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Increased energy consumption, driven by climate change and the rise of new industries, has spurred a demand for alternative cooling technologies to replace energy‐intensive systems and mitigate environmental pollution. Radiative cooling, leveraging the optical properties of materials to cool without emitting pollutants or consuming energy, is considered a suitable solution. Among the various form of radiative cooling devices, paint stands out as a practical application for radiative cooling. Hence, a passive daytime radiative cooling (PDRC) paint is developed using a polyurethane binder and zeolitic imidazolate framework (ZIF)‐8. ZIF‐8 is synthesized in an environmentally friendly manner using deionized water as the solvent, resulting in paint with a reflectance of 94.9%, emissivity of 94%, and cooling power of 113 W m−2. Temperature measurements reveal that the paint reduced ambient temperatures by an average of 5.7 °C, reaching up to 8.1 °C during the day. Additionally, with a self‐assembly monolayer coating, the PDRC surface exhibited super‐hydrophobicity and self‐cleaning capabilities. Therefore, the proposed ZIF‐8‐based PDRC paint offers sub‐room temperature cooling potential and is anticipated to reduce energy consumption for cooling, thereby alleviating environmental pollution in various applications, particularly in building exteriors. [ABSTRACT FROM AUTHOR]

A guide has been developed, highlighting various sustainability criteria of solvents used in the paints and coatings industry. The guide differs from previous, pharmaceutical-industry-focused guides both in the nature of the solvents included, and in the scoring of criteria, taking into account typical paints and coatings applications. The guide scores are, inevitably, subject to change, for example, if newer routes to biobased solvents become more widespread, or as further toxicology assessments are conducted, however it is intended as a tool to inform choices at R&D stages where full LCA may not be practical. [ABSTRACT FROM AUTHOR]

During a ship's voyage, it is difficult to maintain its hull, and prolonged exposure to seawater can lead to the attachment of marine organisms, which can negatively impact the ship's speed. The original self-polishing copolymer was a tributyltin-containing paint used for applying two layers of protective coating onto a ship's bottom plate. According to International Maritime Organization (abbreviated as IMO) regulations, users are no longer allowed to use paints containing tributyltin. Therefore, manufacturers have developed a tributyltin-free paint, known as tin-free nanotechnology paint, which can be used as a replacement for the base coat on ship bottom plates. This study involves the use of a self-polishing copolymer spray and tin-free nanotechnology paint. A model coated with these two types of paint will be observed underwater to study the growth of marine organisms. Additionally, fuel consumption will be analyzed through underwater inspections and sea trials. Based on the experimental data, it is known that tin-free nanotechnology paint can significantly reduce the need for repairs in factories and greatly decrease maintenance costs when compared to self-polishing copolymers. [ABSTRACT FROM AUTHOR]

Structural color coatings with brilliant color is important in practical applications, such as aesthetic decoration, bionic skins, colorimetric sensors, and other color‐related fields. However, the intrinsic conflict between fast self‐assembly and bright structural color hinders their widespread applications. Here, cholesteric liquid crystal elastomer (CLCE) coatings with brilliant color and mechanochromic response are developed by spraying the cholesteric liquid crystal (CLC) paints followed by evaporation‐induced self‐assembly (EISA) and photocuring. The Marangoni flow within the paints, which drives the orientation of liquid crystal molecules along the flow track in the EISA process, is found to be crucial for achieving both rapid self‐assembly time (60 s) and high reflectivity structural color (42%). The as‐prepared CLCE coatings present uniform structural colors, circularly polarized reflection, and mechanochromic response. Several proof­of­concept applications are also demonstrated, including patterned CLCE coatings on flat substrates, fully covered CLCE coatings on 3D objects, and non‐spectral colors via additive mixing method. The research disclosed herein provides unprecedented levels of efficiency and reliability for preparing structural color coatings. [ABSTRACT FROM AUTHOR]

Passive radiative cooling materials are widely recognized as attractive innovations for reducing emissions and expanding life-saving cooling access. Despite immense research attention, the adoption of such technologies is limited largely due to a lack of scalability and cost compatibility with market needs. While paint and coating-based approaches offer a more sensible solution, many demonstrations suffer from issues such as a low solar reflectance performance or a lack of material sustainability due to the use of harmful solvents. In this work, we demonstrate a passive radiative cooling paint which achieves an extremely high solar reflectance value of 98% using a completely water-based formulation. Material sustainability is promoted by incorporating size-dispersed calcium phosphate biomaterials, which offer broadband solar reflectance, as well as a self-crosslinking water-based binder, providing water resistance and durability without introducing harmful materials. Common industry pigments are integrated within the binder for comparison, illustrating the benefit of finely-tuned particle size distributions for broadband solar reflectance, even in low-refractive-index materials such as calcium phosphates. With scalability, outdoor durability, and eco-friendly materials, this demonstrated paint offers a practical passive radiative cooling approach without exacerbating other environmental issues. [ABSTRACT FROM AUTHOR]

Over the course of many years of use, impingement wear from dust, sand, and other materials can damage wind turbine blades, necessitating repairs and other maintenance work. Recently, wind turbine operators are turning to protective films, which allow such work to be completed more efficiently, as an alternative to the conventional approach of using paint to repair wind turbine blades. However, the erosion resistance characteristics of repaired blades remain unclear. In this study, we create paint- and protective film-coated samples to reproduce repairs, measure their erosion resistance, and study underlying factors in an effort to verify the erosion resistance of repaired materials and associated mechanisms. The low erosion resistance of GFRP can be significantly improved by applying a protective film made of a ductile material. Such material effectively protects the surface of the GFRP. Moreover, the erosion resistance of protective films made from polyurethane material is superior to that of paint. We recommend use of protective film with wind turbine blades when manufacturing blades and regular maintenance. [ABSTRACT FROM AUTHOR]

Stone palettes are a unique artifact of Hohokam culture. Discovery of lead minerals on these palettes dates back to the 1930s, however there has been little chemical analysis of these minerals. This research presents the result of a multi-analytical survey on the accretions of nearly 200 palettes to develop a better understanding of occurrence of lead minerals and isotopic characterization to address questions of sourcing, procurement and mineral exchange. We found consistent association of lead minerals regardless of context, region, and time period, suggesting lead minerals are related to a primary use of palettes. We also propose an alternate theory to one potential function of palettes – that they were used to prepare paint applied to the body or other materials that did not survive in the archaeological record. We propose that the lead silicate identified on some palettes is not intentionally formed, but rather due to post depositional processes. [ABSTRACT FROM AUTHOR]

