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The article explores how an artisan community in Canton adapted European clock-making technology to the making of automata in a Chinese aesthetic style. Moreover, it positions a unique automaton from the National Museum of Denmark in relation to a Chinese story and connected drinking game. Approaching the mechanical tableau as continuously in the process of being cocreated across social and global boundaries, it points to how new technology impacted ways of trading in the international community in Canton. When the elites in Canton set the mechanical tableau drumming, chiming, and spinning; gulped their wine, and passed each other flowering branches, they cocreated and performed a social ritual that traversed boundaries. Ultimately, a close reading of the sculpture reveals an often invisible aspect of international trade: that negotiations could rely on play as much as power, capital, and influence. [ABSTRACT FROM AUTHOR]