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Recent research has introduced the categories of deluxe or high-quality Dead Sea Scrolls. We reconsider this category and propose a classification of manuscripts on the basis of handwriting quality. As a test case, we classify all Hasmonaean-type biblical manuscripts as elegant, professional, or substandard. We discuss eleven scrolls with elegant handwriting and consider other physical, scribal, and textual features of these scrolls. Our study calls into question the idea that especially biblical manuscripts would have been copied according to the highest standards. We show that different quality standards were in operation for Hasmonaean-type biblical manuscripts. [ABSTRACT FROM AUTHOR]

The Dead Sea Scrolls are tangible evidence of the Bible's ancient scribal culture. This study takes an innovative approach to palaeography—the study of ancient handwriting—as a new entry point to access this scribal culture. One of the problems of palaeography is to determine writer identity or difference when the writing style is near uniform. This is exemplified by the Great Isaiah Scroll (1QIsaa). To this end, we use pattern recognition and artificial intelligence techniques to innovate the palaeography of the scrolls and to pioneer the microlevel of individual scribes to open access to the Bible's ancient scribal culture. We report new evidence for a breaking point in the series of columns in this scroll. Without prior assumption of writer identity, based on point clouds of the reduced-dimensionality feature-space, we found that columns from the first and second halves of the manuscript ended up in two distinct zones of such scatter plots, notably for a range of digital palaeography tools, each addressing very different featural aspects of the script samples. In a secondary, independent, analysis, now assuming writer difference and using yet another independent feature method and several different types of statistical testing, a switching point was found in the column series. A clear phase transition is apparent in columns 27–29. We also demonstrated a difference in distance variances such that the variance is higher in the second part of the manuscript. Given the statistically significant differences between the two halves, a tertiary, post-hoc analysis was performed using visual inspection of character heatmaps and of the most discriminative Fraglet sets in the script. Demonstrating that two main scribes, each showing different writing patterns, were responsible for the Great Isaiah Scroll, this study sheds new light on the Bible's ancient scribal culture by providing new, tangible evidence that ancient biblical texts were not copied by a single scribe only but that multiple scribes, while carefully mirroring another scribe's writing style, could closely collaborate on one particular manuscript. [ABSTRACT FROM AUTHOR]

The Dead Sea Scrolls are tangible evidence of the Bible's ancient scribal culture. This study takes an innovative approach to palaeography—the study of ancient handwriting—as a new entry point to access this scribal culture. One of the problems of palaeography is to determine writer identity or difference when the writing style is near uniform. This is exemplified by the Great Isaiah Scroll (1QIsaa). To this end, we use pattern recognition and artificial intelligence techniques to innovate the palaeography of the scrolls and to pioneer the microlevel of individual scribes to open access to the Bible's ancient scribal culture. We report new evidence for a breaking point in the series of columns in this scroll. Without prior assumption of writer identity, based on point clouds of the reduced-dimensionality feature-space, we found that columns from the first and second halves of the manuscript ended up in two distinct zones of such scatter plots, notably for a range of digital palaeography tools, each addressing very different featural aspects of the script samples. In a secondary, independent, analysis, now assuming writer difference and using yet another independent feature method and several different types of statistical testing, a switching point was found in the column series. A clear phase transition is apparent in columns 27–29. We also demonstrated a difference in distance variances such that the variance is higher in the second part of the manuscript. Given the statistically significant differences between the two halves, a tertiary, post-hoc analysis was performed using visual inspection of character heatmaps and of the most discriminative Fraglet sets in the script. Demonstrating that two main scribes, each showing different writing patterns, were responsible for the Great Isaiah Scroll, this study sheds new light on the Bible's ancient scribal culture by providing new, tangible evidence that ancient biblical texts were not copied by a single scribe only but that multiple scribes, while carefully mirroring another scribe's writing style, could closely collaborate on one particular manuscript. [ABSTRACT FROM AUTHOR]

Several articles about Judaism are reviewed including "In Quest of Babylonian Tannaitic Traditions: The Case of Tanna D'Bei Shmuel," "Classical Rhetorical Arrangement and Reasoning in the Talmud: The Case of Yerushalmi Berakhot 1:1," and "He Took the Knife: Biblical Narrative and the Formation of Rabbinic Law."

The article explores the question of life beyond death by discussing the Dead Sea Scrolls which is a collection of texts that was discovered between 1946 and 1956 at caves in Khirbet Qumran in West Bank. It discusses the religious belief of resurrection of god from the dead ones and the existence of human body after death. The author analyzes the manuscripts collected from the caves in West Bank and Messianic Apocalypse in coming to the conclusion of life beyond death.

The article discusses the physiognomic knowledge of people who lived in the ancient cities of Qumran and Babylonia as found in the manuscripts 4Q186 and 4Q561. Physiognomics is a means to discern a person's character, beliefs and future based on his physical features. A comparison of the Qumran and Bayblonian manuscripts is made by exploring the way the two cities combine physiognomics and astrology.

An introduction is presented in which the author discusses various issues including socio-political dimensions of ancient communities, understandings of human experience, and arousal of emotions by the hortatory narratives.