The Mauritshuis (The Hague, The Netherlands) owns a large collection of 17th‐century still lifes, of which a significant portion depicts floral arrangements. As part of a still life cataloguing project, 19 of the flower still lifes have been examined using a wide range of scientific technologies, including MA‐XRF scanning. This paper will discuss how MA‐XRF analysis has significantly improved our understanding of the way artists prepared their compositions. It became apparent that there are several ways in which artists planned their painted bouquets. Early 17th‐century still life painters such as Baltahasar van der Ast used detailed underdrawings, which they followed during the painting stage. Artists from Antwerp, like Daniël Seghers started their paintings by making 'abstract' compositions of coloured circles and ovals. This method was picked up by Jan Davidsz, de Heem, who was working in both Antwerp and Utrecht. De Heem's pupils Abraham Mignon and Maria van Oosterwijck used a similar method, but other still life specialists such as Van Aelst and Rachel Ruysch planned their compositions differently. [ABSTRACT FROM AUTHOR]

Copyright of Tropelías: Revista de Teoría de la Literatura y Literatura Comparada is the property of Prensas Universitarias de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Almaty Technological University is the property of Almaty Technological University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The term electromagnetic pulse (EMP) generally refers to high-power electromagnetic waves and can be classified into EMPs caused by nuclear weapons, non-nuclear EMPs, and EMPs caused by natural phenomena. EMPs can cause catastrophic damage to any electronic device consisting of electromagnetic components, including communications devices and transportation. In this study, the shielding effectiveness of paint was evaluated depending on the type and content of carbon material and binder. To analyze the compatibility and dispersibility improvement of the raw materials used in paint manufacturing, experiments were conducted in two stages, using 27 mixtures. The shielding effectiveness was evaluated for the optimal mixture developed through mixture experiments. The results of this study confirmed that the developed EMP shielding paint can improve the shielding effectiveness of concrete by 25–40 dB. Additionally, the adhesion strength and moisture resistance evaluation of the EMP shielding paint were evaluated. The average adhesive strength of the EMP shielding paint was 1.26 MPa. In moisture-resistance testing at a temperature of 50 ± 3 °C and a relative humidity of 95% or higher for more than 120 h, no cracks or peeling were observed on the painted surface. [ABSTRACT FROM AUTHOR]

Two distemper paint samples taken from decorative boards in Uvdal stave church, Norway, were analysed using palaeoproteomics, with an aim of identifying their binder and possible contaminants. The results point at the use of calfskin to produce hide glue as the original paint binder, and are consistent with the instructions of binder production and resource allocation in the historical records of Norway. Although we did not observe any evidence of prior restoration treatments using protein-based materials, we found abundant traces of human saliva proteins, as well as a few oats and barley peptides, likely deposited together on the boards during their discovery in the 1970s. This work illustrates the need to fully consider contamination sources in palaeoproteomics and to inform those working with such objects about the potential for their contamination. [ABSTRACT FROM AUTHOR]

This paper investigates the oil on canvas painting Boat scene (1974) by Liu Kang (1911–2004), belonging to the National Gallery Singapore (NGS). The focus is on disfiguring paint protrusions in a specific area and colour in the composition. Moreover, in search of the possible factors responsible for the creation of the protrusions, the structure and composition of the paint layers were determined. Three possible reasons were put forward to explain this phenomenon: deliberate textural effects, the expansion of metal soaps and unintentional paint contamination during the artistic process. Investigative techniques such as technical photography, digital microscopy, optical microscopy (OM), polarised light microscopy (PLM), field emission scanning electron microscope (FE-SEM-EDS) and attenuated total reflectance micro-Fourier transform infrared spectroscopy (ATR μ-FTIR) were employed to analyse paint layers, including protrusion samples. The analyses revealed that the protrusions resulted from an unintentional contamination of the oil paint during the artistic process by dry fragments of different pigment mixtures bound in drying oil. Zinc soaps were found in significant concentrations within the protrusions and other parts of the painted scene. Nevertheless, the metal soaps do not pose a direct risk to the integrity of the paint layers at the time of this research. The analyses highlight the potential challenges caused by the protrusions that conservators may face while caring for the painting. The research contributes to our ongoing comprehension of the artist's working process. [ABSTRACT FROM AUTHOR]

Raman spectroscopy (RS), for its robust analytical capabilities under constant development, is a powerful method for the identification of various materials, in particular pigments in cultural heritage. Characterization of the artist's palette is of fundamental importance for the correct formulation of restoration intervention as well as for preventive conservation of artworks. Here we examine the number and variability of research studies exploiting Bravo handheld Raman spectrophotometer relying on the excitation of Raman signal with temperature-shifted diode lasers emitting at 852 and 785 nm. To this end, we explore the spectral features of common historical pigments examined as powders and in the paint layer. We show that some materials may exhibit slightly different spectra as concerns especially the relative intensity of Raman lines with 852 nm laser excitation wavelength as compared to the standard 785 nm. The aim is to provide the research community with a reference spectral database that facilitates the identification of unknown pigments using the 852 nm excitation source. [ABSTRACT FROM AUTHOR]

Silver diamine fluoride (SDF) gel was developed to overcome the clinical limitations of liquids with children. The authors conducted a clinical trial to determine caries lesion arrest in primary teeth at 1-year follow-up when 38% SDF gel and 2.5% sodium fluoride varnish were applied sequentially at the same appointment. Parent satisfaction was assessed. The study design was an open-label prospective, clinical trial with single group assignment. Participants were 237 children aged 3 through 4 years at enrollment and from 5 centros educativos iniciales (preschools). Eligible children had 1 or more d3 (cavitation into dentin) active caries lesions. Teeth with active caries lesions (cavitation confined to enamel [d2] or d3) were treated by applying 1 or 2 drops of viscous 38% SDF gel (Advantage Silver Dental Arrest Gel, Elevate Oral Care, LLC) dabbing the excess with cotton. Treated teeth were covered with 2.5% sodium fluoride varnish (Fluorimax, Elevate Oral Care, LLC) to mask the taste. Treatment was repeated at 5 months postexamination. The primary outcome was caries lesion (d2-d3) arrest at 1 year. Two hundred nineteen children were available at the 1-year follow-up. There was a median of 21 (interquartile range [IQR], 13-34) active carious surfaces (d2-d3) at baseline. Median arrested carious surfaces was 92.6% (IQR, 81.1%-100.0%; 95% CI, 86.8% to 95.2%). When parents were asked whether they were bothered by the color change of teeth, the median response on a 10-point scale in which 1 equaled not bothered at all and 10 equaled very bothered was 1.0 (IQR, 1.0-2.0). Two applications of 38% SDF gel and 2.5% sodium fluoride varnish arrested greater than 90% of carious surfaces at 1 year and with high levels of parental satisfaction. Combined treatment was highly efficacious in a population with many caries lesions. This clinical trial was registered at ClinicalTrials.gov. The registration number is NCT05395065. [ABSTRACT FROM AUTHOR]

