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A century of archaeology has identified hundreds of potential sites north of the Corinthian Isthmus on the Greek mainland and in the northeast Aegean contemporary with the Middle Helladic-Late Helladic I Period (MH-LH I, ca. 2100-1550 BC). This paper presents an exploratory nearest neighbor network model to examine connectivity in a scenario where maritime movement included widespread access to the sail (known from the wider Aegean). Analysis of clustering and centrality in the modeled network shows that nodes along the Euboean Gulf were the most important for overall connectivity, and that seemingly geographically isolated sites in the Sporades archipelago and Chalkidiki were crucial for integrating the northern Aegean with central Greece. The later Late Bronze Age palatial centers of Thebes, Orchomenos, and Dimini/Volos on the other hand do not score highly on any centrality measure in this scenario, suggesting that their inherent position on the modeled network did not greatly contribute to their eventual success. This observation is in line with recent scholarship, increasingly pointing to an important endogenous aspect to emerging complexity in central Greece. [ABSTRACT FROM AUTHOR]

Recent laboratory analysis of several of the celebrated Mycenaean daggers from Bronze Age Greece has raised the possibility that the black material in the pictorial designs is a black patinated bronze, not the black inlaid sulphide paste known as 'niello' that has traditionally been thought to be a hallmark of these weapons. The identity of the black material is important because it is a key factor in the scholarly search for the origins and migration of exotic metallurgy around the eastern Mediterranean in the second millennium BC. This paper critiques the laboratory analyses that have been performed over the last 15 years on Bronze Age Aegean daggers, calling into question the recent implications that the black material in all these daggers is black patinated bronze essentially identical with Japanese shakudo. My critique, supported by newly reported analyses of other ancient black inlaid objects, reopens the possibility that Mycenaean craftsmen were skilled in producing and working with both forms of black surfaces: patinated bronze and inlaid niello. [ABSTRACT FROM AUTHOR]

Analysis of the symbols engraved on prehistoric unknown use terracotae, the so called frying pan vessels (Teganoschema), reveal a symbolic writing that depicts astronomical phenomena, that are complex calendars based on the Sun and the Moon and all then known planets. The frying pan vessels are mainly found in Cyclades, and around the Aegean, Crete, Attica, and Thessaly. They are artifacts of the Cycladic civilization of the Early Helladic Era. They have been found mainly in graves and settlements. The first findings came to light during the late nineteenth century in the islands of Cyclades and their possible use is still causing strong scientific interest, as it is unknown. Until now, archaeologists could not determine their use and the meaning of their representations. It was believed that these vessels were used in funeral rituals, therefore depicted patterns like the sun and the sea may be associated with beliefs about the afterlife. We have studied the morphology and the representations of the Cycladic frying pan vessels that are found in museums and in literature dating from the middle of the 4th millennium. In this paper we argue that the Cycladic frying pan contain calendars that are not only based on the periodicities of the Sun and Moon, but in a very advanced knowledge of the movements of the planets, their periodicities in relation to the Earth and the phases of Venus, which is used as calendar, as well as pregnancy and birth predictor calculator.. [ABSTRACT FROM AUTHOR]