Search

In this paper ideas of literary anthropology that legitimize research of fiction work in socio-cultural anthropology are combined with the theories and methodologies of migration studies. Novels can be used as a source for understanding and interpreting certain phenomena from our socio-cultural reality and be an object of research. Therefore, this paper analyzes the novel Snowman (1996) by David Albahari from his so-called "Canadian Trilogy". It is his first novel after his emigration to Canada from Serbia in 1994. This paper aims to draw attention to the possibilities and potentials of anthropological analysis of Serbian literature that originated in Canada as one of the possible strands of literary anthropology. Is a prerequisite for successful integration of the first generation of immigrants good competence in the foreign language, a prestigious and wellpaid job, and higher education? The answer to this question can contribute to a better understanding of the fictional representation of migrants and be useful in anthropological studies of contemporary migrations. To test this hypothesis, we have juxtaposed the novel "Snow-man" with Albahari's collection of essays "Diaspora and other things" on the life of immigrants in Canada based on the author's personal experiences and experiences of his co-nationals in Canada, and working biography of the author. Furthermore, we test Robert Park's concept of the "marginal man". While researching American Jews, Park concluded that they are "men on the margin of the two cultures" and that "marginal men personality" is a "cultural hybrid", developed as a reaction to life in new surroundings. Finally, in the analysis section Milton Bennett's method "developmental model of intercultural sensitivity" is used. Bennett's model consists of six stages: denial, defense, minimization (first stage) and acculturation, adaptation, integration (second stage) and can be applied for the purpose of interpreting immigrants' experiences in a for

The vaccine is considered in academic, foremost medical, but also in political and public discourse as one of the greatest human achievements. Immunization has saved and is saving millions of lives around the world. However, from a historical perspective, immunization was always followed by more or less public resistance due to its alleged negative side-effects, such as outbursts of severe illnesses. A mandatory childhood vaccine against measles, mumps, and rubella (MMR) is part of the current controversy over the harmfulness of vaccines in Serbia. In view of the fact that the media is an important source for transmitting health messages and understanding health issues, the subject of this paper is the media presentation of MMR immunization in Serbia. How was the state health care narrative on MMR immunization presented in the Serbian daily press during the last two measles outbreaks in 2014-2015 and 2017-2018? By using the theoretical "text-context-hypertext" approcah to media content by Ljiljana Gavrilovic, Serbian broadsheets and daily papers, such as Blic, Kurir, Politika, Vecernje Novosti, from the period 2014-2020, are analyzed. The preliminary results show that the news that concurs with the 2014-15 measles epidemic differs greatly from the news during the 2017-18 epidemic. During the first period, the papers carried medical experts' advice on the benefits and importance of the MMR vaccine, criticizing (irrational and emotional) parents (mostly mothers) who do not vaccinate their children, in parallel with parental lay evidence on its harmfulness. From approximately 2017 anti-vaccination attitudes disappeared from the newspapers, even from the yellow press. This is concomitant with the new Law on the Protection of the Population against Communicable Diseases (2016), which penalizes anti-vaccination lobbying. In other words, instead of gaining public trust in the health sector and the state by presenting facts, offering dialogue with opponents and systematic e

Serbian church chant represents traditional liturgical chant of Serbian Orthodox Church. It has its foundations in Greek medieval musical tradition and Serbian folk singing. Most probably it is established during the 18th and at the beginning of the 19th century. In this period, it was cultivated especially in the monasteries of Fruska Gora and theological and secular schools in the Metropolitanate of Karlovci. In the forthcoming decades, it was transmitted exclusively orally. Melographic scripts and sound recordings of this chant tradition, the ones from the 19th century, the ones from the beginning of the 20th century and the new ones, represent a testimony of living musical tradition within the Serbian Orthodox Church. This chant is preserved till today in its recognizable variants. We accept general definitions of intangible cultural heritage as living, dynamic and vital heritage and as a form of national property which can be found in oral tradition, language, songs and traditional music. In this regard, in this paper, we will demonstrate the significance of Serbian church music as a form of intangible cultural heritage. Thus, we found an important stronghold in several facts concerning church and folk music. The examples from the whole world ascertain the significant status of religious music on UNESCO's (Representative) List of the Intangible Cultural Heritage of Humanity. Furthermore, on Serbian National Register of Intangible Cultural Heritage are present various examples of traditional secular musical practice. By stressing the significance of Serbian church chant as a segment of Serbian cultural and spiritual identity, we will emphasize not only, ethnic", but likewise global character of this church music tradition.