Facade-rendering mortars and their painting layers are constantly exposed to weather and, therefore, influence the hygrothermal behavior of buildings. The characterization and assessment of coating materials is fundamental, seeking adequacy in their selection, especially regarding moisture and temperature. Considering the exposure conditions of the facades, risks of damages, such as mold development, may be avoided by an assertive evaluation and selection among different types of paints. In this context, this paper experimentally determined essential properties related to the hygrothermal behavior of painted mortars and simulated their resulting performance when applied on exposed facades in three Brazilian cities in distinct bioclimatic zones. Hygrothermal simulations were carried out using the software WUFI Pro 6.6. Six different types of paints were studied, among which satin acrylic paint (SAP) led to the lowest water vapor permeability and matte polyvinyl acetate (PVA), silicate (SIL), lime (LP), and hydrated lime with white glue (HLG) paints led to the highest. Matte acrylic paint (MAP), PVA, SIL, LP, and HLG had similar impacts on the vapor transmission of mortar renderings. In the simulations, reference (REF) and LP specimens generally resulted in the highest water contents throughout the year, followed by SIL and HLG. SAP led to the lowest water content and a more homogeneous curve than the other paints. Among the studied cities, Macapá, which has the highest annual normal rainfall sum and mean relative humidity, also had the highest mean total water content values over time, followed by Porto Alegre and Petrolina. In general, no probable mold development is expected. However, caution should be taken when extrapolating the results for climate or construction conditions different than the simulated ones. [ABSTRACT FROM AUTHOR]

Nous allons essayer d'identifier ce qui œuvre derrière la création de deux artistes nés dans deux pays du Nord, Fiodor Dostoïevski (1821–1881) en Russie, et Anna-Eva Bergman (1909–1987) en Norvège. Parmi leurs œuvres, nous allons nous appesantir sur Les frères Karamazov , une œuvre qui résume toutes les interrogations de leur auteur, et sur l'évolution des peintures de Bergman. Ils font appel chacun à un désir instinctuel pour se constituer une bibliothèque de souvenirs, écrits pour l'un, peints pour l'autre. De quoi se soutient ce désir instinctuel ? Nous faisons l'hypothèse que c'est la forme que prend leur jouissance. Cette jouissance est développée différemment dans leur œuvre, circonscrite dans un personnage chez Dostoïevski, diffuse dans les tableaux de Bergman. Elle apparaît genrée dans le produit de leur création, mais pas dans leur processus de création. Des hypothèses mises au travail dans cet article. We will try to identify what lies behind the creation of two artists, born in two northern countries, Fiodor Dostoyevsky (1821–1881) in Russia, and Anna-Eva Bergman (1909–1987) in Norway. Among their works, we will focus on The Brothers Karamazov , a work that summarizes all the questions of its author, and on the evolution of Bergman's paintings. They each appeal to an instinctual desire to create a library of memories, written for one, painted for the other. What underpins this instinctual desire? We hypothesize that this is the form that their pleasure takes. This enjoyment is developed differently in their work, circumscribed in a character for Dostoyevsky, diffused in Bergman's paintings. It appears gendered in the product of their creation but not in their creative process. These are the hypotheses applied in this article. [ABSTRACT FROM AUTHOR]

The anti-fungal properties of the probiotic bacterium Bacillus subtilis have been studied extensively in agriculture and ecology, but their applications in the built environment remain to be determined. Our work aims to utilize this biological component to introduce new diverse anti-mold properties into paint. "Mold" refers to the ubiquitous fungal species that generate visible multicellular filaments commonly found in household dust. The development of mold leads to severe health problems for occupants, including allergic response, hypersensitivity pneumonitis, and asthma, which have significant economic and clinical outcomes. We here demonstrate the robust effect of a commercial paint enhanced with Bacillus subtilis cells against the common mold agent, Aspergillus niger, and identify three biosynthetic clusters essential for this effect. Our results lay the foundation for bio-convergence and synthetic biology approaches to introduce renewable and environmentally friendly bio-anti-fungal agents into the built environment. [ABSTRACT FROM AUTHOR]

The elemental composition of the paint was determined by non-destructive nuclear analytical techniques, namely neutron activation analysis (NAA), charge particle activation analysis (CPAA), and energy dispersive X-ray fluorescence (EDXRF). NAA was chosen as the primary method of analysis as there is no matrix effect, requirement of a small quantity of a sample, detection capability down to ppb level, and self-validation. Ba, Ca, and Cr are detected as the major constituents, whereas Co, Hf, Mn, Y, Sr, Sb, W, Zn and Zr were detected at trace levels in the paint sample by NAA. CPAA was also utilized for the analysis, and elements like Ca, Cr, Fe, Sr, Ti and Zr were detected in the sample. The validation of the analytical results obtained in NAA and CPAA was carried out by the EDXRF technique, in which, including Si, most of the transition and high Z elements like Ca, Cr, Fe, Sr, Zr and Ba were detected. Analysis of variance was carried out to establish the statistical indistinguishability and acceptability of the analytical results obtained by these three methods. This study showcases the capability of NAA and CPAA for routine compositional analysis of paint sample without the requirement of a matrix matched standard. [ABSTRACT FROM AUTHOR]

