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Made available in DSpace on 2021-07-14T10:22:06Z (GMT). No. of bitstreams: 0 Previous issue date: 2002. Added 1 bitstream(s) on 2021-07-14T11:28:31Z : No. of bitstreams: 1 S0101-31732002000100005.pdf: 71195 bytes, checksum: 145a707b5ee1df54147bfb9801dd4ebc (MD5) A concepção teatral de Brecht não é radicalmente oposta à de Aristóteles. A estética brechtiana, em muitos aspectos, é herdeira das idéias de Aristóteles. O teatro épico proposto por Brecht tem em seu horizonte de combate o teatro de matriz naturalista e o drama psicológico. Mimese e catarse não significam identificação do público com a cena e com o herói. The Bertold Brecht's conception of the theater is not radically opposed to that of Aristotle. Brechtian aesthetics is, in many aspects, heiress of Aristotle's ideas. The epic theater proposed by Brecht opposes naturalistic theater and psychological drama. Mimesis and catharsis don't mean the identification of the public with the scene and the hero. Universidade Estadual Paulista, Faculdade de Filosofia e Ciências Universidade Estadual Paulista, Faculdade de Filosofia e Ciências

Submitted by Guilherme Lemeszenski (guilherme@nead.unesp.br) on 2013-08-22T18:53:50Z No. of bitstreams: 1 S0101-31731989000100002.pdf: 3068907 bytes, checksum: 5e65d9a7cb7be67a6b5592b857af0606 (MD5) Made available in DSpace on 2013-08-22T18:53:50Z (GMT). No. of bitstreams: 1 S0101-31731989000100002.pdf: 3068907 bytes, checksum: 5e65d9a7cb7be67a6b5592b857af0606 (MD5) Previous issue date: 1989-01-01 Made available in DSpace on 2013-09-30T18:14:52Z (GMT). No. of bitstreams: 2 S0101-31731989000100002.pdf: 3068907 bytes, checksum: 5e65d9a7cb7be67a6b5592b857af0606 (MD5) S0101-31731989000100002.pdf.txt: 37296 bytes, checksum: b95d35b0caa3446bfbcf194c127337ba (MD5) Previous issue date: 1989-01-01 Submitted by Vitor Silverio Rodrigues (vitorsrodrigues@reitoria.unesp.br) on 2014-05-20T13:31:20Z No. of bitstreams: 2 S0101-31731989000100002.pdf: 3068907 bytes, checksum: 5e65d9a7cb7be67a6b5592b857af0606 (MD5) S0101-31731989000100002.pdf.txt: 37296 bytes, checksum: b95d35b0caa3446bfbcf194c127337ba (MD5) Made available in DSpace on 2014-05-20T13:31:20Z (GMT). No. of bitstreams: 2 S0101-31731989000100002.pdf: 3068907 bytes, checksum: 5e65d9a7cb7be67a6b5592b857af0606 (MD5) S0101-31731989000100002.pdf.txt: 37296 bytes, checksum: b95d35b0caa3446bfbcf194c127337ba (MD5) Previous issue date: 1989-01-01 A primeira peça de Vladimir Maiakóvski, Vladimir Maiakóviski: uma tragédia, de 1913, é composta sob o signo da abstração. A metáfora das personagens, a poesia metonímica e o deslocamento do foco de ação do sujeito para o objeto contribuem para a construção de imagens cênicas abstratas da alienação. O principal procedimento poético do autor é o alegórico. Vladimir Maiakóvski's first theater play, called Vladimir Maiakóvsky: a tragedy, written in 1913, was elaborated by using an abstract symbolism. The metaphor of the characters, the metonymy in the poetry and the displacement of the main focus of the play from the subject's action towards the object contributed to the production of scenic images of alienation. The main procedure used by the author is allegory. UNESP Faculdade de Filosofia e Ciências Departamento de Filosofia UNESP Faculdade de Filosofia e Ciências Departamento de Filosofia