65 results on '"Fiction -- Criticism and interpretation"'
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2. Melville's Bartleby, The Scrivener
3. Alchemical fiction and political transformation: The History of the Golden Eagle
4. Bella and the beast (and a few dragons, too): Alasdair Gray and the social resistance of the grotesque
5. The MRIs of Sollers's fictions
6. 'We will make our own future text': allegory, iconoclasm, and reverence in Ishmael Reed's Mumbo Jumbo
7. In search of a further frontier: Cormac McCarthy's Border Trilogy
8. Questions of mastery in Alice Walker's The Temple of My Familiar
9. Thernstrom's The Dead Girl: the renunciation of storytelling
10. Making the shadow conscious: the enduring legacy of Gaston Leroux
11. Engendering metafiction: Textuality and closure in Margaret Atwood's Alias Grace
12. Scene, symbol, subversion: The evolving uses of mapping in Margaret Atwood's fiction
13. Verbs, voyeurism, and the stalker narrative in Cortazar's 'Continuidad de los parques'
14. Faulkner's 'The Sound and the Fury.'
15. Carver's 'Will You Please Be Quiet, Please?' (story by author Raymond Carver)
16. Faulkner's 'The Sound and the Fury.' (William Faulkner)
17. Lawrence's 'Sons and Lovers.' (D.H. Lawrence)
18. Morrison's 'Beloved.' (Toni Morrison)
19. Woolf's 'Mrs. Dalloway.' (Virginia Woolf)
20. Conrad's 'Heart of Darkness.' (Joseph Conrad)
21. Kromer's 'Waiting for Nothing.' (Tom Kromer)
22. Chopin's 'The Awakening.' (Kate Chopin)
23. Melville's 'Moby Dick.' (Herman Melville)
24. Eliot's 'Middlemarch.' (George Eliot)
25. 'Der Zauberberg' and 'The Last Gentleman.'
26. 'A moral form to master commerce': the economies of DeLillo's 'Great Jones Street.' (Don DeLillo)
27. Morrison's 'The Bluest Eye.' (Toni Morrison)
28. Wharton's 'The Reef.' (Edith Wharton)
29. Betrayed
30. The resurrection of Milly Barton: at the nexus of production, text and re-production
31. Love, eroticism, and pornography in the works of Isabel Allende
32. Wharton's Roman Fever
33. Mann's Death in Venice
34. Hawthorne's 'The Scarlet Letter.' (Nathaniel Hawthorne)
35. Thackeray's 'Vanity Fair.' (William Makepeace Thackeray)
36. Weldon's 'The Life and Loves of a She-Devil.' (Fay Weldon)
37. Hemingway's 'The Short Happy Life of Francis Macomber.' (Ernest Hemingway)
38. Dreiser's 'An American Tragedy.' (Theodore Dreiser)
39. Swift's 'Gulliver's Travels.' (Jonathan Swift)
40. Melville's 'White-Jacket.' (Herman Melville)
41. Henry Roth's Call It Sleep
42. LE SIMULACRE INAUGURAL MICRO-LECTURE CAMUSIENNE
43. Clara Hopgood, Chess and Generalship
44. The nature and variety of signifying elements in Max Frisch's novel Homo faber: an approach
45. Austen's Mansfield Park
46. Joyce's 'Ulysses.' (James Joyce)
47. Dickey's 'Deliverance.' (James Dickey)
48. Fitzgerald's 'The Beautiful and Damned.' (F. Scott Fitzgerald)
49. Joyce's 'The Sisters.' (James Joyce)
50. Glasgow's 'Barren Ground.' (Ellen Glasgow)
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