The antibacterial microcapsules were prepared by encapsulating Toddalia asiatica (L.) Lam. extracts with urea–formaldehyde resin. The orthogonal test was designed to investigate the effects of the mass ratio of core and wall materials (Wcore:Wwall), emulsifier concentration, reaction temperature and reaction time on the yield rate and coverage rate of microcapsules, and to obtain the best preparation technology for microcapsules. The single-factor results indicated that the maximum influence factor was the Wcore:Wwall of the microcapsules; the larger the Wcore:Wwall, the easier the microcapsules were to agglomerate; and when the Wcore:Wwall was 0.8:1, the coverage rate reached the maximum value of 11.0%. The waterborne topcoat paint film was prepared by adding the microcapsules in the same content. The yield rate, coverage rate, and microscopic morphology of Toddalia asiatica (L.) Lam. extract microcapsules were analyzed, as well as the effects of microcapsules on the microscopic morphology, optical properties, cold liquid resistance, mechanical properties and antibacterial properties of a waterborne topcoat paint film. Combining the optical properties, cold liquid resistance, physical properties, and antibacterial properties of the waterborne topcoat paint film, the comprehensive performance of the waterborne topcoat paint film with the Wcore:Wwall of 0.8:1 was superior. The gloss was 8.07 GU, color difference ΔE was 9.21, visible light transmittance was 82.90%, resistance to citric acid, ethanol and detergent were grade 1, 2 and 2, respectively, elongation at break was 15.68%, and roughness was 3.407 µm. The antibacterial activity against Escherichia coli and Staphylococcus aureus were 42.82% and 46.05%, respectively. In this study, a waterborne topcoat paint film with a microcapsule-coated plant-derived antibacterial agent as the core was prepared, expanding the application prospect of plant-derived antibacterial microcapsules. [ABSTRACT FROM AUTHOR]

Copyright of Automotive Digest is the property of Automotive Digest Editorial Office and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Triboelectric nanogenerator (TENG) converts mechanical energy into valuable electrical energy, offering a solution for future energy needs. As an indispensable part of TENG, textile TENG (T-TENG) has incredible advantages in harvesting biomechanical energy and physiological signal monitoring. However, the application of T-TENG is restricted, partly because the fabric structure parameter and structure on T-TENG performance have not been fully exploited. This study comprehensively investigates the effect of weaving structure on fabric TENGs (F-TENGs) for direct-weaving yarn TENGs and post-coating fabric TENGs. For direct-weaving F-TENGs, a single-yarn TENG (Y-TENG) with a core-sheath structure is fabricated using conductive yarn as the core layer yarn and polytetrafluoroethylene (PTFE) filaments as the sheath yarn. Twelve fabrics with five different sets of parameters were designed and investigated. For post-coating F-TENGs, fabrics with weaving structures of plain, twill, satin, and reinforced twill were fabricated and coated with conductive silver paint. Overall, the twill F-TENGs have the best electrical outputs, followed by the satin F-TENGs and plain weave F-TENGs. Besides, the increase of the Y-TENG gap spacing was demonstrated to improve the electrical output performance. Moreover, T-TENGs are demonstrated for human-computer interaction and self-powered real-time monitoring. This systematic work provides guidance for the future T-TENG's design. [ABSTRACT FROM AUTHOR]

Increased energy consumption, driven by climate change and the rise of new industries, has spurred a demand for alternative cooling technologies to replace energy‐intensive systems and mitigate environmental pollution. Radiative cooling, leveraging the optical properties of materials to cool without emitting pollutants or consuming energy, is considered a suitable solution. Among the various form of radiative cooling devices, paint stands out as a practical application for radiative cooling. Hence, a passive daytime radiative cooling (PDRC) paint is developed using a polyurethane binder and zeolitic imidazolate framework (ZIF)‐8. ZIF‐8 is synthesized in an environmentally friendly manner using deionized water as the solvent, resulting in paint with a reflectance of 94.9%, emissivity of 94%, and cooling power of 113 W m−2. Temperature measurements reveal that the paint reduced ambient temperatures by an average of 5.7 °C, reaching up to 8.1 °C during the day. Additionally, with a self‐assembly monolayer coating, the PDRC surface exhibited super‐hydrophobicity and self‐cleaning capabilities. Therefore, the proposed ZIF‐8‐based PDRC paint offers sub‐room temperature cooling potential and is anticipated to reduce energy consumption for cooling, thereby alleviating environmental pollution in various applications, particularly in building exteriors.

Background: Volatile organic compounds (VOCs) fume in the workplace can act as an inducing agent to many health disorders. Objectives: This work investigated the effects of exposure to VOCs content from paint on the automobile paint workers in South Eastern Nigeria. Methods: A total of fifty (50) respondent participated in the study. Following the completion of informed consent form and well-structured questionnaire, blood samples were drawn and used for biochemical analysis. Results: The results of the haematological analysis showed a significant (p

Abstract Lead exposure can have serious consequences for health and development. The neurological and behavioral effects of lead are considered irreversible. Young children are particularly vulnerable to lead poisoning. In 2020, Pure Earth and UNICEF estimated that one in three children had elevated blood lead levels above 5 µg/dL. The sources of lead exposure vary around the world and can range from household products, such as spices or foodware, to environmental pollution from nearby industries. The aim of this study was to analyze common products from markets in low- and middle-income countries (LMICs) for their lead content to determine whether they are plausible sources of exposure. In 25 LMICs, the research teams systematically collected consumer products (metal foodware, ceramics, cosmetics, paints, toys, spices and other foods). The items were analyzed on site for detectable lead above 2 ppm using an X-ray fluorescence analyzer. For quality control purposes, a subset of the samples was analyzed in the USA using inductively coupled plasma mass spectrometry. The lead concentrations of the individual product types were compared with established regulatory thresholds. Out of 5007 analyzed products, threshold values (TV) were surpassed in 51% for metal foodware (TV 100 ppm), 45% for ceramics (TV 100 ppm), and 41% for paints (TV 90 ppm). Sources of exposure in LMICs can be diverse, and consumers in LMICs lack adequate protection from preventable sources of lead exposure. Rapid Market Screening is an innovative, simple, and useful tool to identify risky products that could be sources of lead exposure.

This study presents an environment-friendly and less toxic approach to electrostatic spraying using novel water-based resin paints enhanced with SiO2 nanoparticles. Addressing the environmental and health concerns of traditional toxic solvent-based coatings, our research emphasizes the development and application of these paints on anodized aluminum substrates. Our experimental procedure involves formulating water-based paints; applying them via electrostatic spraying; and analyzing their stability, coverage, and adhesion properties. The findings demonstrated that the paints maintained stability and showed improved adhesion and uniformity without using a toxic solvent-based resin, particularly on substrates with extended anodizing treatment. This study highlights the potential of using water-based resin paints in industrial applications, offering a sustainable, efficient, and high-performance alternative to conventional coatings, paving the way for future research into their broader application and environmental impact.

