88 results on '"Flinders, Matthew"'
Search Results
2. Making Political Science Matter: The Advisory Roles of Political Scientists in the United Kingdom
- Author
-
Flinders, Matthew, Bandola-Gill, Justyna, Anderson, Alexandra, Brans, Marleen, editor, and Timmermans, Arco, editor
- Published
- 2022
- Full Text
- View/download PDF
3. Keep walking on the bright side: criticality, credit and challenge.
- Author
-
Flinders, Matthew
- Published
- 2023
- Full Text
- View/download PDF
4. Rising to Ostrom’s challenge: an invitation to walk on the bright side of public governance and public service
- Author
-
Douglas, Scott, Schillemans, Thomas, t Hart, Paul, Ansell, Christopher, Andersen, Lotte B, Flinders, Matthew, Head, Brian, Moynihan, Donald, Nabatchi, Tina, O'Flynn, Janine, Raadschelders, Jos, Sancino, Alessandro, Sørensen, Eva, Torfing, Jacob, Public management en publieke innovaties, UU LEG Research USG Public Matters, Public management en gedrag, and Bestuur en beleid
- Subjects
Coping (psychology) ,Introduction ,positivescholarship ,Public Administration ,business.industry ,Organizational studies ,Corporate governance ,Public policy ,effectiveness ,positive scholarship ,Public relations ,Core (game theory) ,Scholarship ,Public governance ,Political science ,Political Science and International Relations ,Public service ,Positive psychology ,business ,Symposium on Learning ,policy success ,high performance - Abstract
In this programmatic essay, we argue that public governance scholarship would benefit from developing a self-conscious and cohesive strand of “positive” scholarship, akin to social science subfields like positive psychology, positive organizational studies, and positive evaluation. We call for a program of research devoted to uncovering the factors and mechanisms that enable high performing public policies and public service delivery mechanisms; procedurally and distributively fair processes of tackling societal conflicts; and robust and resilient ways of coping with threats and risks. The core question driving positive public administration scholarship should be: Why is it that particular public policies, programs, organizations, networks, or partnerships manage do much better than others to produce widely valued societal outcomes, and how might knowledge of this be used to advance institutional learning from positives?
- Published
- 2021
5. Failure isn’t the only teacher: Journals must overcome negativity bias
- Author
-
Flinders, Matthew, t Hart, Paul, Public management en gedrag, and UU LEG Research USG Public Matters
- Published
- 2021
6. Explaining Majoritarian Modification: The Politics of Electoral Reform in the United Kingdom and British Columbia
- Author
-
Flinders, Matthew
- Published
- 2010
7. CONSTITUTIONAL ANOMIE AND THE SEARCH FOR A NEW NARRATIVE
- Author
-
FLINDERS, MATTHEW
- Published
- 2009
8. Dasypogon bromeliifolius.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of the Pineapple bush by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
9. Calectasia cyanea.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of the Star of Bethlehem plant by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
10. Azolla pinnata. Corysanthes fimbriata.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of the Water fern (top) and the Fringed Helmet Orchid (bottom) by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
11. Synaphea dilatata.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of a small Western Australian shrub by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
12. Eupomatia laurina.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of the Copper Laurel by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
13. Antiaris macrophylla.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of the Antiaris tree by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
14. Franklandia fucifolia.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of the Lanoline Bush by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
15. (Title page to) Volume II, A Voyage to Terra Australis, undertaken for the purpose of completing the discovery of that vast country, and prosecuted in the years 1801, 1802 and 1803, in His Majesty's Ship the Investigator...
- Author
-
Flinders, Matthew, 1774-1814
- Subjects
- London
- Abstract
"One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
16. (Text page to) (con't) A list of the Plates, With Directions to the Binder.
- Author
-
Flinders, Matthew, 1774-1814
- Subjects
- London
- Abstract
"One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
17. (Covers to) Volume II, A Voyage to Terra Australis, undertaken for the purpose of completing the discovery of that vast country, and prosecuted in the years 1801, 1802 and 1803, in His Majesty's Ship the Investigator...
