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Copyright of Politica y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Historia Contemporanea is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Filología Alemana is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El modo frigio, poco habitual en el canon del rock anglosajón, es, sin embargo, un elemento estilístico profusamente empleado en el heavy metal. En especial, la supertónica descendida (b2) ha sido abordada en relación con su apropiación desde la masculinidad en el heavy metal y con su uso en estos repertorios como elemento de tensión y disonancia, en ocasiones vinculado a lo oscuro y a la fatalidad. El presente artículo examina procesos inter/hipertextuales y transfonográficos en torno al modo frigio, al intervalo de segunda menor y a la supertónica descendida en la música metal en España. Se presentan una diversidad de representaciones de esta estructura melódica o armónica, desde imaginarios sobre lo andaluz, español, árabe y flamenco en música que conectan estas estructuras musicales con el exotismo y el orientalismo, hasta su uso como marcador estilístico del metal sin evocaciones territoriales explícitas. Este signo musical, continuamente reapropiado dentro de un entramado complejo de significados presentes en la canción popular grabada de las bandas de metal, conforma un espacio de primer nivel en la enunciación de narrativas patrimoniales diversas. Estos aspectos son vinculados en el artículo a la construcción de discursos en torno a las identidades nacionales en España y la recreación de comunidades imaginadas basadas en mitos históricos y héroes nacionales, desde la exaltación de figuras como la del Cid hasta la evocación del pasado de Al-Ándalus.

The article deals with electoral campaign carried out by the Spanish Socialist Party for the general elections of November 1933. Starting from the importance that the new socio-cultural and political history attributed to the discourses in shaping identities and collective action, the article attempts to show the capital importance that the use of the national narrative had for socialism. In addition, by doing so, the article tries to draw attention to a central procedure in (re) construction and social dissemination of Spanish national identity, besides the processes of politicization and the role that socialism could play on it.

This paper analyzes how Spanish national identity was discussed and constructed in Spanish colonial discourse about Morocco. Some colonial sectors claimed that Spain was and should be a civilized nation in a period during which doubt was cast on its status as a modern nation. Spain was described as a decadent, almost African nation. This article will examine how national identity was discussed through the values and images of manhood. To do so, it will analyze the male archetypes –Spanish and Moroccan– drawn in colonial discourses created in Spain about Morocco during the Rif wars (1909-1927).

Copyright of Madrygal: Revista de Estudios Gallegos is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En el panorama contemporáneo japonés de medios de comunicación abundan los productos “cross-media”. También llamados “media mix”, es frecuente que estas franquicias mediáticas desarrollen rutas de distribución y consumo transnacionales. En este contexto mediático, cada vez es más popular entre las audiencias asiáticas el llamado “género gastronómico”. Por otra parte, la gastronomía juega un papel vital en las estrategias del gobierno japonés para atraer turismo extranjero y fomentar el doméstico. Este artículo analiza la relación entre comida, turismo, identidad nacional y cultura popular a través de El gourmet solitario, un media mix que relata las aventuras culinarias de un comercial por restaurantes locales de todo el país. Esta franquicia será analizada en relación al creciente “turismo de contenidos” que se refiere a viajes motivados por textos de la cultura popular. Para aquellos que no pueden viajar, El gourmet solitario funciona como una experiencia de “turismo cultural mediatizado” donde la comida se convierte en un importante repositorio de autenticidad cultural y de nostalgia.

Copyright of Politica y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Politica y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mirai. Estudios Japoneses is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Politica y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Historia Contemporanea is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Historia Contemporanea is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article examines the historical narratives inscribed in the material fabric of historic Jewish neighborhoods along a contemporary Jewish tourist route in Spain. Through an analysis of the guidebook, Paths of Sepharad, I explore the representation of Sephardic history and culture with respect to the growing popularity of heritage tourism and the creation of public memory. On the one hand, establishing a Jewish tourist route responds to a shift in Spanish tourism policy, which seeks to diversify the country’s tourist offerings and capitalize on the widespread infatuation with the past. Paths of Sepharad thus aims to attract a new breed of tourist –the “post-tourist”– who is motivated by a nostalgic desire for fantasy, historical voyeurism, and cultural difference. On the other hand, the commemoration of Spain’s tolerant, multicultural past and the appropriation of Sephardic heritage as its own contribu- tes to the image of Spain as a modern, pluralist democracy and helps contain potentially subversive discourses of radical “otherness”.

Copyright of Cuadernos de Historia Contemporanea is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Politica y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Politica y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Se pretende analizar el discurso identitario subyacente en dos obras impresas durante el reinado de Carlos III: el libro Discurso sobre el luxô de las señoras (1788) y el repertorio de grabados Colección de trages de España (1777-1790) de Juan de la Cruz Cano.

El trabajo presenta y comenta una serie de datos procedentes de una encuesta llevada a cabo en 2005 en la Comuni-dad Autónoma de Madrid y en la pro-vincia de Barcelona, con opiniones de los entrevistados acerca de si España es una nación o un Estado, cuál es el sen-timiento de la propia identidad, qué beneficios diferenciales ha producido el Estado de las autonomías, y cuál ha sido la experiencia para la propia Co-munidad Autónoma. Se presentan tam-bién opiniones acerca del modo de orga-nización del Estado, de posibles refor-mas de la Constitución (incluyendo la autodeterminación), y concluye aludien-do a los procesos de reforma estatutaria, y especialmente a la necesidad de exa- minar todo ello con mirada cualitativa sin limitarse a los datos de encuesta

La construcción de las representaciones sobre la identidad nacional ha sido a lo largo de la historia de las sociedades un proceso profundamente complejo en el que la acción mediadora de agentes diversos ha perfilado el carácter con el que hoy se identifican los miembros de una nación. En el caso particular de México, el Esta-do, tras el movimiento revolucionario que inició en los primeros años del siglo XX, se convirtió en el depositario de los valo-res nacionales a través de una estructura partidista-estatal jerárquicamente cohe-sionada que institucionalizó los princi-pios de la Revolución. Así, lo nacional- mexicano, al nivel del discurso oficial, ha sido una representación de control social que definió el rumbo del poder durante más de 60 años e hizo de ella su principal baluarte de legitimación durante toda una época.

Copyright of Revista de Antropología Social is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)