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Documentation makes us suffer. This is, perhaps, an overstatement. Yet, the writing on performance art gives testimony to a range of discomforts that arise in relation to documentation. From anxieties about its insufficiency as record, to despair that documents are easily commodified, to unease with the very desire that documents seem to solicit, concerns about documentation have long been at the heart of discussions about performance art. In recent years, artistic re-enactment has seemed to some to promise a solution to the shortcomings of mediatized forms of documentation. Yet, many of these events have remained tangled up with documentation nevertheless, and an uneasy relationship to documents persists. This article focuses on this persistence of discomfort. Drawing upon my own experience attending Marina Abramović’sSeven Easy Pieces(2005), I ask what it might mean to endure documents. Responding to criticisms that Abramović recreated documentation rather than performances, and focusing in on the durational form of the work, I argue that Abramović’s sustained embodied engagement with performance documentation offers new insights into how performance and its documents endure. [ABSTRACT FROM AUTHOR]

This article analyses visitor articulations used by managers and key documents of three Estonian public knowledge institutions. Three visitor articulations were identified in the analysed material, namely visitors as the people, as target groups, and as stakeholders, each related in this article to a specific body of literature. These articulations are co-existent semantic tools, used by public knowledge institutions to make sense of the complex relationships with people that cross the boundaries protecting the institutions from the outside world(s). They show how Estonian museum and library culture has sought to balance the more traditional educational paradigm with marketing-driven and democratic paradigms. Despite these changes, the article also argues that all three articulations have a significant role to play in organising the institutional governance of the visitors, enabling visitors to, and disabling them from, performing specific practices. Although the third visitor articulation (the visitor as stakeholder) holds the promise of a more democratised relationship between visitors and institutions, even in this case, we can still see the logics of governmentality at work. [ABSTRACT FROM PUBLISHER]

An enlarged Europe is addressing the challenge of territorial cohesion on the basis of a disciplinary and operative framework formed by a number of evolving documents and provisions to be applied and developed at different administrative and planning levels. Rapid and profound changes have occurred in previous decades as far as institutional framework, the role of actors and issues to be tackled are concerned, within a re-scaling process of territorial governance. In this context, small territories can take advantage of European funds, but experience a hard confrontation with the market economy and supra-local visions, use of resources and infrastructure projects. A decisive role, in many countries, has been gained by regional authorities, which must mediate among various territorial levels, institutions and actors involved in a multilevel governance process. The paper focuses on spatial and regional/territorial planning processes among the European dimension, Member States and regions, on the basis of a case study conducted in Northern Italy. The aim is to determine the role of European spatial planning as a 'learning machine' [Faludi, A. (2008) European Territorial Cooperation and Learning, disP 172, (1/2008), pp. 3-10.] able to support processes of mutual learning and cooperation, overcoming the attitude of compliance to upper level schemes and financial programmes rather than innovating usual procedures and territorial planning. [ABSTRACT FROM AUTHOR]

This article presents a model-centered approach for rich document production and delivery to the accessible Web. A profile modeling task is proposed, where multidisciplinary teams can discuss users, devices, and usage scenarios, to grasp and synthesize rich scenarios for document delivery on the Web. A document production framework is presented, composed by different accessibility-aware components, affording the range of scenarios that might be modeled. By using this approach, documents are tailored to users in such a way that rich interaction capabilities are maintained, without sacrificing content accessibility. [ABSTRACT FROM AUTHOR]

Memory is notoriously unreliable. Hindsight can contaminate what you think happened earlier. So a really professional student of the history of science-the author have in mind a virtuoso of the subject like Don Patinkin-takes all claims from memory with a grain of salt. "Show me your documents, reprints, contemporancous lecture notes," he correctly insists before he awards credits for scientific novelty and innovation. The author want to engage here in a related exercise. This time he seek to dredge his memory not in order to capture past scientific understandings but father to try to recall past puzzlements and vague dissatisfactions with received theories and paradigms. Even a scholarly purist Iike Patinkin may find the present endeavor of interest. It is less pretentious than the 1968 effort, in that this is a tale of recognized inadequacies. It would not be of great scientific interest if the author were to belabor the fact that, during the Great Depression, the widespread suffering he saw aroused his humanitarian sympathies. What is of scientific interest is how the observed, omnipresent hardships constituted a challenge to his belief in the economic theories he was engaged in mastering.