In this study, a pulsed laser operating at a wavelength of 1064 nm and with a pulse width of 100 ns was utilized for the removal of paint from the surface of a 2024 aluminum alloy. The experimental investigation was conducted to analyze the influence of laser parameters on the efficacy of paint layer removal from the aircraft skin's surface and the subsequent evolution in the microstructure of the laser-treated aluminum alloy substrate. The mechanism underlying laser cleaning was explored through simulation. The findings revealed that power density and scanning speed significantly affected the quality of cleaning. Notably, there were discernible damage thresholds and optimal cleaning parameters in repetitive frequency, with a power density of 178.25 MW/cm2, scanning speed of 500 mm/s, and repetitive frequency of 40 kHz identified as the primary optimal settings for achieving the desired cleaning effect. Thermal ablation and thermal vibration were identified as the principal mechanisms of cleaning. Moreover, laser processing induced surface dislocations and concentrated stress, accompanied by grain refinement, on the aluminum substrate. [ABSTRACT FROM AUTHOR]

Featured Application: White water-based paints with high-volume solids and well-graded glass beads, characterized by uniformity and curvature coefficients, improve pavement marking service life. Pavement marking retroreflectivity, a critical factor for safe driving, depends on the characteristics of both the paint and the embedded glass beads. However, traditional methods for predicting pavement marking service life often overlook these materials properties. This study investigates the influence of paint and glass bead characteristics on pavement marking retroreflectivity performance and addresses the characterization of glass bead size distribution by the coefficient of uniformity and curvature. Three field test sites on a Brazilian highway with various paint and glass bead combinations were evaluated. A statistical model, GAMLSS (Generalized Additive Model for Location, Scale, and Shape), was adjusted to evaluate the performance of the markings' retroreflectivity as a function of paint and glass bead characteristics. The model revealed that well-graded glass beads increased retroreflectivity by around 10%, while paints with a higher volume of solids improved service life around 65%. Therefore, the results show that acrylic water-based paints with higher volumes of solids and well-graded glass beads with better shape characteristics should be preferred to improve pavement markings' retroreflectivity and service life. The statistical model identified the key characteristics with the greatest impact on pavement marking retroreflectivity, offering valuable insights for real-world applications, which will assist pavement marking practitioners and road authorities in selecting appropriate materials to achieve enhanced durability. [ABSTRACT FROM AUTHOR]

The aim of the work was to investigate the influence of the surface texture of composite based on PA6, intended for wet painting, on the stability of the colour and gloss parameters. The stability of the paint coating was required to be maintained despite exposure to mechanical stress resulting from attempts to manually remove graffiti stains. The study examined the influence of surface texture on the effectiveness of cleaning. In the case of painted surfaces from which graffiti stains were effectively removed, the roughness, colour parameters and gloss of the paint coating were measured. During the research, it was found that roughness after painting decreased to the value of Ra < 2.00 µm meets aesthetic expectations and at the same time ensures the effective removal of graffiti stains. For this surface, there were no negative effects of the mechanical impact on the textures or quality parameters of the coating as a result of manual graffiti removal. As a result of the conducted research, the recommended maximum values of roughness and textures of the surfaces to be painted were determined in order to ensure a sufficiently low amount of work necessary to effectively remove traces of graffiti. [ABSTRACT FROM AUTHOR]

• This case report shows how databases can be used to determine likelihood ratios. • The evaluation of a two-way transfer is detailed. • Using evaluative reporting allows for a transparent conclusion to court. In forensic paint examination, paint traces retrieved on a crime scene are regularly compared to painted objects seized from a suspect. Less often, traces are only observed on the seized objects and compared to a damaged painted object on the crime scene. In some specific cases, paint traces may be found both on the crime scene and on one or multiple seized painted objects. The latter may be the result of a cross-transfer that occurred during the illicit act. However, mere coincidence is another possible explanation for these observations and may not be neglected. Proper consideration of the relevant populations and sufficient analytical data permits the evaluation of the results given activity level propositions. This allows the forensic expert to present a transparent and well-balanced statement on the value of their findings concerning the disputed issues in court. [ABSTRACT FROM AUTHOR]

Engineered living materials (ELMs) incorporate living material to provide a gain of function over existing materials, such as self-repair. The use of bacteria in ELMs has been studied extensively in concrete, where repair can be facilitated by bacterial ureolytic calcium carbonate (CaCO3) precipitation; however, the study of bacteria in other construction materials is limited. We examined the ability of bacterial species to survive in common latex binder chemistries, a model paint formulation, and through the film-forming process. The longest survival was by bacterial spores of Bacillus simplex str. GGC-P6A, which survive in latex emulsions, a liquid coating composition, and in a dried film for >28 days. Surprisingly, our data show that non-spore-forming Escherichia coli survive at least 15 days in liquid composition, which appear to be influenced by the composition of the outer membrane, nutrient scavenging, and the ability to metabolize toxic acrylate. Spores of GGC-P6A were shown to grow in solid paint films from sites of damage, resulting in crack filling through carbonate precipitation, demonstrating the potential for self-repair through microbially mediated CaCO3 precipitation without directed pH modification. These data suggest that a range of bacterial species, in particular members of Bacilli, may facilitate new applications of bio-augmented, self-healing coating systems. [ABSTRACT FROM AUTHOR]

Lead exposure can have serious consequences for health and development. The neurological and behavioral effects of lead are considered irreversible. Young children are particularly vulnerable to lead poisoning. In 2020, Pure Earth and UNICEF estimated that one in three children had elevated blood lead levels above 5 µg/dL. The sources of lead exposure vary around the world and can range from household products, such as spices or foodware, to environmental pollution from nearby industries. The aim of this study was to analyze common products from markets in low- and middle-income countries (LMICs) for their lead content to determine whether they are plausible sources of exposure. In 25 LMICs, the research teams systematically collected consumer products (metal foodware, ceramics, cosmetics, paints, toys, spices and other foods). The items were analyzed on site for detectable lead above 2 ppm using an X-ray fluorescence analyzer. For quality control purposes, a subset of the samples was analyzed in the USA using inductively coupled plasma mass spectrometry. The lead concentrations of the individual product types were compared with established regulatory thresholds. Out of 5007 analyzed products, threshold values (TV) were surpassed in 51% for metal foodware (TV 100 ppm), 45% for ceramics (TV 100 ppm), and 41% for paints (TV 90 ppm). Sources of exposure in LMICs can be diverse, and consumers in LMICs lack adequate protection from preventable sources of lead exposure. Rapid Market Screening is an innovative, simple, and useful tool to identify risky products that could be sources of lead exposure. [ABSTRACT FROM AUTHOR]