- Author
-
Flinders, Matthew, 1774-1814
- Subjects
- London
- Abstract
"One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
18. Eudesmia tetragona.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of the Eucalyptus x tetragona by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
19. Cephalotus follicularis.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of the Australian pitcher plant by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
20. Flindersia australis.
- Author
-
Flinders, Matthew, 1774-1814 and Bauer, Ferdinand, 1760-1826
- Subjects
- Australia, London
- Abstract
Botanical illustration of Crows Ash by Ferdinand Bauer, who illustrated the plants collected by Robert Brown the naturalist on the Flinders expedition, who can be called ‘The Father of Australian botany’, for his effort in collecting over 3,900 specimens, of which 140 genera were new to science. Brown’s specimens and Prodromus published in 1810 formed the foundation for George Betham’s Flora Australiensis (1863-1878). In 1800 Sir Joseph Banks arranged for Ferdinand Bauer to join the expedition of Matthew Flinders in the Investigator to Terra Australis. Bauer worked closely with Robert Brown the naturalist and together they collected and illustrated thousands of plants. By August 1803 Bauer had made 1000 drawings of plants and 200 of animals before returning to England in 1805. By then Bauer had made 2073 drawings, of which some 1540 drawings were of Australian plants and the remainder of plants from Norfolk Island, Timor and the Cape., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
21. (Text page to) A list of the Plates, With Directions to the Binder.
- Author
-
Flinders, Matthew, 1774-1814
- Subjects
- London
- Abstract
"One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
22. (Composite text page to) Preface.
- Author
-
Flinders, Matthew, 1774-1814
- Subjects
- London
- Abstract
"One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
23. (Text page to) (Dedication page)
- Author
-
Flinders, Matthew, 1774-1814
- Subjects
- London
- Abstract
"One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
24. Chart of Terra Australis. East Coast, Sheet V.
- Author
-
Arrowsmith, John, 1790-1873 and Flinders, Matthew, 1774-1814
- Subjects
- Australia, London
- Abstract
Map of the north-east coast of Queensland from Cape Grafton to Cape Flattery showing track of Investigator in 1802 and part of track of Cumberland in 1803. Relief shown by hachures and bathymetric soundings., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
25. Timor and some of the neighbouring islands.
- Author
-
Arrowsmith, John, 1790-1873 and Flinders, Matthew, 1774-1814
- Subjects
- Australia, London, Timor Island (Indonesia)
- Abstract
Has information added up to 1814. Hydrographic chart of seas around Timor Is. Relief shown by hachures and depth by bathymetric soundings., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
26. Chart of Terra Australis. North Coast, Sheet II.
- Author
-
Arrowsmith, John, 1790-1873 and Flinders, Matthew, 1774-1814
- Subjects
- Australia, London, Gulf of Carpentaria (Australia)
- Abstract
Map of Gulf of Carpentaria from Endeavour Strait to Arnhem Bay showing tracks of Investigator, 1802-1803 and Cumberland in 1803. Relief shown by hachures and bathymetric soundings. Insets: Gulph [i.e. Gulf] of Carpentaria [Sir Edward Pellew's Group] [Southernmost of Wellesley's Islands], "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
27. Views on the East Coast of Terra Australis ; Views on the East and North coasts of Terra Australis.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London
- Abstract
14 views on 1 sheet. No. 1. Entrance of Port Jackson taken May 9, 1802 No. 2. Entrance of Broken Bay taken July 22, 1802 No. 3. View from near Cape Byron taken July 25, 1802 No. 4. Part of the great Sandy Peninsula taken July 28, 1802 No. 5 View from the entrance of Keppel Bay taken Aug. 17, 1802 No. 6. Cape Manifold taken Aug. 19, 1802 No. 7. Part of Harvey's Isles taken Aug. 21, 1802 No. 8. Cape Clinton taken Aug. 23, 1802 No. 9. Land on the north side of Port Bowen taken Aug. 24, 1802 No. 10. Murray's Isles in Torres Strait taken Oct. 29, 1802 No. 11. Murray's Isles taken Oct. 30, 1802 No. 12. North eastern part of the Prince of Wales' Islands taken Oct. 31, 1802 No. 13. Land on the north side of Blue-mud Bay taken Jan. 29, 1803 [No. 14]. Samow Strait taken from the north point of Rottee taken March 30, 1803. Westall was a Royal Academy artist appointed to Mathew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
