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The construction of a hydroelectric dam involves the prolonged contest between pro- and anti-dam coalitions adopting various storylines to provide the project with meaning. These representations of dams are often open to reinvention and transformation, allowing for the introduction of new portrayals. This work adopts Ernesto Laclau's and Chantal Mouffe's Discourse Analytic framework to explore how supporters of the Belo Monte project in Brazil have integrated narratives of environmental sustainability into the positioning of the facility. Following recent scholarship, these appeals to sustainability are cast as a tool to legitimize construction whilst concealing negative social and environmental consequences. In doing so, this work asserts that the ambiguity - or emptiness - of the concept of sustainability has allowed for the pro-dam coalition to adopt such a storyline to legitimise a project that possesses questionable environmentalist credentials. [ABSTRACT FROM AUTHOR]

Belo Monte is one of the most divisive dams in Brazilian history, becoming entangled in a thirty-year struggle between pro- and anti-dam interests over the role of the facility within a complex web of Brazilian development and the future of the Brazilian Amazon. This research explores how the proponents of Belo Monte have adopted a number of policy frames as a means of deflection, to divide the opposition and legitimize the project. It investigates this claim by analyzing speeches given within the Brazilian Câmara dos Deputados and the public speeches of high-level politicians. These sources, organized around a framework previously identified by Ahlers et al. (), show that the government and individual politicians have used a variety of framing devices to legitimize the hydroelectric facility. Principal methods of framing used also demonstrate how contemporary narratives (e.g. sustainability) have been employed to deflect opposition criticism and widen the scheme's perceived beneficiaries. In doing so, this paper demonstrates how the transformation represented by Belo Monte encompassed not only a process of engineering but also a re-articulation of the complex and its role in modern Brazil. [ABSTRACT FROM AUTHOR]

The 21st century has witnessed a resurgence of hydropower projects across the globe, with the energy source an integral part of contemporary sustainable energy transitions. Yet, the environmentalist credentials of hydropower remain contested by anti-dam movements. This paper details the cases of the Belo Monte and São Luiz do Tapajós dams in the Brazilian Amazon to explore how the development, submission and acceptance of an Environmental Impact Assessment provides a key site in the contestation of hydroelectric projects. Whilst the provision of this document – and the wider environmental licensing process – represents a key component in the asserted 'green-ness' of hydropower, opposition groups extend the scope of analysis to include indirect and cumulative impacts that remain understudied in official assessments. This paper analyses interviews and questionnaires with and documents provided by national and international civil society organisations to trace this process of challenge and critique. It details how civil society actors forward alternative assessments of the impacts of the projects studied, uncovering and illuminating overlooked and understudied externalities of hydropower in the Brazilian Amazon. An analysis of this process not only demonstrates that the 'green' credentials of hydropower remain far from assured but also highlights how anti-dam actors advance new 'sustainabilities' to discredit the terrain upon which such credentials are set. [ABSTRACT FROM AUTHOR]

The construction of a hydroelectric project transforms the watershed in which it is located, leading to a moment of contestation in which the scheme is challenged by opposition actors. This paper explores the interplay between pro- and anti-dam coalitions contesting the Belo Monte Dam in Brazil by discussing how each group inscribes the project with a particular resonance in policy. Drawing upon the work of Chantal Mouffe on agonism and Tania Murray Li on 'rendering technical', the subsequent discussion analyzes semi-structured interviews, questionnaires, and primary documents to explore how the storylines advanced by pro- and anti-dam actors contest the political character of Belo Monte. It is argued that within these storylines, Belo Monte's positioning within the 'national interest' represents a key site of the project's depoliticization and repoliticization—which are understood as the respective denial and illumination of the project's location within a wider terrain of political antagonism and conflict. Whilst pro-dam actors assert the apolitical character of the project by foregrounding it within depoliticized questions of economic benefits, anti-dam actors reground the project within a context of political corruption and the circumvention of dissent. With this paper providing evidence of how contests over dam construction are linked to the concealing and/or illumination of the project's political content, it is argued that the repoliticization of a project by a resistance movement can have consequences far beyond the immediate site of construction. [ABSTRACT FROM AUTHOR]