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1. Embodiment in the enfacement illusion is mediated by self–other overlap.

2. Toward Equity in Research on Intellectual and Developmental Disabilities.

3. Limits of Constitutional Protections in Civil Commitment Proceedings.

4. Label distribution learning via second-order self-representation.

5. The private archive: management tool and device of self-representation. Some reflections from Tasca d’Almerita’s papers

6. Self-Labeling Learning Ensemble via Deep Recurrent Neural Network and Self-Representation for Speech Emotion Recognition.

7. Revisiting Edward Said`s Self-Representation in Susan Abulhawa`s Mornings in Jenin.

8. LA AUTOFICCIÓN CINEMATOGRÁFICA CONTEMPORÁNEA COMO VEHÍCULO PARA LA CONSTRUCCIÓN DE LA AUTORAPERSONAJE- NARRADORA.

9. Decoding Journalism in the Digital Age: Self-Representation, News Quality, and Collaboration in Portuguese Newsrooms.

10. How to grow a self: development of self-representation in the Bayesian brain

11. New Media Egologies

14. Decoding Journalism in the Digital Age: Self-Representation, News Quality, and Collaboration in Portuguese Newsrooms

15. Unsupervised feature selection by integration of regularized self-representation and sparse coding

16. The role of self-representation in emotional contagion.

17. Unsupervised feature selection by integration of regularized self-representation and sparse coding.

18. Listing the Body: Embodied Experience and Identity in Autobiographical Graphic Illness Narratives.

19. Revisiting Edward Said`s Self-Representation in Susan Abulhawa`s Mornings in Jenin

20. Pueblos indígenas amazónicos en la esfera pública peruana: la autorrepresentación en el conflicto de Bagua

22. Pueblos indígenas amazónicos en la esfera pública peruana: la autorrepresentación en el conflicto de Baguas.

23. AUTORREPRESENTACIÓN DE MADRES GERENTES EN LA CULTURA ORGANIZACIONAL Y EL VÉRTICE EN SU GEOGRAFÍA.

24. THE PERCEPTION OF THE “MIGRANT THREAT” IN CROATIAN GORSKI KOTAR BY THE LOCALS AND MIGRANTS THROUGH THE PRISM OF VISIBILITY AND INVISIBILITY.

25. L’archivio privato: strumento di gestione e dispositivo di autorappresentazione. Alcune riflessioni dalle carte Tasca d’Almerita.

26. Amazonian Indigenous Artists as Agents of Interface: Artworks, Networks, and Curation Strategies in the COVID-19 Crisis.

27. Excursion among the Countries, Documentary, and Essay: Layered Narratives and Self-Representation in A Dog Called Money.

28. Scottish Gaelic Movement and Celtic Identity: An Comunn Gaidhealach at the Turn of the Twentieth Century.

29. 'I out-live them' : the creation of out-living selves and textual layering in the nineteenth-century writing, speeches, and storytelling of six African American women

30. СЕМАНТИЧЕСКИЙ АНАЛИЗ ЯЗЫКОВЫХ ОБРАЗОВ ИДЕНТИЧНОСТИ: МЕТАФОРЫ САМОПРЕДСТАВЛЕНИЯ ЛИЧНОСТИ В ОРГАНИЗАЦИОННОМ ДИСКУРСЕ

31. Biometric Harm

34. Changing the Narrative: Self-Representations of Disabled People in Social Media

35. Consiliul Copiilor, Soluția pentru reprezentarea copiilor lăsați în grija statului

36. Excursion among the Countries, Documentary, and Essay: Layered Narratives and Self-Representation in A Dog Called Money

37. Data representation learning via dictionary learning and self-representation.

38. Biometric Harm.

39. БІОГРАФІЯ І АВТОБІОГРАФІЯ : КОЛІЗІЇ ВИГАДКИ І РЕАЛЬНОСТІ В ОПИСАХ ЖИТТЄТВОРЧОСТІ ОСОБИСТОСТІ.

40. Quadrinhos de memória e vivências trans: a autorrepresentação transmasculina em Monstrans, de Lino Arruda.

41. Autographs, Autobiography, and Black History in Britain: the Congo House Autograph Book.

42. Iranian High School Students’ Self-presentation on a National Educational Social Networking Site: A Reciprocation of 'Field', 'Habitus', and 'Doxa'

43. The MyStreet Movement and Participatory Video

44. Interrogating self-representation at the intersection of visual arts and neuroscience

45. Self-representation in the three-dimensional arts : a study of Italia and Germania, ca.800-ca.1200

46. Changing the Narrative: Self-Representations of Disabled People in Social Media.

47. AutoEncoder-Driven Multimodal Collaborative Learning for Medical Image Synthesis.

48. Iranian High School Students' Self-Presentation on a National Educational Social Networking Site: A Reciprocation of "Field", "Habitus", and "Doxa".

49. Feature selection using class-level regularized self-representation.

50. Dijital Hikâye Anlatısı Olarak Instagram Kimliği: ‘Biyografi’ Yazma Kültürü Üzerine İnceleme

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