the creation of new "traditional" products that suit the demands of the market. In India, these new formulations fall under the category of "Ayurvedic Proprietary Medicines," which are distinct from classical, textual (shastric) formulations already in the public domain. Proprietary medicines are the object of specific systems of appropriation and protection, which have not only gained central stage in the country but also influenced international regulatory bodies. This article seeks to explore the way in which the "reformulation regime" has fostered the emergence of alternative models of property rights, and their global acceptance, as well as how, in turn, these new forms of property have today come to drive pharmaceutical innovation itself. By analyzing this "looping effect," this article sets out prospective avenues to study the industrialization of traditional medicine and the complex interface between regulatory systems, innovation processes, and the market. [ABSTRACT FROM AUTHOR]

The article discusses the anthropological study of India, examining the challenges of a anthropologist who studies his own culture. An exploration of India-West dialogue is presented, including a reflection on the forces of globalizing history and cultural politics. Topics include anthropological studies in India in the 1950s, Indian-born anthropologists living abroad who find themselves in a trans-cultural narrative, and the goal of an anthropologist to decipher regional differences in order to further global human sharing.