A collaborative research project between the Getty Conservation Institute and the Walt Disney Animation Research Library investigated storage and conservation treatment strategies for animation cels. Animation cels are transparent plastic sheets inked on the front and painted on the reverse. Common damage observed on aged cels is cracking, loss of adhesion, dislocations, and losses of the paint. In practice, flaking paint of animation cels is often removed and repainted rather than consolidated. Being reverse painted, paint consolidation of animation cels adds another layer of complexity to established approaches to paint consolidation. One important component of this study has involved developing minimally invasive treatments for reattaching delaminating paints, which involved studying paint condition, characteristics, and properties. This paper presents recent innovations in paint reattachment that rely on the intrinsic hygroscopic properties of the cel paint formulations. The new treatment is a multi-step approach that manipulates paint properties by using precise levels of relative humidity, established within a humidity chamber, in order to reactivate the paint and reattach it. A major advantage of this method is that a consolidant is not necessary. Method development and a case study procedure are presented in depth. The method developed is effective for cel paints with the same or similar formulations. [ABSTRACT FROM AUTHOR]

Introduction Epoxy-based resin formulations are a frequent cause of allergic and irritant contact dermatitis in the construction and painting industries. Cases of epoxy resin contact dermatitis continue to persist across many sectors and are likely attributable to the growing use of epoxy products, including epoxy-based anti-corrosion coatings and inadequate skin protection. There are no published performance data against epoxy resins for garment materials and gloves to guide proper material selection in the workplace. Objectives The objective of this study was to evaluate the resistance of 5 protective garment materials against permeation and penetration by bisphenol A diglycidyl ether and its higher oligomers found commonly in epoxy-based anti-corrosion coatings. Methods Five disposable garment materials were evaluated for resistance to bisphenol A diglycidyl ether monomers and oligomers during contact with epoxy-based anti-corrosion coatings, including latex gloves, nitrile gloves, Tyvek coveralls, polypropylene/polyethylene (PP/PE) coveralls, and a cotton T-shirt. A permeation test cell system was used to evaluate each garment material against an epoxy-based zinc-rich primer and an epoxy-based intermediate coating using a realistic application method. Glass fiber filters were used to collect permeating and penetrating epoxy resin during a 120-min test period. Bisphenol A diglycidyl ether quantification was performed with high-performance liquid chromatography–electrospray ionization-tandem mass spectrometry. Paint loading, coating thickness, and homogeneity were assessed on polytetrafluoroethylene filters sprayed in series in permeation test cells. Results Latex gloves provided the least resistance to permeation by BADGE in coating formulations, with a maximum cumulative permeation over the 2-h test interval of 21.7 ng cm−2 with the primer and 513.8 ng cm−2 with the intermediate coating product. Nitrile gloves were not permeated by either coating formulation. The Tyvek coveralls provided greater protection as compared to the PP/PE coveralls. The cotton T-shirt was penetrated by bisphenol A diglycidyl ether more frequently than any of the tested garment materials and resulted in a maximum cumulative penetration of 128 ng cm−2 with the primer and 28.0 ng cm−2 with the intermediate coating. Conclusion Although all the garment materials evaluated during this study provided sufficient protection to prevent cumulative permeation in excess of the established acceptable permeation thresholds, the use of nitrile gloves and Tyvek coverall is highly recommended to minimize skin exposure to bisphenol A diglycidyl ether. We recommend cotton T-shirts to be used under Tyvek coveralls as a secondary layer of skin protection and for added comfort, but not as a primary protection layer. [ABSTRACT FROM AUTHOR]

This paper analyzes the performance of various types of paints available in the Brazilian market, including PVA, matte acrylic, silicate, and lime paints within the context of their applicability to the conservation of historic building facades. Considering distinct suppliers and application methods, this study highlights the importance of tailoring paint selection to the preservation requirements of historic edifices, taking into account local preservation norms and the material characteristics of the buildings' original construction. The paints were evaluated based on water vapor permeability, washability, and adhesion. Furthermore, the paints' color variation with exposure to accelerated artificial aging was assessed. For testing purposes, specimens produced from cellular concrete slabs were used as substrates, which were coated with the paints under study. Based on the results, it was observed that, regarding the diffusion of water vapor, the silicate and lime paints presented the highest permeability values, and the acrylic and PVA paints had the lowest. Concerning washability, the silicate and lime paints showed the greatest wear. The adhesion tests revealed that, except for lime paint, detachment often occurred at the substrate. As for the accelerated aging test, lime paint exhibited the most significant color variation, losing its pigmentation considerably over time. With the results of this research and considering the main preservation requirements of historic coatings, silicate-based paints may be considered the most suitable. [ABSTRACT FROM AUTHOR]

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The fracture toughness in opening mode GIc for selected oil paints from Mecklenburg's Paint Reference Collection after approximately 30 years of natural ageing was determined using the procedure adopted from the ASTM D5528–13 standard in which double cantilever beam specimens are split in tensile tests. The careful reglueing procedure allowed multiple fracturing tests to be carried out that not only improved statistics of the measurements but also provided insight into the variation of the fracture toughness across the paint film observed for some paints. The latter was due to pigment sedimentation or chemical change of the oil binder as a result of the easier access of oxygen from the side open to the air. For the lead white paint, used over centuries both in paint films and oil grounds, the GIc values more than doubled from 18 to 39 J/m2 for three consecutive cracks formed at an increasing distance from one side of the paint film. The study demonstrated that fracture toughness corresponding to the first crack formation in aged oil paints ranged between 10 and 40 J/m2, relatively low values compared to the animal glue-based ground in paintings. In consequence, oil paints are more vulnerable to crack initiation and growth induced by tensile stress than the ground layer. The measurements filled the gap in the knowledge required for the analysis of fracturing or delamination processes in paintings. [ABSTRACT FROM AUTHOR]