28. Chart of Terra Australis. East Coast, Sheet III.
- Author
-
Arrowsmith, John, 1790-1873 and Flinders, Matthew, 1774-1814
- Subjects
- Australia, London
- Abstract
Map of the coast of Queensland from Wide Bay to Flat Isles showing tracks of Norfolk in 1799, Investigator in 1802 and Porpoise, Cato, Bridgewater, Cumberland, Rolla and Francis in 1803. Relief shown by hachures and bathymetric soundings., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
29. Views on the South Coast of Terra Australis.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London
- Abstract
14 views on 1 sheet. No. 1. Cape Leeuwin, the south-west extremity of New Holland taken Dec. 7 1801 2. Cape Chatham taken Dec. 8, 1801 3. Eclipse Isles taken Dec. 8, 1801 4. Seal Island in K. George's Sound taken Dec. 9 1801 5. Middle Island in the Archipelago of the Recherche taken May 17, 1803 6. Cliffs, distant 5 or 6 miles taken Jan. 26, 1802 7. Cape Wiles taken Feb. 19, 1802 8, Cape Catastrophe taken Feb. 20 1802... 9. Thistle's Island : taken from the [anchorage] in Memory Cove Feb. 24 1802 10. Mountains at the head of Spencer's Gulph taken from the [anchorage] March 12 1802 11. Part of Kanguroo Island taken April 6, 1802 12. Cape Jervis taken from the [anchorage] near Kanguroo [i.e. Kangaroo] Head, April 6 1802 13. Entrance of Port Phillip, taken May 3 1802 14. Cape Schanck, taken May 3 1802. Westall was a Royal Academy artist appointed to Mathew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
30. North West Side of the Gulf of Carpentaria.
- Author
-
Arrowsmith, John, 1790-1873 and Flinders, Matthew, 1774-1814
- Subjects
- Australia, London, Gulf of Carpentaria (Australia)
- Abstract
Map of Gulf of Carpentaria from Groote Eylandt to Arnhem Bay showing tracks of Investigator and Cumberland, 1803. Relief shown by hachures and bathymetric soundings., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
31. General chart of Terra Australis or Australia; showing the parts explored between 1798 and 1803
- Author
-
Flinders, Matthew, 1774-1814 and Arrowsmith, John, 1790-1873
- Subjects
- Australia, London
- Abstract
First highly accurate map of Australia, although published 3 years after the Freycinet map of 1811 which is the first map to show the entire Australian coastline in detail., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
32. Chart of Terra Australis. South Coast, Sheet III.
- Author
-
Arrowsmith, John, 1790-1873 and Flinders, Matthew, 1774-1814
- Subjects
- Australia, London
- Abstract
Map of the coast of South Australia from Head of Bight to Encounter Bay showing track of Investigator, 1802. Relief shown by hachures and bathymetric soundings. Insets: Eastern extremity of Nuyts' Land. Nuyts' Archipelago. Scale [ca. 1:500 000] [Port Lincoln]. Scale [ca. 1:250 000] Head of Spencer's Gulf. Scale [ca. 1: 416 666], "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
33. Chart of Terra Australis. South Coast, Sheet V.
- Author
-
Arrowsmith, John, 1790-1873 and Flinders, Matthew, 1774-1814
- Subjects
- Australia, London, Bass Strait (Australia)
- Abstract
Map of Bass Strait and part of New South Wales from Cape Otway to Twofold Bay showing tracks of Investigator, 1798-1803. Relief shown by hachures and bathymetric soundings. Insets: [Port Phillip and Western Port] Twofold Bay Southernmost part of Furneaux's Islands Port Dalrymple discovered 1798, in the Norfolk sloop, by M. Flinders; with additional soundings written at right angles, from Mr. Collins' sketch, 1804., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