The paper represents a short historical overview of key anthropological figures in Anglo-American and French anthropology of photography such are Boas, Malinowski, Evans-Pritchard, Mead and Bateson, Levi-Strauss and (John) Collier till the current visual anthropologists as Banks, Pink, Ruby, Pinney, and Edwards, among many. Furthermore, the major theoretical ideas such are: objectivity and subjectivity of photography, its material, and intangible aspects, its representative potential, ethical issues and reflexive approach are discussed. At the end, several anthropological projects which include photography are mentioned in order to suggest possible research pathways. I will mention few. Pink asserts the importance of ethnographic hypermedia which includes written text, images, video, photographs and sound in order to create interactive scholarly publications. During his ethnographic research of cultural aspect of wine producing in Burgundy, Coover's work resulted in electronic ethnography and internet photo study of harvest in order to establish a better connection between the viewer-reader and his work. At the beginning unintentionally, Loescher collaborated with children during her visual research of contemporary urban childhood in Manchester by giving them her still camera. As a result, she was able to better understand their worldviews and their lifestyle. Another collaborative work was between Pink and documentary photographer, da Silva, who made a visual documentary project among two fishing communities in England and Portugal. Finally, the paper mentions Edwards' research on archival research of museum photography which stresses the role of photography in creating and manipulating with the past.

The subject of this paper is a Serbian feature film Dear Video from 1991. Two brothers, one who is living in Germany and the other who is living in Serbian village and their families are communicating through VHS video tapes. Instead of facilitating their communication, the VHS video tapes actually reveal all that was suppressed and hidden from surface relationships (dishonesty, jealousy, deceptions). Thus, this paper combines two approaches: film ethnography (its diegesis) explained by Kovacevic and Herzfeld's cultural intimacy applied in Serbian film analysis by Naumovic. Feature films, as part of pop cultural phenomena, interpret and give comments on socio-cultural phenomena and therefore can serve also as cognitive tools for understanding the world around us. The aim of the paper is to examine how this film solves the issue of unsuccessful modernization of Serbian villages, in other words, why guest workers did not have greater and more important influence on modernization on their places of origins. The film shows discord between the two brothers, discord among cousines, discord among villagers and discord among different nationalities in Yugoslavia. At the same time, discord can be interpreted as a self-defiant inner voice of the Serbs, and thus as the example of cultural intimacy and part of Serbian cultural identity. Consequently, these disharmonies can be understood as the answer of failed modernization.

The paper represents a short historical overview of key anthropological figures in Anglo-American and French anthropology of photography such are Boas, Malinowski, Evans-Pritchard, Mead and Bateson, Levi-Strauss and (John) Collier till the current visual anthropologists as Banks, Pink, Ruby, Pinney, and Edwards, among many. Furthermore, the major theoretical ideas such are: objectivity and subjectivity of photography, its material, and intangible aspects, its representative potential, ethical issues and reflexive approach are discussed. At the end, several anthropological projects which include photography are mentioned in order to suggest possible research pathways. I will mention few. Pink asserts the importance of ethnographic hypermedia which includes written text, images, video, photographs and sound in order to create interactive scholarly publications. During his ethnographic research of cultural aspect of wine producing in Burgundy, Coover's work resulted in electronic ethnography and internet photo study of harvest in order to establish a better connection between the viewer-reader and his work. At the beginning unintentionally, Loescher collaborated with children during her visual research of contemporary urban childhood in Manchester by giving them her still camera. As a result, she was able to better understand their worldviews and their lifestyle. Another collaborative work was between Pink and documentary photographer, da Silva, who made a visual documentary project among two fishing communities in England and Portugal. Finally, the paper mentions Edwards' research on archival research of museum photography which stresses the role of photography in creating and manipulating with the past., Rad predstavlja pregled najvažnijih antropologa, pre svega u anglo-američkoj i francuskoj tradiciji, koji su uticali na stvaranje antropologije fotografije i dalje utrli njen put, poput Boasa, Malinovskog, Evansa-Pričarda, Mid i Bejtson, Levi-Strosa i Džona Kolijera. Zatim, u radu se izlažu savremena promišljanja na temu fotografije u istraživanjima (Pink, Edvards, Rubi i Pini) i predstavlja nekoliko primera novijih inovativnih istraživačkih projekata kao što su: analize arhivske muzejske i istorijske fotografije, elektronski hipermediji, kolaborativni projekti s ispitanicima i fotografima, foto-esej i „fotografsko izmamljivanje“. Cilj rada je da prikaže da fotografija ne treba da bude samo tehničko pomagalo pri terenskom radu, već da nudi naučni i kreativni potencijal za savremenu antropologiju.