The richly decorative and imaginative works by French artist Séraphine Louis (1864–1942) have long elicited fascination, and her working methods have often eluded art historians and conservators alike. Working in secret and outside established art circles, Séraphine employed materials such as natural resin varnishes and was said to have used household paints in addition to traditional artists' oil paints. In this study of six works in the collections of the Musée d'Art et d'Archéologie, Senlis (MAA), The Museum of Modern Art, New York (MoMA), and The Metropolitan Museum of Art, New York (MMA), attention was given to Séraphine's choice of colors and paints, in addition to identifying possible additions to or manipulations of painting media by the artist. Technical imaging was carried out using UVF to visualize the extent of Séraphine's use of natural resins. Analysis of the palette relied on XRF techniques and limited sampling for analysis by Raman and µ-FTIR spectroscopies. Overall, the following pigments were identified: lead white, zinc white, carbon-based black, red and brown ochres, umber, vermilion, alizarin lake, rhodamine B lake, Prussian blue, cobalt blue, ultramarine blue, chrome green, emerald green, viridian, cadmium yellow, and lead chromates, including chrome yellow deep and light, zinc yellow, and chrome orange. THM-Py-GCMS analysis of selected samples supported the documentary evidence of Séraphine's use of household oil paints; a single instance of a cellulose nitrate enamel paint was additionally determined by µ-FTIR. The chromatographic analysis also indicated a natural plant resin in her varnishes, probably dammar in combination with pine resin. Overall, this material investigation, accompanied by the art historical record, better reveals the techniques of an experimental painter whose works have come to epitomize French outsider artists of the early twentieth century. [ABSTRACT FROM AUTHOR]

The incidence of high-pressure injection injuries is increasing with the development of industry and use of injectors. Although high-pressure injection injuries are relatively rare, they commonly lead to complications such as skin necrosis, infection, and amputation. Moreover, the initial presentation is prone to be underestimated because of the small entry point at the patient's first encounter in emergency care. A prompt surgical intervention is required, with appropriate and rapid initial treatments, including broad-spectrum antibiotics and tetanus toxoid. The surgical treatment involves wide debridement for foreign material removal and subsequent reconstruction. In this case report, we present three cases we encountered and the ensuing complications. All three patients who received the same treatments are discussed in detail. [ABSTRACT FROM AUTHOR]

• A coherent set of tubes and pots of oil paint from Simon Hantaï's studio was studied. • The study documents major phases of Hantaï's meticulous search into color. • Identification of unexpected additives and ever-evolving formulations encourage further research. • The formation of soaps in the samples themselves is demonstrated. • This palette is characteristic of the materials used by many artists in postwar Paris. [Display omitted] Simon Hantaï (1922–2008) was a highly influential postwar painter in Paris whose innovative serial practice, creative curiosity and theoretical convictions inspired a number of his contemporaries. His art media are typical of the period, consisting of commercial artists' products, sold in tubes and cans, which were available to artists in Europe and beyond. We have studied a series of samples from the brands Lefebvre-Foinet, Lefranc & Bourgeois and Valor using a combination of optical and electron microscopy, accelerator-mass spectrometry carbon-14 dating, infrared spectroscopy, structural analysis, chromatographic and mass spectrometry techniques. Of particular interest is the rare access to a coherent artist's studio collection and its dating in relation to the painter's works. We gained precise information on paint formulations, including main binders and pigments, as well as additives, such as free metal soaps, beeswax and pine resin. This suggests the value of further research into paint formulations and their identification in paintings from the second half of the 20th century. These materials were studied for their capacity as possible references for future analysis of the painter's artworks. The high degree of hydrolysis of the oil binder and alteration, notably by saponification, leads us to question the significance of these materials and the handling of the data generated towards comparative studies. These samples have a history; considering them as pristine references for comparative studies with the works of artists of the period cannot be done at the expense of their own materiality — and in particular their physico-chemical evolution over time in their specific environment [ABSTRACT FROM AUTHOR]

Radiative cooling may serve as a promising option to reduce energy consumption for space cooling. Radiative cooling paints provide a cost-effective and scalable solution for diverse applications and attract great attention, but the state-of-art cooling paints generally use non-eco-friendly organic solvents and need large thicknesses (>400 μm) to realize high performance, which leads to high cost and environmental issues in implementation. This work aims to address these challenges by developing eco-friendly aqueous paints with low thickness (below 150 μm) by adopting a double-layer design based on a complementary spectrum strategy. The structure consists of a wide bandgap top layer to scatter short-wavelength light and a bottom layer with high reflectance to visible and near-infrared (NIR) irradiation. Effects of different design factors are studied using numerical simulation and experiments to attain the optimal design. The resulting Y2O3–ZnO paints show a strong reflectance of 95.4 % and a high atmospheric window emissivity of 0.93 at a low thickness of 150 μm. Field tests in the subtropic humid climate of Hong Kong demonstrated sub-ambient cooling of 2 °C at noon and 4 °C at night without shielding convection. The paints also show high robustness and excellent resistance to water and UV light attacks, rendering them promising for large-scale applications. [ABSTRACT FROM AUTHOR]

Many materials have been explored for the purpose of creating structures with high radiative cooling potential, such as nanocellulose-based structures and nanoparticle-based coatings, which have been reported with environmentally friendly attributes and high solar reflectance in current literature. They each have their own advantages and disadvantages in practice. It is worth noting that nanocellulose-based structures have an absorption peak in the UV wavelengths, which results in a lower total solar reflectance and, consequently, reduce radiative cooling capabilities. However, the interwoven-fiber structure of cellulose gives high mechanical strength, which promotes its application in different scenarios. The application of nanoplatelet-based coatings is limited due to the need for high volume of nanoparticles to reach their signature high solar reflectance. This requirement weakens the polymer matrix and results in more brittle structures. This work proposes a dual-layer system, comprising of a cellulose-based substrate as the bottom layer and a thin nanoparticle-based radiative cooling paint as the top layer, where both radiative cooling potential and mechanical strength can be maximized. Experimental and theoretical studies are conducted to investigate the relationship between thickness and reflectance in the top coating layer with a consistent thickness of the bottom layer. The saturation point is identified in this relationship and used to determine the optimal thickness for the top-layer to maximize material use efficiency. With the use of cotton paper painted with a 125 μm BaSO4-based layer, the cooling performance is enhanced to be 149.6 W/m2 achieved by the improved total solar reflectance from 80 % to 93 %. [ABSTRACT FROM AUTHOR]

