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Near the end of February 2020, the Art Education Club officers at California State University, Northridge introduced members to a collaborative collage artmaking project, inspired by Marty McCutcheon's "Check It Out" project. Club members--preservice art education students, mentor art teachers, and higher education faculty--had recently voted to meet more than once a month for artmaking opportunities. These new events were organized around creating work together to promote individual and collaborative experiences while strengthening relationships and building leadership capacity. With 18 club members, partners, friends, and children in attendance at the February artmaking evening participants shared ideas and stories, creating a lively environment and excitement about exchanging projects. The plan was to leave with someone else's collage, adding to it over the month, bringing it to the next meeting scheduled for the end of March, viewing works in progress, and exchanging them for another collage to contribute to. This opportunity to make art together, although physically distanced, connected participants in unexpected ways during this time of isolation.

The article focuses on three collaborative research projects across multiple divisions in art education, which were showcased at the 2022 National Art Education Association Convention panel sponsored by the Professional Learning Through Research working group. Topics discussed include the evolution of collaborative research practices, and the way in which the online studio interaction of two higher education professors intersects with their collaborative research practice.

This article highlights the development and outcomes of a visual art educator community of practice (CoP) cultivated in partnership with the Museum of Contemporary Art in Los Angeles, known as the MOCA PD Lab. Participating researchers were interested in examining how to bring visual art teachers together outside of schools and districts to pursue their own collaborative professional development (PD) that could accommodate time, distance, and expense needs. The study focused on increasing the capacity of group members to design and facilitate PD through examining the impact of the CoP on participants' shared knowledge and reflective practices; exploring strategies to grow and sustain the CoP; and implementing organisational strategies for cultivating connections and empowering teachers to pursue ongoing professional learning (PL). Feedback from participants indicates the positive impact of this CoP on members' self-directed PL in: building community, collaborating with colleagues, developing instructional practice, and engaging in critical reflection. Now concluding its fifth year, the MOCA PD Lab continues to meet monthly to engage in visual art PL experiences to meet participants' individual learning goals. Our hope is that the MOCA PD Lab may serve as a model for educators and museums looking to create collaborative PL opportunities. [ABSTRACT FROM AUTHOR]

Art education curriculum that asks students to actively engage in the world around them is best when students work with issues or topics that will be fruitful in terms of students being able to personally relate on some level. The theme of food as a topic for higher education art curriculum is just such an example, particularly with recent studies of college campuses documenting issues of food insecurity among students). This article discusses related theoretical aspects and qualitative methods utilized in working with university students on the interdisciplinary and often social and politically charged theme of food, including subtopics such as food access, health, agricultural practices, labour and immigration, economics and global warming. Nuanced and related topics are discussed in the context of issues-based art curriculum and students' creative processes, including democratic participation, digital and technological literacy and how to understand the political in a world where facts are continuously in question. [ABSTRACT FROM AUTHOR]

This qualitative study examines multiple collaborative art experiences across ages and classrooms during two years at a suburban public school in one of the largest school districts in the United States. Students in two middle-school elective art courses engaged in contemporary art education projects to strengthen visual and verbal communication skills as they partnered with younger peers in primary grades, including the following activities: collaborative earthworks, toy designs and mixed-up animal sculptures. These multi-age socially-constructive art experiences provided students with opportunities to build community across campus while interacting with each other and the artwork co-created. Observations and noted responses via reflection from students indicated positive impact on both communication and collaboration through bidirectional teaching and learning, with students in each age group requesting more opportunities for cross-grade collaborative experiences. [ABSTRACT FROM AUTHOR]