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Authenticity is a significant concept in the heritage field. However, the connotations of authenticity and its relevance to Intangible Cultural Heritage (ICH) need further consideration. This paper ascertains the function of authenticity in the heritage field and reconceptualises authenticity so as to relate it to ICH. The subjectivities of ICH practitioners, as well as their subjective perspectives and experiences are privileged in this research, in line with the general aims of Critical Heritage Studies. Drawing on the idea of ‘existential authenticity’, which was developed in tourism studies, this paper presents a concept of ‘subjective authenticity’ with which to describe the ability of ICH practitioners to convey the dynamic, subjective and developing ICH values in both intrapersonal and interpersonal embodiments. Using case studies of ICH from Lijiang, China, the idea of subjective authenticity is evidenced and illustrated. Meanwhile, the materialist or ‘objective’ authenticity that exists in the Chinese Authorised Heritage Discourse is critiqued as inappropriate. Theoretically, this paper investigates people’s subjectivities and experiences in the process of ICH value-making, as well as identity-making. The results contribute not only to the establishment of an inclusive concept of authenticity in heritage studies, but also to the theorisation of existential authenticity in tourism studies. [ABSTRACT FROM AUTHOR]

While Intangible Cultural Heritage (ICH) emerges as a new topic in the fields of heritage studies and tourism studies, the changeability of ICH in tourism commodification is still under-researched. The tension between protection and commodification of ICH is intensified when ICH is regarded as a heritage to protect and a resource for commodification, such as in the case of China. With a musical ICH element in Lijiang, China as the case, this paper applies a Critical Heritage Studies approach to investigate the values and components of ICH from the perspective of the music players. From both the diachronic and synchronic dimensions, the research shows that the players construct the values of their ICH in a subject, diverse and dynamic process. The less- and the more-commodified forms of performance are not clearly differentiated; rather, they are regarded as equally important to realise players' dynamic and subjective needs. Provided practitioners can engage with their ICH freely, commodification can be seen as an indispensable form of the ICH-making process. This paper aims to reveal the dynamism of ICH, to rethink the commodification of ICH, and to rethink the relationship between the commodification and the making of ICH from a critical approach. [ABSTRACT FROM AUTHOR]

The UNESCO 2011 Recommendation on the Historic Urban Landscape (HUL) states community participation is a pivotal tool for integrating heritage practices into sustainable urban development. While community participation is significant but limited in China, various participatory methods have been developed, tested and evaluated worldwide. For example, inspired by HUL, the Ballarat Imagine in Australia has successfully used public engagement in the development of a community vision for local conservation and development. This paper aims to contextualise community participation in China, by testing and adapting a community participatory method, the (Ballarat) Imagine. Imagine was tested in the Old Town of Lijiang as an academic scoping exercise, to critically examine its viability and potential for contextualisation to the Chinese context. During the fieldwork, three workshops were organised with residents in Dayan, Shuhe and Baisha, which are the three housing clusters constituting the World Heritage property. In the workshops, residents responded to three sets of questions focussing on their feelings about local historic urban landscape as well as their ideas about future public engagement in local heritage management. This paper discusses the contextualised approach of community participation tailored to the management of the Old Town of Lijiang, and also China as a whole, seeking to find a balance between top-down and bottom-up processes. This academic exercise confirmed that the community participatory method, the Imagine, can be further adapted to the Chinese context. Further research could test it in other cities, to better face the challenges of rapid urbanisation. • Chinese community participation differs from alike international approaches. • In the Chinese context, a balanced methodology of top-down and bottom-up approaches is needed. • Local governments are expected to play a leading role in urban heritage practices. • Residents need to be involved in the whole plan-making process rather than just informed. • Local elites and community-based organisations are key to negotiate with local political leaders. [ABSTRACT FROM AUTHOR]

This paper examines the present state of commercial use of historical buildings, details of business categories, and descriptions of items on sale in the shops in the old town of Lijiang, China in order to investigate the problems of cultural-tourism development centered on World Heritage sites. In recent years, the usage of historical buildings built by the Naxis, the indigenous ethnic group of Lijiang, has drastically changed. At present, over 60% of shops are tourist-oriented souvenir shops and restaurants. Furthermore, over 50% of the shopkeepers are temporary residents, with a large majority renting rooms from indigenous owners. These findings suggest that the location of the minority's residence and its culture are rapidly changing as tourism develops. They also imply that a re-evaluation of policy is essential for the development of sustainable tourism. [ABSTRACT FROM AUTHOR]

Scientifically sound planning of green-space networks is essential for improving the quality of the urban environment. This article introduces an investigation on design of a green-space network for Lijiang City, a world natural and cultural heritage site undergoing rapid urbanisation. Land-use changes were examined using China–Brazil Earth Resources Satellite-02B (CBERS-02B) imagery. We divided the urban green-space network into five major components: a linear strip, a corridor and three separate series of green-space clusters. We suggest that the future development of a green-space network in Lijiang City should include an appropriate mixture of the five green-space components. While the current emphasis on green-space layout relies on individual components of the green space, the future layout should be more focused on green spaces along streets and rivers, and should utilise a greater variety of shapes, including dots, linear strips and irregular shapes. The final green-space network should form an urban garden and green-space network that combines multipurpose vegetated areas having different structures. This green-space network will be an integral part of the sustainable urban development of Lijiang City. [ABSTRACT FROM AUTHOR]