Search

In the last decade in Chile, an increasing amount of paranormal investigation companies have carried out ghost tours in patrimonial and historical places, using diverse technologies to penetrate into the history of sites. We ethnographically and analytically explore two related questions. First, we ask what paranormal instrumentation does to collective memory and to history. We argue that these 'registers' of the paranormal create 'affective atmospheres', namely from the forms of indeterminacy embedded in the functioning and performance of the apparatuses. Our argument is that these machines are mechanisms for the creation of a new history, one that is apprehended affectively. Second, in the context of an explosion of adherence in Chile to forms of new media, we employ the notion of 'dark media' to illustrate that online material posted by paranormal researchers appears to escape any form of mediational understanding, feeding at once the public's perceptive and affective dispositions. [ABSTRACT FROM AUTHOR]