Search

The chaîne opératoire of Neolithic Korenovo ceramics is poorly known, as hitherto potsherds from only three sites, Malo Korenovo, Tomašica in central Croatia, and Becsehely–Bukkaljai dűlő in Hungary have been analysed archaeometrically. Korenovo is considered the southernmost aspect of the Linearbandkeramik (LBK). In this paper, the ceramic assemblage from Kapelica-Solarevac and Kaniška Iva (Central Croatia) will be discussed. Kapelica-Solarevac and Kaniška Iva are the only two sites in which Starčevo and Korenovo ceramics have been found together in closed contexts. Twenty potsherds from the Kapelica-Solarevac and Kaniška Iva assemblages were analysed using polarised microscopy and scanning electron microscopy with energy dispersive spectrometry (SEM-EDX). In combination with equivalent data from 49 Korenovo ceramics from Tomašica and Malo Korenovo, the results offer an insight into the practices of Korenovo potters and show the lack of exchange of technological knowledge between Korenovo and LBK potters in Austria and central Transdanubia (Hungary). On the other hand, Korenovo potters seem to closely follow ceramic recipes typical of the neighbouring Vinča potters, suggesting Korenovo to be a hybrid group between the Vinča and the LBK pottery communities.

This study presents the results of analyses of ceramics from one of the rare excavated kiln sites that produced amphorae and common wares in Ptolemaic Egypt (332–30 BC), at Kom Dahab in the Western Nile Delta. Ceramics from the kiln trench, unfired ceramics and specific classes of transport, table and kitchen vessels were analysed by polarised microscopy and scanning electron microscope used with energy dispersive spectrometry (SEM–EDX). This made it possible to trace the different steps of the chaine operatoire and revealed that potters made differentiated use of raw materials. A specific clay, perhaps offering economic advantages, soon dominated the amphora production. A variety of recipes was used for white and red slips applied to both utilitarian and tablewares. Shapes were strongly Greek-influenced, but after some time ceramic technology readmitted earlier Pharaonic traditions, presumably driven by consumer demand and economic considerations. The analysis of slipped bowls from Old Kingdom levels suggests the long-term exploitation of the local clay sources of distinctive chemical composition.

40 potsherds and five other fired clay fragments from the prehistoric site of Nova Nadezhda in Bulgarian Thrace were analysed by archaeometric techniques. Twenty sherds and a daub fragment were analysed in thin section by optical microscopy; these thin sections, and thick sections of a further 24 sherds were also analysed by SEM-EDX. Results were used to describe the Early Neolithic chaîne opératoire at Nova Nadezhda, which was then compared to pottery production in roughly contemporaneous Starčevo-Criş communities in the central Balkans, to shed light on the Neolithisation process that took place in the 6th millennium BC. A variety of ceramic recipes was used to make different vessel shapes. Analyses of surface coatings were particularly enlightening in terms of provenance and the organisation of pottery production.

This paper presents for the first time the results of a combination of petrographic, geochemical and organic residue analyses of early Neolithic ceramics from the Iron Gates region of the Danube basin. Eleven early Neolithic potsherds from Schela Cladovei (Romania) were analysed in detail. The results of the petrographic analysis show that the ceramics were made with the same recipe that was used by Starčevo-Körös-Criș potters elsewhere in southeastern Europe. The SEM-EDX analysis shows one of the earliest uses of Mn-rich black pigments to decorate Neolithic European ceramics. Organic residue analyses detected dairy, non-ruminant and ruminant adipose fats. No evidence of aquatic resources was detected. In summary, the early Neolithic potters at the Iron Gates, although able to make coarse and more sophisticated painted ceramics, did not make specific vessels for a specific use.

