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[EN] Pulps from different citrus fruits are relevant agro-industrial co-products in the Mediterranean area in terms of amounts produced and availability. Moreover, part of the product is dehydrated, which increases its interest in monogastric species such as rabbits. Seventy eight samples from various Spanish producers using several types of fresh fruits (orange, tangerine, lemon and pomelo) and different processing methods of orange and tangerine samples (either fresh or dried after adding Ca(OH)2) were analysed for their chemical composition and in vitro digestibility. Average dry matter (DM) contents of ash, neutral detergent fibre, acid detergent fibre, acid detergent lignin (ADL), soluble fibre, crude protein (CP), insoluble neutral and acid detergent CP, ether extract and gross energy were 49.0, 226, 139, 12.1, 213, 71.2, 13.1, 4.2, 30.5 g and 17.8 MJ/kg DM, respectively. Mean DM and CP in vitro digestibility were 86.7 and 95.6%, respectively. Digestible energy was estimated to be 15.1 MJ/kg DM. A high variability (coefficient of variation from 17% for CP to 60% for ADL) was observed among the samples for most of the traits studied, which was partially explained by the effects of type of fruit and processing. Lemon pulps had on average higher ash and fibre but lower sugar contents than the other pulps. Dehydration processes increased ash content (almost double than for fresh pulp) due to lime addition. As regards the current results, citrus pulp has potential for use in rabbit diets as a source of energy and soluble fibre.

[EN] We investigate how videodance provides all necessary tools and specific qualities works as a strategy to develop projects of collective memory recovery a nd cultural identity. Previously, we take Reinaldo Laddaga and Michael de Certeau as the main theoretical references to make a conceptual distinction between the words <> and <>, and understand how videodance can be organized in achieving these particular aims. We review specific cases where the collective memory about a place or event has been recovered through dance or videodance. The development of the theoretical framework provides context of our own artistic production: the documentary film - videodance VIEJA ERA DE HORCAJO. Lugar de Memoria y Danza. The frame is trying to justify the used tactics: historical review, ethnographic research, an analysis of the place, site - s pecific dance intervention, identifying collective memo ry based on the interview as documentary resource and important artistic references support. Horcajo is a small village of Las Hurdes (Extremadura), where the rural flights and the population ageing have provoked that some places of heritage interest, a s well as the cultural events that were developing there, are gradually declining. One of these spaces is the threshing floor , where we try to recover and regenerate its memory through the artistic intervention., [ES] Investigamos cómo la videodanza , por sus aspectos formales y sus cualidades específicas, sirve de estrategia y ofrece las herramientas necesarias para el abordaje de proyectos de recuperación de la memoria colectiva y de identidad cultural . Previamente t omamos como principales referentes teóricos a Reinaldo Laddaga y Michael de Certeau, para tener como punto de partida la distinción conceptual de los términos <> y <> , y e ntender cómo la videodanza pued e organizarse en la consecución de estos objetivos particulares . H acemos revisión de casos concretos en lo s que a través de la da nza y la videodanza se ha logrado mantener o recuperar la m emoria colectiva en torno a un lugar o acontecimiento. El desarrollo del marco teórico s irve de contexto de nuestra propia producción artística: la videodanza – documental VIEJA ERA DE HORCAJO. Lugar de Memoria y Danza . El marco busca justificar las tácticas empleadas: la revisión histórica, la investigación etnográfica, un análisis del luga r, una intervención dancística site - s pecific , la identificación de memoria colectiva en base a la entrevista como recurso documental y el apoyo en fuertes referentes artísticos. Horcajo es una pequeña alquería de las Hurdes (Extremadura), donde el éxodo rural y el envejecimiento de la población han provocado que algunos lugares de interés patrimonial, así como las manifestaciones culturale s que allí se desarrollaban, entren en declive. Uno de estos espacios es la era, donde pretendemos recuperar y regenerar su memoria a través de la intervención artística.