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The article discusses the lumbung one project at documenta fifteen, which aimed to challenge expectations of a "Global South" exhibition. The project focused on collaborative network structures and collectivity, but the article argues that the specific artworks presented have not received enough attention. The article also explores other topics such as Palestinian art, dance as a medium for nation-building narratives, and the solidarity networks connecting Japan to Palestine. The issue's cover, which is black, is seen as a sign of mourning for lives lost in ongoing war and destruction. [Extracted from the article]