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The composition of the novel by the modern English writer P. Ackroyd “The Plato Papers” in connection with the problems of the work is considered. The review of the last researches devoted to creativity of this author is given. Attention is paid to how the work reveals the problem of interpretation of history, its ambiguity, the concept of the movement of time, progress, the relationship of the past, present and future. The author shows that when shifting the time of the novel in the future, Ackroyd uses the documentary imitation technique, changes narrators and types of narration. The composition of the work consisting of separate small parts connected in a key way by the speaker Plato is analyzed. Such properties of the composition of the analyzed novel as fragmentation and nonlinearity are noted. It is shown how the novel realizes postmodern idea about the relativity of the interpretations of the events of the past. The position of the main character endowed with the gift of insight, able to penetrate into the past, to look from an unusual point of view at the present, to doubt and seek the truth is revealed.

This comment on Sergio Romano's (2022) article tries to integrate this paper that presents correctly, however in a partial way, the relationship between some aspects of Alfred Adler's biography and his psychological hypotheses that contributed to the construction of the theoretical edifice of his Individual Psychology. Despite its conciseness, this comment integrates what is not fully described in Romano's paper, and it is also an opportunity to have a more complete view of Alfred Adler's theory. The commonplace argument that has often circulated regarding Individual Psychology is briefly discussed: it is often said that Alfred Adler's Individual Psychology is a simple theory, easily described with the use of few key concepts. It is argued, instead, that it is a theory that opens up numerous perspectives for understanding the complexity of mental functioning which, in this commentary, is briefly described. [ABSTRACT FROM AUTHOR]

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