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The early medieval coin‐using economy is traditionally conceptualized as a masculine sphere with minimal female involvement. This article examines a corpus of 135 gold and pale gold coins of the later sixth and seventh centuries that underwent modification as coin‐pendants, a form of jewellery that belongs almost exclusively to feminine contexts. Analysis of this corpus reveals that these coins were valued as coins, with their attendant symbolic and economic significance, and that this transformation into jewellery did not irreversibly remove them from circulation, offering important evidence for female engagement in the seventh‐century coin‐based economy. [ABSTRACT FROM AUTHOR]

The original fineness of coins is very important information that can help us to understand the commercial situation in a wide historical context. This paper deals with a comparison of analytical methods suitable for the evaluation of the actual and original fineness of coins based on a detailed case study of a medieval coin sample. Both non‐destructive (i.e., scanning electron microscopy/energy‐dispersive X‐ray spectroscopy, X‐ray fluorescence, atomic force microscopy and hydrostatic weighing) and destructive (i.e., inductively coupled plasma – mass spectrometry and the Volhard titration method) techniques were used. The original fineness can be also deduced from knowledge of the internal structure of the coin (limited miscibility of copper and silver). A new analytical method based on a combination of a micrograph of the metallographic cross‐section with consequent image analysis was developed for determination of the original fineness. The proposed approach is relatively simple and provides reliable values. Sample heterogeneity and its impact on the determination of fineness are also discussed. [ABSTRACT FROM AUTHOR]

This article uses the approach of diplomatic semiotics to explore early medieval signs of authority in charters and on coins, especially the monogram and the sign of the cross used as an individual ‘signature’. Coins and charters used these signs communicating royal or imperial authority differently, addressing diverse regional and social audiences. From the fifth through the ninth centuries, the early medieval signum of a ruler gradually transformed from the individualizing sign of a particular monarch, designed to differentiate him symbolically from other rulers, to the generalizing sign of the king by the grace of God, which as a visual attribute of authority could be shared by several rulers. This transformation signified the inauguration of a new ‘medieval’ tradition in the communication of authority in late Carolingian times. [ABSTRACT FROM AUTHOR]