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Observers have the ability to recognize nuanced information about biological figures such as human bodies from as few as 12 light dots placed at active articulation points (Cutting, Proffitt, & [...], This study uses point light displays both to investigate the roles of global and local motion analyses in the perception of dynamic facial expressions and to measure the information threshold for reliable recognition of emotions. We videotaped the faces of actors wearing black makeup with white dots while they dynamically produced each of 6 basic Darwin/Ekman emotional expressions. The number of point lights was varied to systematically manipulate amount of information available. For all but one of the expressions, discriminability (d) increased approximately linearly with number of point lights, with most remaining largely discriminable with as few as only 6 point lights. This finding supports reliance on global motion patterns produced by facial muscles. However, discriminability for the happy expression was notably higher and largely unaffected by number of point lights and thus appears to rely on characteristic local motion, probably the unique upward curvature of the mouth. The findings indicate that recognition of facial expression is not a unitary process and that different expressions may be conveyed by different perceptual information, but in general, basic facial emotional expressions typically remain largely discriminable with as few as 6 dynamic point lights. KEYWORDS: facial expression, emotion, biological motion, recognition, facial muscles, local and global motion, happy, sad, fearful, angry, disgusted, surprised

Previous research indicated that most salient, real-world objects possess natural regularities that observers commonly assume in perceptual judgments of figural orientation and interpretation. Regularities include 3-dimensionality, bilateral symmetry, and the tendency for object tops to possess more salient information than bottoms. Thus, when observers interpret randomly shaped figures, they reliably impose volume, bilateral symmetry, and top and front orientation directions, even when figures are 2-dimensional and asymmetric. We confirmed generalizability for observers to assume these regularities with stimuli that vary in complexity, and we found evidence supporting another regularity, that of symmetry verticality (symmetry about a vertical axis). Findings support use of a family of perceptual heuristics corresponding to natural regularities that constrain stimulus indeterminacy and help guide judgment of object orientation and interpretation.