34. Chart of Terra Australis. South Coast, Sheet I.
- Author
-
Flinders, Matthew, 1774-1814 and Arrowsmith, John, 1790-1873
- Subjects
- Australia, London
- Abstract
Insets: King Geo. Sound with its harbours. Scale [ca. 1:190 080] Map of the south coast of Western Australia from Cape Leeuwin to Cape Arid showing tracks of Investigator, 1801-1803. Relief shown by hachures and bathymetric soundings. Plate II from atlas: A voyage to Terra Australis / by Matthew Flinders. London : G. and W. Nicol, 1814. Prime meridian: Greenwich. Archipelago of the Recherche. Scale [ca. 1:333 333], "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
35. View from the south side of King George's Sound.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London
- Abstract
William Westall was a Royal Academy artist appointed to Matthew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
36. Entance of Port Lincoln, taken from behind Memory Cove.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London
- Abstract
William Westall was a Royal Academy artist appointed to Matthew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
37. (Composite map of) Plates I-XVI, Chart of Terra Australis.
- Author
-
Flinders, Matthew, 1774-1814 and Arrowsmith, John, 1790-1873
- Subjects
- Australia, London
- Abstract
Composite of all 16 charts showing the areas mapped by Flinders, noting that he did not map the northwest coast. All charts shown at the same scale with the coast lines matched to the coast lines of the General Chart, Plate I., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
38. View in Sir Edward Pellew's Group; - Gulph of Carpentaria.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London, Gulf of Carpentaria (Australia)
- Abstract
William Westall was a Royal Academy artist appointed to Matthew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
39. View of Malay Road from Pobassoo's Island.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London
- Abstract
William Westall was a Royal Academy artist appointed to Matthew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
40. View of the Wreck-Reef Bank, taken from low water.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London
- Abstract
William Westall was a Royal Academy artist appointed to Matthew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective. "After Flinders' 'Investigator' was condemned as unseaworthy at Sydney in 1803, ending his Australian survey, he embarked with Westall as passengers in HM sloop 'Porpoise' to return to England, in company with the storeship 'Cato' and the Indiaman 'Bridgewater'. They sailed on 10 August 1803 but on the 17th both 'Porpoise' and 'Cato' ran aground 800 miles north of Sydney, on a sandbank subsequently known as Wreck Reef (or Reefs), part of the Great Barrier Reef. Both were quickly holed by coral and the larger 'Cato' broke up. Three men were lost but everyone else escaped onto a nearby dry bank, where they camped as shown in the painting, having salvaged what they could (including many but not all of Westall's drawings). The grounded and dismasted hull of the 'Porpoise' (a Spanish-built packet schooner captured in 1799) can be seen at far left. The 'Bridgewater' sailed on and later reported both ships lost without survivors. After nearly ten days without sign of help, Flinders then sailed back to Sydney in the 'Porpoise's' cutter and returned with the 29-ton schooner 'Cumberland', the schooner 'Frances' and the East Indiaman 'Rolla', which was bound for Canton, to pick people up. The 'Frances' took a few people back to Sydney: the majority, including Westall, went on to China in 'Rolla' as the next stage homeward. He first did some brief work there and then more during three months at Bombay before reaching England again in 1804. Flinders sailed directly from Wreck Reef for England with a selected volunteer crew in the 'Cumberland', but was detained on Mauritius as a prisoner of war for nearly six years after putting in there for repairs, owing to the schooner's leaky condition. Although Flinders had a French passport, this had been made out for 'Investigator', not personally for him and his crew in any other ship, and his high-handed approach to General Decaen, the French governor (who decided to treat him as a spy), was not well calculated to gain co-operative and early release. He only reached England again in October 1810. The image was engraved as one of the plates in Flinders ‘A Voyage to Terra Australis' (1814, and also separately published that year in Westall's 'Views of Australian Scenery'). It is the last plate in vol. 2, illustrating the dated journal text about the incident." (Royal Museums Greenwich catalog ZBA7935), "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
41. View of Port Bowen, from the hills behind the Watering Gully.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London
- Abstract
William Westall was a Royal Academy artist appointed to Matthew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
42. View of Murray's Islands, with the natives offering to barter.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London
- Abstract
William Westall was a Royal Academy artist appointed to Matthew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
43. View of Port Jackson, taken from the South Head.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Sydney (Australia), Australia, London
- Abstract
William Westall was a Royal Academy artist appointed to Matthew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
