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The Architecture of Exhibitions embarks on a comprehensive exploration of creativity and design innovation within exhibition spaces. It describes the fundamental principles of exhibition design, tracing the origins of creativity and considering its evolutionary significance.The book challenges conventional boundaries imposed by rigid classifications, drawing on heuristic studies in biology and the transformative concept of exaptation. It questions the traditional separations between art, science and technology, which often hinder innovation. By advocating for an interdisciplinary approach, it reimagines creativity that transcends conventional limits. Through practice-based research, multidisciplinary case studies and technological innovations, with a focus on generative AI, the book illustrates how modern exhibition spaces actively engage with their audiences, highlighting their profound impact beyond academic discourse.This book is designed for curators, designers and scholars who are passionate about the future of exhibition spaces. It offers a comprehensive understanding through its four-part structure, making it an essential read for anyone interested in the dynamic interplay between art, technology and society. The book is also designed as an instrument for the education of architecture, design and art students.

To stay relevant, art curators must keep up with the rapid pace of technological innovation as well as the aesthetic tastes of fickle critics and an ever-expanding circle of cultural arbiters. Issues in Curating Contemporary Art and Performance argues that, despite these daily pressures, good curating work also requires more theoretical attention. In four thematic sections, a distinguished group of contributors consider curation in light of interdisciplinary and emerging practices, examine conceptions of curation as intervention and contestation, and explore curation's potential to act as a reconsideration of conventional museum spaces. Against the backdrop of cutting-edge developments in electronic art, art/science collaboration, nongallery spaces, and virtual fields, contributors propose new approaches to curating and new ways of fostering critical inquiry. Now in paperback, this volume is an essential read for scholars, curators, and art enthusiasts alike.