Fluorocarbon polyurethane amino baking paint for graffiti-resistant whiteboards was designed and prepared. Firstly, perfluorohexylethyl alcohol (TEOH6) and hexamethylene diisocyanate (HDI) were reacted under certain conditions to obtain fluorocarbon mono-isocyanate, then fluorocarbon diols were obtained by reacting with trimethylolpropane, and finally fluorocarbon polyurethane hydroxy resin was formed by reacting with hexamethylene diisocyanate (HDI) and polyester diols. The synthesized hydroxyl resin was used as the basis to configure fluorocarbon polyurethane amino baking paint for graffiti-resistant whiteboards and was upgraded by adding hydroxyl silicone oil. Secondly, a series of performance tests, such as hardness, adhesion, flexibility, and corrosion resistance, were conducted to verify that the baking paint possessed excellent properties for use on writing whiteboards. The graffiti resistance of each paint film was evaluated by different methods, and it was found that the graffiti resistance was mainly due to the excellent hydrophobicity and oleophobicity of the paint films after the enrichment of fluorocarbon chains on their surfaces, and the combined effect of low surface energy caused by hydroxyl silicone oil crosslinked with amino resin. This study provides a theoretical basis and technical support for the preparation of fluorocarbon polyurethane baking paint for graffiti-resistant whiteboards. [ABSTRACT FROM AUTHOR]

Affected by the improper operation of the workers, environmental changes during drying and curing or the quality of the paint itself, diverse defects are produced during the process of ship painting. The traditional defect recognition method relies on expert knowledge or experience to detect defects, which is not conducive to ensuring the effectiveness of defect recognition. Therefore, this paper proposes an image generation and recognition model which is suitable for small samples. Based on a deep convolutional neural network (DCNN), the model combines a conditional variational autoencoder (DCCVAE) and auxiliary conditional Wasserstein GAN with gradient penalty (ACWGAN-GP) to gradually expand and generate various coating defect images for solving the overfitting problem due to unbalanced data. The DCNN model is trained based on newly generated image data and original image data so as to build a coating defect image classification model suitable for small samples, which is conducive to improving classification performance. The experimental results showed that our proposed model can achieve up to 92.54% accuracy, an F-score of 88.33%, and a G mean value of 91.93%. Compared with traditional data enhancement methods and classification algorithms, our proposed model can identify various defects in the ship painting process more accurately and consistently, which can provide effective theoretical and technical support for ship painting defect detection and has significant engineering research value and application prospects. [ABSTRACT FROM AUTHOR]

Laser paint removal technology has recently been used in aircraft maintenance because this technology is highly efficient, contact free and environment-friendly. This work proposes a tool path planning algorithm based on maximum defocus length, the distance between laser focus and the skin surface, that decreases the path points and the path length. Fewer interpolation points can generate smoother trajectory acceleration curves, reducing robot vibration and mechanical wear and improving robot response speed and accuracy to the planned path. Firstly, the STL (standard tessellation language) surface model of the aircraft metal skin is sliced using the section plane group to obtain the initial laser paint removal path. Secondly, the maximum defocus length is obtained by laser paint removal experiments on the skin. Thirdly, the initial path is optimized based on the path optimization algorithm of the maximum defocus length. Finally, a robotic paint removal verification experiment using the optimized path is conducted on a 0.0336 square meter section of a DR-5 unmanned aerial vehicle (UAV), composed of 2024-T6 aluminum. The results show that the application of this algorithm can remove the paint layer from the aircraft skin and decrease the path interpolation points by 96.2%. [ABSTRACT FROM AUTHOR]

Abstract Background When we paint our houses or offices, we might paint plastic, because most paints are generally formulated with polymer binders. After drying and curing, the binders fix the colourants on the painted surface as a film of plastic mixture, which is tested herein using Raman imaging to analyse and directly visualise the hybrid plastic-colourant (titanium dioxide or TiO2 nanoparticles). Results For the plastic mixture or hybrid, the co-existence and competition between the Raman signals of plastic and TiO2 complicate the individual analysis, which should be carefully extracted and separated in order to avoid the weak signal of plastic to be masked by that of TiO2. This is particularly important when considering the Raman activity of TiO2 is much stronger than that of plastic. Plastic is observed to coat the TiO2 nanoparticle surface, individually or as a bulk to embed the TiO2 nanoparticles as mixture or hybrid. Once branched, pended, scratched or aged, the paint can also be peeled off from the painted surface, including gyprock, wood and glass, releasing microplastics and nanoplastics (coating onto the individual TiO2 nanoparticle surface or embedding the TiO2 nanoparticles, or individually as particles) in potential. Conclusions Our test sends us a warning that we are surrounded by plastic items that might release microplastics and nanoplastics in potential, for which the risk assessment is needed. Overall, Raman imaging is a suitable approach to effectively characterise microplastics and nanoplastics, even from the mixture with the hybrid background and the complicated interference. Graphical Abstract

Abstract This research provides new insights into the composition of zinc white paints used by Piet Mondrian during his neoplastic period. Nine paintings, dated between 1921 and 1935, were studied, with a focus on three works in the collection of the Fondation Beyeler (Basel, Switzerland)—Tableau I (1921–1925), Composition with yellow and blue (1932) and Composition with double line and blue (1935)—and on Lozenge composition with yellow lines (1933) in Kunstmuseum Den Haag (The Netherlands). Cross sections from other paintings, most of which previously studied by Van Asperen de Boer in the early 1990’s, were reexamined as well. The analyses revealed a zinc white paint with aluminum phosphate inclusions (ZW-Al/P). In two of the works, a zinc white paint with aluminum sulphate was also found. The occurrence of aluminum phosphate (or aluminum sulphate) in 1920–1930’s paint formulations, and in paintings by Mondrian, has never been reported so far. Likely, the use of this zinc white paint in Mondrian’s and other artworks is more widespread than currently known, but it may have been overlooked in similar case studies, since its identification can only be accomplished with detailed scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM–EDX) analysis of cross sections. Mondrian’s use of pure ‘bright’ ZW-Al/P paint is limited to the later paintings (1932–1935) of this study, whereas in the earlier works (1921–1929) it was mostly mixed with lead white, likely conveying a different hue. Both the ZW-Al/P and Zn-Al/S ‘marker paints’ were also added to yellow, blue or black paint in specific paint layers of the planes and lines, respectively. It was also shown that Mondrian used the same paint on the frames as in the white planes and that the frames were painted while still working on the composition, and not only when he considered the work completed. Indeed, the detection of the zinc white marker paints might help to delineate the chronology of Mondrian’s working process in other paintings and may also be important in the interpretation of overpaints in the course of a treatment when removal of certain paint layers is considered.

The article discusses the results of a study on the health risk of exposure to lead content in consumer products . Topic mentioned include the effects of lead exposure on the neurodevelopment of children, the analysis of blood lead levels in children, and the importance of enforcing regulatory limits of lead content in consumer products.