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Ding Yan is one of the representative writers of the "post -70s" in China. During the interview, she started from her own literary road. In the early days, she mainly created poetry and novels. In 2010, Ding Yan left Xinjiang and moved to Guangdong. Here she created two representative nonfiction works such as "Factory Girl" and "Factory Boys". She believes that the writer should not have a limit on nim or herself. Although there is a boundary between fiction and nonfiction, they can learn from each other. China's nonfiction writing has just begun, and there are still many areas that can be expanded. From the interview, we can clearly see the growth of the writer, her writing habits, her writing experience, and her understanding and thinking about nonfiction writing. [ABSTRACT FROM AUTHOR]

The article reviews the book "The Cultural Life of Machine Learning: An Incursion Into Critical AI Studies," edited by Jonathan Roberge and Michael Castelle and the exhibition "Data/Set/Match," presented at the Photographers' Gallery in London, England from 2019 to 2020.

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