The interdisciplinary study of Egyptian- and Greek-style pottery found in the Nile Delta aims to test and expand the potential of different scientific methods to identify regional variation and cultural traditions in ceramic fabrics from a relatively uniform geological setting. Neutron activation analysis (NAA), polarised light microscopy and SEM-EDX analyses were used to examine raw materials and technological tradition in 32 objects, including 15 previously partly analysed pieces, chosen to test the hypotheses of (a) chemical and (b) technological variation between regionally and/or culturally distinct pottery traditions. Several hundred published NAA data from other studies of Egyptian ceramics were re-assessed within this work. Our NAA results confirmed that all 28 objects analysed originated in Egypt, but could not distinguish production centres. Polarised light microscopy clarified the chaine operatoire and highlighted Greek and Egyptian technological traditions and regional variations in the production of macroscopically similar ware (e.g. Black Ware). SEM-EDX was essential in distinguishing different recipes used for slips, suggesting patterns of technological transfer and adaptation.

This article presents the curatorial context of a newly discovered fragment of Minoan faience, now in the Bristol City Museum and Art Gallery (BCMAG), and the technological study conducted on this piece at the British Museum. It also discusses the British Museum study of comparable fragments, now in the Ashmolean Museum, belonging to the Town Mosaic from Knossos, an important and unique find brought to light during Sir Arthur Evans's excavations of the ‘Palace of Minos’ at the beginning of the twentieth century. Both the stylistic study and the analytical results suggest that the Bristol fragment is genuine, and most likely belonged to the Town Mosaic. The Bristol piece does not possess features that can advance our understanding of Crete in the Bronze Age, but its curious biography adds something to the history of collecting and the history of archaeology.

Forty-three pottery samples from the New Kingdom site at Amara West in Nubia (Sudan) were analysed by optical microscopy and scanning electron microscopy-energy dispersive X-ray spectrometry to identify pottery potentially produced at the site. Twenty-two samples from modern local alluvial soils, modern locally made pottery and archaeological material (mudbricks, daub, oven liners and kiln fragments), likely to have been made from locally sourced clays, were also studied. The analytically and microscopically defined pottery fabrics were cross-correlated with macroscopic fabrics defined on-site during fieldwork to demonstrate not only the potential and limitations of both approaches but also how the complementary datasets can provide new insights. The mineralogical and chemical analyses, of 65 samples, suggest that locally manufactured pottery included both Egyptian-style tableware and Nubian-style cooking pots. At the same time, the community at the site imported ceramics from a variety of different regions, including Egypt itself.

We analysed a faience fragment from Bristol Museum and Art Gallery, to determine whether it belonged to the Town Mosaic, excavated at Knossos. Three Town Mosaic fragments from the Ashmolean Museum, Oxford were also examined. The objects were analysed using non-destructive variable-pressure scanning electron microscopy with energy-dispersive X-ray spectrometry. The Bristol object's composition and microstructures are similar to those of the Town Mosaic samples. Our results are also comparable to those from polished samples of Minoan faience (Tite et al. 2009), showing that VP SEM–EDX gives reliable results without invasive sampling. Silicaceous, copper-rich microspheres were identified for the first time in two of the Ashmolean objects.

This paper deals with the importance of chemical analyses in characterising prehistoric pottery fabrics. Two three-year projects focussed on the minero-petrographic and SEM/EDS analyses of the oldest pottery from south-east Europe (ca. 6000 cal BC). Whereas in the Impressed Ware culture of the Adriatic region, optical microscopy was sufficient to identify provenance, the more uniform geological background of the central Balkans required chemical analyses to be able to differentiate between different raw materials. Multiple bulk analyses of each sherd were obtained to gauge the variability in composition within each vessel. The limiting factor in determining provenance in this area appears to be the similarity of clay sources, not the inhomogeneity of the coarse pottery. This is shown here using results from four of the sites, including three where petrographic analyses could not establish provenance.

The shell-midden site of Riņņukalns in northern Latvia offers a rare opportunity to study long-term trends in ceramic production and function at a European hunter-fisher-gatherer site. Riņņukalns was occupied from the sixth millennium BC, with the midden developing from the later fourth millennium. Here, the authors discuss the chaîne opératoire and function of the Riņņukalns material, showing that pottery was used in both the pre-midden and midden phases primarily to cook aquatic and porcine resources. The technology used to produce these cooking vessels, however, changed over time, with new firing techniques associated with a shift to the use of shell temper. The results have implications for understanding prehistoric technology and subsistence in other parts of the world.