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Your search keyword '"André, Emmanuelle"' showing total 18 results
Start Over Author "André, Emmanuelle" Topic [shs.art] humanities and social sciences/art and art history
18 results on '"André, Emmanuelle"'

2. De l'indice visuel à la trace fantomatique (Fantômas, Louis Feuillade)

Author

André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), André, Emmanuelle, TLESH, and Université Paris Diderot - Paris 7 (UPD7)-Université Paris Diderot - Paris 7 (UPD7)

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2012

3. Logique d'images. Du rêve, des sommeils et de l'art

Author

André, Emmanuelle, André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), and Université Paris Diderot - Paris 7 (UPD7)

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history
Published
2012

4. Le sujet de l'archive : entre gestes et méthodes

Author

André, Emmanuelle, André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), and Université Paris Diderot - Paris 7 (UPD7)

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2012

5. L'histoire hors d'elle-même ' (Fin, Artavazd Pelechian, 1992)

Author

André, Emmanuelle, André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), and Université Paris Diderot - Paris 7 (UPD7)

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2012

6. Poétique médicale du sujet. Le cinéma à l'œuvre de Foucault

Author

André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), and André, Emmanuelle

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2011

7. L'homme visible au cœur de la vision. Les visual studies face à l'analyse de films

Author

André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), and André, Emmanuelle

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2011

8. Le choc du sujet. De l'hystérie au cinéma (XIXe-XXIe siècle)

Author

André, Emmanuelle and André, Emmanuelle

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2011

9. Débris d'images (Fast Film)

Author

André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), and André, Emmanuelle

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2011

11. Le cinéma, art de la main oculaire (The Act of Seeing with One Own's Eye, Stan Brakhage, 1971)

Author

André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), and André, Emmanuelle

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2011

12. Questions de méthode

Author

André, Emmanuelle, André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), and Université Paris Diderot - Paris 7 (UPD7)

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2011

13. Face au regard : la main de cinéma

Author

André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), and André, Emmanuelle

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2010

14. Augustine, actrice de cinéma, ou la Belle Convulsive à l'œuvre

Author

André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), and André, Emmanuelle

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2009

15. Diversité des formes et invention des faits

Author

André, Emmanuelle, André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), and Université Paris Diderot - Paris 7 (UPD7)

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history
Published
2008

16. Poétiques et politiques du fait divers

Author

André, Emmanuelle, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), and André, Emmanuelle

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history
Published
2008

17. Images défuntes (Z32, Avi Mograbi, 2008)

Author

Emmanuelle André, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), and André, Emmanuelle

Subjects
masque funéraire, 060101 anthropology, funerary mask, lcsh:Fine Arts, 05 social sciences, 06 humanities and the arts, [SHS.ART]Humanities and Social Sciences/Art and art history, portrait, 16. Peace & justice, votive image, image votive, General Earth and Planetary Sciences, [SHS.ART] Humanities and Social Sciences/Art and art history, 0501 psychology and cognitive sciences, 0601 history and archaeology, lcsh:N, 050102 behavioral science & comparative psychology, ComputingMilieux_MISCELLANEOUS, General Environmental Science
Abstract

Z32 est le nom de code d’un soldat israélien qui, au cours d’une opération de représailles dans les territoires occupés, assassine un policier palestinien. Deux ans plus tard, il rencontre Avi Mograbi et accepte de raconter son histoire devant la caméra, à condition que son identité reste cachée. Afin de donner au mal la forme humaine d’une transformation, le cinéaste met au point un masque numérique évolutif, qui renoue avec les origines de la figure à travers plusieurs pratiques et traditions anciennes, masque mortuaire et portrait votif. Au problème politique soulevé par Mograbi – comment faire face aux crimes de guerre ? – le film instaure alors une dialectique entre le vu et le non-vu qui oppose à la mémoire brûlante du soldat la mémoire visuelle de l’histoire de l’art que l’innovation technologique fait affleurer à la surface, opacifiée, du visage. Z32 is the code-name of an Israeli soldier who kills a Palestinian policeman in the course of retaliation in the occupied territories. Two years later he meets Avi Mograbi and agrees to tell his story in front of the camera, on the condition that his identity remains hidden. In order to give evil the human form of a transformation the film-maker devises an evolutive numerical mask related to the origins of figure through various ancient practices and traditions such as the mortuary mask and the votive portrait. Towards the problem raised by Mograbi – how to face war crimes? – the film sets up a dialectic between the seen and the unseen where the soldier’s burning memory confronts art history’s visual memory, which technological innovation brings onto the opacified surface of the face.

Published
2011
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18. Esthétique du motif, Cinéma, musique, peinture

Author

Emmanuelle André, Centre D'Etude et de Recherche Interdisciplinaire de l'UFR LAC (CERILAC (EA_4410)), Université Paris Diderot - Paris 7 (UPD7), André, Emmanuelle, TLESH, and Université Paris Diderot - Paris 7 (UPD7)-Université Paris Diderot - Paris 7 (UPD7)

Subjects
[SHS.ART] Humanities and Social Sciences/Art and art history, [SHS.ART]Humanities and Social Sciences/Art and art history
Abstract

Souvent associe a la musique et a la peinture, le motif est ici envisage comme une forme qui affecte d’autres champs esthetiques. A partir d’exemples tires en particulier des films Le Vent (Sjostrom, 1927), La Nuit du carrefour (Renoir, 1932) et Gertrud (Dreyer, 1964), Emmanuelle Andre montre la pertinence d’une notion pour une reflexion plus generale sur l’ecoute et le visuel. Compris comme une entite plastique et dynamique, le motif se deploie et nous informe sur les circulations secretes entre les arts.

Published
2007

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