44. View on the north side of Kanguroo Island.
- Author
-
Flinders, Matthew, 1774-1814 and Westall, William, 1781-1850
- Subjects
- Australia, London
- Abstract
William Westall was a Royal Academy artist appointed to Matthew Flinders voyage at 19 years of age. His method of drawing topographical views was to rule up his drawing sheets in a grid pattern to obtain an accurate perspective., "One of the greatest of all classics of Australian exploration and discovery... Flinders' classic account of his voyage on board the Investigator records the full-scale expedition to discover and explore the entire coastline of Australia (which was the name that Flinders himself preferred and championed). The three volumes form a complete narrative of the expedition, including an authoritative introductory history of maritime exploration in Australian waters from the earliest times. The text contains a day-by-day account of the Investigator voyage and Flinders's later voyages on the Porpoise and the Cumberland. Robert Brown's "General Remarks, geographical and systematical, on the Botany of Terra Australis", which is illustrated by Ferdinand Bauer's botanical plates in the atlas, is printed as an appendix in the second volume. The text is illustrated by nine engraved plates and two double-page plates of coastal views in the atlas by the landscape painter William Westall, who travelled as official artist on the voyage. These are in many cases the very earliest views of the places visited and discovered on the voyage. Flinders' charts in the atlas were of such accuracy that they continued to be issued by the Admiralty for decades and form the basis of all modern charts of Australia. All the charts in the atlas here bear the imprint "W. & G. Nicol Pall Mall… 1814", an important point that identifies them all as being in the correct first issue form." (Hordern House, A unique assemblage of natural history, Item 11, 2019), Hill, 614; Tooley, pp. 77-9; Wantrup, 67a. For the full text of Volume I and II see https://archive.org/details/voyageTerraAustv1Flin/page/n7/mode/2up and https://archive.org/details/voyageTerraAustv2Flin
- Published
- 1814
45. Understanding Felt Accountability: The institutional antecedents of the felt accountability of agency‐CEO's to central government
- Author
-
Schillemans, Thomas, Overman, Sjors, Fawcett, Paul, Flinders, Matthew, Fredriksson, Magnus, Laegreid, Per, Maggetti, Martino, Papadopoulos, Yannis, Rubecksen, Kristin, Rykkja, Lise Hellebø, Salomonsen, Heidi Houlberg, Smullen, Amanda, Wood, Matt, Bestuur en beleid, UU LEG Research USG Public Matters, Bestuur en beleid, and UU LEG Research USG Public Matters
- Subjects
Marketing ,ComputingMilieux_THECOMPUTINGPROFESSION ,Sociology and Political Science ,Public Administration ,business.industry ,media_common.quotation_subject ,Corporate governance ,Perspective (graphical) ,Control (management) ,ComputingMilieux_LEGALASPECTSOFCOMPUTING ,Public relations ,Perception ,Central government ,Accountability ,Agency (sociology) ,business ,Autonomy ,media_common - Abstract
The literature on autonomous public agencies often adopts a top‐down approach, focusing on the means with which those agencies can be steered and controlled. This article opens up the black box of the agencies and zooms in on their CEO's and their perceptions of hierarchical accountability. The article focuses on felt accountability, denoting the manager's (a) expectation to have to explain substantive decisions to a parent department perceived to be (b) legitimate and (c) to have the expertise to evaluate those decisions. We explore felt accountability of agency‐CEO's and its institutional antecedents with a survey in seven countries combining insights from public administration and psychology. Our bottom‐up perspective reveals close connections between de facto control practices rather than formal institutional characteristics and felt accountability of CEO's of agencies. We contend that felt accountability is a crucial cog aligning accountability holders' expectations and behaviors by CEO's. publishedVersion
- Published
- 2021
46. sj-docx-1-aas-10.1177_00953997211004606 – Supplemental material for Conflictual Accountability: Behavioral Responses to Conflictual Accountability of Agencies
- Author
-
Schillemans, Thomas, Overman, Sjors, Fawcett, Paul, Flinders, Matthew, Fredriksson, Magnus, Laegreid, Per, Maggetti, Martino, Papadopoulos, Yannis, Rubecksen, Kristin, Rykkja, Lise H., Salomonsen, Heidi H., Smullen, Amanda, Verhoest, Koen, and Wood, Matthew
