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Abstract Background Pediatric kidney transplantation is unique when compared to adults. They need optimum post-transplant care to achieve longer graft and patient survival. Infections, rejection, recurrence, malignancy, bone problems, hypertension, and surgical complications are the most important challenges that require prevention, early detection, and management. Chronic allograft nephropathy needs different approaches based on its related causes, allograft pathology, graft function, and availability of re-transplantation. Aim/objectives This national adapted guideline aims to frame evidence-based post-transplant recommendations adopted or adapted from EB source guidelines to optimize post-transplant patient care. Methods Our guideline is evidence based adapted from four national and international source guidelines with permissions [KDIGO 2020, RA/BTS 2022–2018, EAU 2018] that were appraised with AGREE II instrument tool. We followed the “adapted ADAPTE” CPG formal adaptation methodology that consists of 3 phases and 24 steps and tools. Virtual monthly meetings all through the year 2023 were activated for reviewing and validation of final adaptation of evidence-based guideline draft, considering all comments of external reviewers. This guideline was registered in the practice guideline registration for transparency (PREPARE), number: PREPARE-2023CN364. Results Recommendation statements in guidelines stand for results in articles. Discussion of important recommendations and the rationale behind selection of adopted statements and tailoring of others to suit our local facilities, expertise, and renal native disease profile was presented in the text with reasons and references. Conclusion The provided guidelines aim to improve graft and patient outcome through prevention and early management of complications and suggest research areas lacking validated research recommendations.

Effective advertising greatly affects the recipient and draws his attention creating a desire to move towards the subject of advertising and to interact with it. Advertising has developed through the ages staring from the emergence of signs and symbols used by man, as the symbol represents a recognized visual language in all different forms of advertising, The Arabic language with its multiple lines provide a wide range that allows to make use of it in shaping an identity that distinguishes it from the Latin-character-based languages through the various types of Arabic script, aesthetics and artistic standards associated with the Arabic letter. The research aims to highlighting the Egyptian identity by using Arabic letters as a graphic approach for some of the renowned Egyptian figures. The study focused on the use of the Arabic letter and exploiting it in the ad prints of the tourist hotels to confirm the Egyptian identity. The research, therefore, adopts the analytical descriptive approach for some student design models by overlapping Arab calligraphy to form some famous Egyptian characters as well as the experimental approach in displaying models for the design of ad prints, as the prints whether they are (paper-advertising-advertisement) are of great importance to companies and tourism operators, so the problem of research lies in the great challenges that the advertising designer faces to promote an innovative tourism identity based on the Arabic calligraphy and the competition of Western markets, and the most important results of the research are how to confirm the Egyptian identity by using Arabic script characters and by utilizing them graphically for some Egyptian figures in ad prints to promote Egyptian tourism and keep up with the state's orientation for the development of tourism and what it represents as one of the most important sources of national income.

Television series are considered one of the most important follow-up and watching inducements in television channels, with what they achieve as a rich mass media tool and an opportunity for Integrated Marketing and Promoting the channel cognitively, culturally and entertainingly, and because television series are linked to the psychological aspects of the potential viewer and the importance of linking the television series intro with the cognitive and implicit aspects of the series, therefore the creative and innovative handling of the television series intro is one of the most important attracting factors to watch and enhancing the inclinations and trends and motivating potential viewers to follow the TV. Accordingly, the re-structuring of the series Intros using cartoon graphics processing enhances the visual language of television into. Similarly, following the artistic and visual baselines for the processed characters of the series and their placement graphically in a creative way in the intros positively and effectively affects to entice potential viewers of the series. So the research problem lies in the series' intros lack of creative visual inducements to TV viewing and its reliance on broadcasting some scenes from the series unattractively. Thus, the research aims to use graphic processing to place graphic characters Animated in TV series intros, therefore the importance of research is best represented in the placement of graphical processing for some series intros in an influential form to suit all the demographic, social, psychological and cultural aspects of the potential audience, thereby promoting creative development In presenting the series intros, and thus presenting the intellectual, cognitive and recreational content of the series in a modern and humorous manner in the context of competing dramatization of the TV series, the research follows the analytical descriptive approach of some series intros, as well as the experimental approach to display a set of models Animated graphically processed to some series intros, and the most important results of the research is that the design of TV animated characters for TV intros richen the television viewing of those serials and add special attraction.

Biological and ecological forms attracted many designers from successive generations as the source of a new thought that was only possible after the electronic revolution. These forms were considered progressive views of the future architecture. Around the beginning of the third millennium, there has been a surge of interest in such bioinspiration and biomimicry — the imitation of biological traits or systems in applications ranging from architectural design and materials to robotics and engineered tissues. Biologists from all sorts of disciplines have an extraordinary store of knowledge that could guide a revolutionary breakthrough in bio-design. Such knowledge could also help to steer experimental approaches. Unfortunately, in most papers on biomimetic, the relevant biodiversity gets short shrift; researchers consider only one species or refer to a biological element such as a 'cell' or 'enzyme' in only a generalized way. There is no doubt that the huge development of digital technologies and its programs has facilitated the design process and made it more flexible and creative as well as become an important way to help the designer in reaching his idea, to develop interior designs that are new forms and unexpected inspired by nature and free of traditional design and construction limitations. Therefore, the research is interested in studying the concept of biomimetic as one of the new concepts in architectural and interior design in terms of orientation, philosophy, features, application and its reflection in the field of interior design and furniture.