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Your search keyword '"Wanderlan da Silva Alves"' showing total 4 results
Start Over Author "Wanderlan da Silva Alves" Publisher universidade de brasilia
4 results on '"Wanderlan da Silva Alves"'

1. O discurso de Luiz Ruffato em Frankfurt: polêmica, recepção inicial e paradigmas em disputa

Author

Wanderlan da Silva Alves

Subjects
discurso crítico, literatura contemporá nea, crítica literaria contemporánea, luiz ruffato, French literature - Italian literature - Spanish literature - Portuguese literature, PQ1-3999
Abstract

En este artículo analizamos la configuración del discurso del escritor brasileño Luiz Ruffato en la apertura de la Feria del Libro de Frankfurt de 2013, acudiendo a su textualidad en tanto polémica, amén de las tensiones asociadas con la recepción inmediatamente posterior a su lectura en la feria. Buscamos demostrar que dicho discurso, en su relación con la situación de enunciación y con el abanico de disputas de territorios y lugares discursivos que su puesta en escena ha desencadenado, actúa como acto de habla que apunta a la emergencia de una nueva cultura en el campo de las artes en curso en la literatura contemporánea en Brasil.

Published
2016

2. Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto 'Sessão das quatro', de Roberto Drummond

Author

Wanderlan da Silva Alves

Subjects
alfred hitchcock, roberto drummond, literature and movie, narrative and politic, French literature - Italian literature - Spanish literature - Portuguese literature, PQ1-3999
Abstract

We analyze the short-story “Sessão das quatro”, by Brazilian writer Roberto Drummond, and the movie Rear Window, by Alfred Hitchcock. We discuss the language of narratives, focusing some points of borders and intersections between aesthetical and political elements in the construction and representation of forms of power. The characters of these narratives are inserted in the lands where the idea of public or private space is diffuse, the freedom is besieged, and the violence forms some structural elements of the reality. Then, the creation of alternative places for the enunciation gives to characters some possibilities for a critical action in that space where the concepts of law and ethic constitute the exception.

Published
2012

3. O entrelugar da experimentação no romance latinoamericano contemporâneo: Manuel Puig e Caio Fernando Abreu

Author

Wanderlan da Silva Alves

Subjects
manuel puig, caio fernando abreu, experimentation, contemporary latin american novel, French literature - Italian literature - Spanish literature - Portuguese literature, PQ1-3999
Abstract

We analyze the speech and forms of narrative experimentation developed by Manuel Puig and Caio Fernando Abreu in Boquitas pintadas and Onde andará Dulce Veiga? from the notion of interplace. Such a place, unstable and marked by symbolic exchanges, allows us to think, in both novels, about the conditions under which subjective experiences and aesthetic are triggered. By presenting themselves as possible in the context in which such works are produced, marked by the excess of information, the publishing of market demands, the cultural industry determinations, and by the dialogue with mass culture and a massive and diversified public. Whenever it is possible, such considerations extend even to determined experimentalist literary production, developed in Latin America, between the 70s and 90s approximately.

Published
2010

4. Borders and intersections between aesthetic and politic in the movie Rear Window, by Alfred Hitchcock, and the short-story 'Sessão das quarto', by Roberto Drummond

Author

Wanderlan da Silva Alves

Subjects
Literature and Literary Theory, French literature - Italian literature - Spanish literature - Portuguese literature, Roberto Drummond, media_common.quotation_subject, roberto drummond, Art history, narrative and politic, Representation (arts), Art, Private space, Alfred Hitchcock, literature and movie, Power (social and political), Politics, Rear window, Performance art, Narrative, narrativa e política, literatura e cinema, alfred hitchcock, PQ1-3999, media_common
Abstract

Analisamos o conto "Sessão das quatro", do escritor Roberto Drummond, e o filme Janela indiscreta (Rear Window), de Alfred Hitchcock, investigando como a linguagem de cada uma das narrativas representa, na sua forma, certos limites e intersecções do estético com o político. A partir de tensões individuais, as personagens dessas narrativas se veem inseridas em situações cotidianas em meio às quais as noções de público e privado se apresentam de modo difuso, a liberdade individual se encontra sitiada, e a violência (simbólica e de fato) emerge como elemento constitutivo de sua realidade. Sob tal condição, a criação de lugares enunciativos alternativos possibilita às personagens encontrar possíveis modos de agir criticamente num universo em que as leis e seus princípios éticos estão comprometidos por contextos de exceção. We analyze the short-story "Sessão das quatro", by Brazilian writer Roberto Drummond, and the movie Rear Window, by Alfred Hitchcock. We discuss the language of narratives, focusing some points of borders and intersections between aesthetical and political elements in the construction and representation of forms of power. The characters of these narratives are inserted in the lands where the idea of public or private space is diffuse, the freedom is besieged, and the violence forms some structural elements of the reality. Then, the creation of alternative places for the enunciation gives to characters some possibilities for a critical action in that space where the concepts of law and ethic constitute the exception.

Published
2012

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