- Subjects
160509 Public Administration ,FOS: Political science ,160607 International Relations - Abstract
Supplemental material, sj-docx-1-aas-10.1177_00953997211004606 for Conflictual Accountability: Behavioral Responses to Conflictual Accountability of Agencies by Thomas Schillemans, Sjors Overman, Paul Fawcett, Matthew Flinders, Magnus Fredriksson, Per Laegreid, Martino Maggetti, Yannis Papadopoulos, Kristin Rubecksen, Lise H. Rykkja, Heidi H. Salomonsen, Amanda Smullen, Koen Verhoest and Matthew Wood in Administration & Society
- Published
- 2021
- Full Text
- View/download PDF
47. Conflictual accountability : behavioral responses to conflictual accountability of agencies
- Author
-
Schillemans, Thomas, Overman, Sjors, Fawcett, Paul, Flinders, Matthew, Fredriksson, Magnus, Laegreid, Per, Maggetti, Martino, Papadopoulos, Yannis, Rubecksen, Kristin, Rykkja, Lise H., Salomonsen, Heidi Houlberg, Smullen, Amanda, Verhoest, Koen, Wood, Matthew, Bestuur en beleid, UU LEG Research USG Public Matters, Bestuur en beleid, and UU LEG Research USG Public Matters
- Subjects
Marketing ,Sociology and Political Science ,Public Administration ,Corporate governance ,05 social sciences ,Public administration ,0506 political science ,accountability ,governance ,Political science ,0502 economics and business ,Accountability ,050602 political science & public administration ,agencies ,conflictual accountability ,Law ,050203 business & management - Abstract
In contemporary public governance, leaders of public organizations are faced with multiple, and oftentimes conflictual, accountability claims. Drawing upon a survey of CEO’s of agencies in seven countries, we explore whether and how conflictual accountability regimes relate to strategic behaviors by agency-CEO’s and their political principals. The presence of conflictual accountability is experienced as a major challenge and is associated with important behavioral responses by those CEO’s. This article demonstrates empirically how conflictual accountability is related to (a) controlling behaviors by principals, (b) constituency building behaviors by agencies, and (c) a general pattern of intensified contacts and information processing by both parties.
- Published
- 2021
48. Concerning the Differences in the Magnetic Needle, on Board the Investigator, Arising from an Alteration in the Direction of the Ship's Head
- Author
-
Flinders, Matthew
- Published
- 1805
49. Observations upon the Marine Barometer, Made during the Examination of the Coasts of New Holland and New South Wales, in the Years 1801, 1802, and 1803
- Author
-
Flinders, Matthew
- Published
- 1806
50. In defence of fear:COVID-19, crises and democracy
- Author
-
Degerman, Dan, Flinders, Matthew, and Johnson, Matthew Thomas
- Subjects
medicine.medical_specialty ,2019-20 coronavirus outbreak ,Sociology and Political Science ,Coronavirus disease 2019 (COVID-19) ,L400 ,media_common.quotation_subject ,Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) ,0603 philosophy, ethics and religion ,emotions ,Politics ,Political science ,050602 political science & public administration ,medicine ,L200 ,media_common ,Public health ,05 social sciences ,public health ,Irrationality ,Covid19 ,06 humanities and the arts ,Democracy ,0506 political science ,Philosophy ,Political economy ,060302 philosophy ,fear ,politics ,irrationality - Abstract
The COVID-19 crisis has served, not just to instill fear in the populace, but to highlight the importance of fear as a motivating dynamic in politics. The gradual emergence of political philosophical approaches calling for concern for ‘positive’ emotions may have made sense under non-pandemic conditions. Now, however, describing fear in the face of a deadly pandemic as ‘irrational’ or born of ‘ignorance’ seems ‘irrational’ and ‘ignorant’. In this article, we draw upon the work of John Gray and behavioural science to present a defence of fear. We show how the pandemic has highlighted deficits in the work of four thinkers highly critical of fear: Martha Nussbaum, Zygmunt Bauman, Hannah Arendt and Sarah Ahmed. We argue that, if such approaches are to be of value in anything other than optimal conditions, then they have to acknowledge the fundamental role of fear in helping human beings to pursue fundamental interests.
- Published
- 2020
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