Search

An introduction is presented in which the editor discusses articles in the issue on the topics including various aspects of Charlotte Brontë's writing, including subjects such as feminism and religion; and Andrew Weiler examines biblical language and Christian allusions.

GRAVITY MATTERS Sonja Greckol Toronto: Inanna Publications and Education, Inc., 2009 In this cohesive work that is solid in both form and content, Sonja Greckol uses many approaches and techniques [...]

Writing Beyond History: An Anthology of Prose and Poetry. Licia Canton, Delia De Santis, and Venera Fazio, eds. Montreal: Cusmano Communications, 2006. 178 pp. $20.00 sc. This anthology of thirty [...]

Shani Mootoo Valmiki's Daughter. Anansi $29.95 Diana Fitzgerald Bryden No Place Strange. Key Porter $27.95 Shani Mootoo's Valmiki's Daughter is set in modern Trinidad, in the crime-rife city of San [...]

An introduction is presented in which the editor discusses articles in the issue on topics including Brontë family jigsaw puzzle, the academic study "Determining Wuthering Heights," and the middle-grade novel "Goth Girl and the Wuthering Fright."

The source for Heathcliff inWuthering Heightsremains a mystery. And while Branwell Brontë is rarely credited with having influenced his sisters’ work, one cannot help but wonder if he may have served as some kind of model for the character of Heathcliff. This article explores this possibility through a comparative analysis of Branwell’s poetic voice and Heathcliff’s voice during his lament for Catherine. [ABSTRACT FROM AUTHOR]

Running at the 'Y' My legs rippling with muscle reflected in the darkened windows and I think, yes, this is good. Is muscle all I want? No. I want a [...]

Motherlode Deep lines mark a pathway of smiles and frowns (probably more frowns; she's a worrier). Started young to see how it could go. Speaks her mind to the point [...]

(S)Mothering I can be no one else when my mother is with me monstrously large You might have been difficult sometimes but you weren't a brat, she says. I put [...]

The Workshop It's easier to write The tired, old man walked slowly into the dark, smoky room she said or The handsome young man strode purposefully into the sundrenched room [...]

The baby in her belly (Part II) 39 days 8 hours and 23 minutes more you stayed inside you said there was no purchase that it did not feel like [...]

The hills roll and stretch and I wonder at their goldenness turning to green I see the houses the barns the cows the trees flip by as we gather momentum [...]

The twentieth century has seen many texts published as sequels to the original Brontë novels. How do we decide whether these texts are valid to the Brontë canon? Three modern-day sequels are interrogated for their period authenticity of language; for their adherence to Victorian practices, mores and traditions; for anachronisms; and for consistency between the original characters and their representations in the sequels. Of paramount importance is whether the sequel affects our reading of the original novel. The sequels examined are Lin Haire-Sargeant's The Story of Heathcliff's Journey Back to Wuthering Heights (1992.), Jeffrey Caine's Heathcliff (1977), and Anna L'Estrange's The Return to Wuthering Heights (1977). The following article treats the final title; the first and second titles have been treated in articles published in preceding issues of Brontë Studies. [ABSTRACT FROM AUTHOR]

The twentieth century has seen many texts published as sequels to the original Brontë novels. How do we decide whether these texts are valid to the Brontë canon? Three modern-day sequels are interrogated for their period authenticity of language; for their adherence to Victorian practices, mores, and traditions; for anachronisms; and for consistency between the original characters and their representations in the sequels. Of paramount importance is whether the sequel affects our reading of the original novel. The sequels examined are Lin Haire-Sargeant's The Story of Heathcliff's Journey Back to Wuthering Heights (1992), Jeffrey Caine's Heathcliff (1977), and Anna L'Estrange's Return to Wuthering Heights (1977). The first of these titles was treated in Brontë Studies, Vol. 29, March 2004. The following article treats the second of these titles. The third title will be treated in a subsequent article. [ABSTRACT FROM AUTHOR]

The twentieth century has seen many texts published as sequels to the original Brontë novels. How do we decide whether these texts are valid to the Brontë canon? Three modern-day sequels are interrogated for their period authenticity of language; for their adherence to Victorian practices, mores and traditions; for anachronisms; and for consistency between the original characters and their representations in the sequels. Of paramount importance is whether the sequel affects our reading of the original novel. The sequels examined are Lin Haire-Sargeant's The Story of Heathcliff's Journey Back to Wuthering Heights (1992), Jeffrey Caine's Heathcliff (1977), and Anna L'Estrange's Return to Wuthering Heights (1977). The following article treats the first of these titles. The second and third titles will be treated in subsequent articles. [ABSTRACT FROM AUTHOR]