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Prikazovanje nasilja v umetnosti ni nov pojav. Že v prazgodovini so naši predhodniki v jamskih slikah prikazovali boje z živalmi. Z razvojem civilizacije pa so se razvijali tudi boji, bitke, vojne ipd. in posledično tudi njihovo prikazovanje. Vzporedno z razvojem človeštva in z razvojem tehnologije nas prikazovanje omenjene tematike spremlja vse do današnjih časov. Zato se tudi vsebina animiranih filmov ni izognila tej tematiki. Pričujoče diplomsko delo predstavlja svet nasilja in spopadov v animaciji. Narejena je primerjava med animacijama vzhodnega in zahodnega sveta ter njunih pristopov do spopadov in uporabe nove tehnologije. Predstavljena je animacija vzhodnega sveta, kjer prevladuje japonska animacija – anime. Na Zahodu pa na trgu prevladuje svetovno znana korporacija Disney in njihovemu načinu podoben stil animacije drugih podjetij. Izpostavljene so razlike med tema dvema stiloma animacije in pa tudi podobnosti. Del naloge se osredotoča na prikazovanje spopadov. Diplomsko delo vsebuje poglobljen vpogled v razvoj in uporabo sodobnih metod, kot sta 3D računalniška animacija ter zajem gibanja (motion tracking), in razloži, kako je njuna prisotnost pomagala pri spreminjanju načinov ustvarjanja spopadov. Zastavljeno je tudi vprašanje, zakaj gledalci uživajo v gledanju takih animacij, kaj je tisto, kar privlači, ter ali so take animacije primerne za otroke. Predstavljene so tudi ugotovitve o pravi »formuli« za spopad, kako pripraviti spopad in kateri so najpomembnejši elementi, ki jih je potrebno upoštevati, da bi spopad pritegnil gledalca. Na koncu je opisana še lastna izkušnja ob izdelovanju praktičnega dela, ki je kratek animiran spopad z naslovom Bitka za gozd. Poglavje nas popelje skozi celoten proces ustvarjanja praktičnega dela: od predprodukcije, v kateri sta bili ustvarjeni zgodba, zgodboris in likovna zasnova, do produkcije, v procesu katere je bila ustvarjena animacija. Celoten postopek se je zaključil s postprodukcijo, v kateri so se dodali efekti in se je animacija sestavila v končno obliko. Showing violence in art is not a new phenomenon. Already in prehistoric times, our predecessors depicted animal fights in cave paintings. With the development of civilization, fights, battles, wars, etc. also developed. Consequently, also their display. In parallel with the development of humanity and the development of technology, this topic is still popular to this day. As a result, the content of the animated cartoons is also familiar with this theme. This thesis presents the world of violence and conflict in cartoon animation. A comparison is made between the animation of the Eastern and Western worlds and their approach to show battles and the use of new technology. The animation of the Eastern world is presented, where Japanese animation predominates - anime. The market of Western part of the world is dominated by the world-famous Disney Corporation and other companies with similar animation style. Therefore, here are highlighted differences between these two styles of animation as well as the similarities. Part of the thesis focuses on depicting these conflicts. An in-depth look at the development and implementation of modern methods such as the 3D digital device and Motion Tracking explains how their presence has helped change the ways in which conflicts are created. The question is also asked why viewers enjoy watching such animations, what attracts them and whether such animations are suitable for children. Findings are also presented on the right »formula« for conflict, how to prepare for creating a battle, and what are the most important elements that need to be kept for making a battle attractive and how to make sure it looks good. At the end the experience of making a practical work WoodFall, which is a short animated battle, is described. The chapter takes you through the whole process of creating practical work. This includes everything from the pre-production in which the story, storyboard and character designs were created, to the production where the actual animation is created. The whole process is completed with a postproduction in which effects are added and the animation is put together to the final form.

Diplomska naloga se osredotoča na analizo sloga oblikovanja videza lika za animirani film v primerjavi med ameriško in japonsko animacijo. Slog oblikovanja videza animiranega lika opredeljujemo na podlagi različnih področij. Mednje uvrščamo navidezne značaje lika, raznolikost zgradb telesa, strukturo obraza, oblikovanje prepoznavnih značilnosti silhuet lika, metode in tehnike za dosego učinkov zgradb delov telesa (roke, noge …), ustvarjanje karakterističnih lastnosti same silhuete, predhodno pripravo s specifičnimi smernicami videza lika za animiranje (določitev velikosti lika, barvne lestvice, upoštevanje terminov emocij …) in ne nazadnje doseganje različnih učinkov gibanja. Cilj diplomske naloge je analizirati razlike in enakosti ameriške in japonske animacije (ameriški animirani film Osmosis Jones in japonska animirana serija Cells at Work!), ki si zasluženo delita vodilno mesto po vplivu v svetu animiranega medija. Diplomska naloga je sestavljena iz teoretičnega in empiričnega dela. V teoretičnem delu so razloženi pojmi in strokovni termini s pomočjo tujih avtorjev in virov. Vsebina teoretičnega dela se smiselno nadaljuje v empiričnem delu z analizo področij, obrazloženih v teoretičnem delu. Torej, kot je v teoretičnem delu razložena silhueta v animaciji, je tudi v empiričnem delu analizirana silhueta v ameriški in japonski animaciji. The purpose of the diploma thesis focuses on the analysis of the style or look of the character for an animated film compared between American and Japanese animation. The style of the look or appearance of the animated character is defined on the basis of different areas. Among these are the apparent characteristics of the character, the diversity of the types of body builds, the structure of the face, the design of the recognizable characteristics of the silhouette, the methods and techniques for achieving the effects of the building parts of the body (hands, legs ...), the creation of characteristic features of the silhouette itself, preliminary preparation with specific lines of character look for animation (determining the size of a character, the color scale, taking into account the terms of emotions ...) and, last but not least, the achievement of various effects of movement. The goal of the diploma thesis is to analyze the differences and similarities of American and Japanese animations (american animated film Osmosis Jones and japanese animated series Cells at Work!) that deserve to share the leading spot of influence in the world of animated media. The diploma work consists of theoretical and empirical work. In the theoretical part, I interpret concepts and professional terms with the help of foreign authors and sources. The content of the theoretical part will be meaningfully continued in the empirical part through the analysis of the discussed areas already explained in the theoretical part. So, as the silhouette in the animation will be explained in the theoretical part, an analysis of the silhouette between American and Japanese animation will also be made in the empirical part.