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1. ‘There is beauty in ruins, and hope in destruction’ : Fallings pour shō (et u), alto et violoncelle de Daryl Jamieson

2. Soi-disant

3. Soi-disant

4. Soi-disant

5. Soi-disant

7. Introduction. L’orgue à bouche, un instrument ancestral sous le prisme de l’interdisciplinarité scientifique

8. Nano-sheets of two-dimensional polymers with dinuclear (arene)ruthenium nodes, synthesised at a liquid/liquid interface

9. Postface

10. Postface

11. Postface

12. Le sonagraphe comme outil de création musicale: les premières analyses spectrographiques de François-Bernard Mâche et Gérard Grisey

13. Postface

14. Iter memor (1985) pour violoncelle et clavier Kurzweil 250 de François-Bernard Mâche: une nouvelle approche de la musique mixte

15. Jesper Nordin – Sculpting the Air

16. Raster. La trame et le son

17. Hydrocarbures Aromatiques Polycycliques (HAPs) et éléments traces métalliques (ETMs) dans les dépôts atmosphériques le long d'un transect Nord-Sud en Méditerranée (campagne Hippocampe)

18. Corrosion influence on the evaporation of sessile droplet

19. Postface

20. Postface

21. The Respective Roles of Wind Speed and Green Vegetation in Controlling Sahelian Dust Emission during the Wet Season

22. Modelling of corrosion using cellular automata

23. Acoustical analyses of extended playing techniques in Pression by Helmut Lachenmann

25. Overview of atmospheric composition in Western Mediterranean during PEACETIME cruise

26. Overview of the Chemistry-Aerosol Mediterranean Experiment/Aerosol Direct Radiative Forcing on the Mediterranean Climate (ChArMEx/ADRIMED) summer 2013 campaign

27. ‘Accueillir le son et le laisser partir sans forcer...’: Ronnie Lynn Patterson et le Palais de Mari de Morton Feldman

28. Aerosol composition and the contribution of SOA formation over Mediterranean forests

29. Introduction

30. Introduction

31. Pitting corrosion modelling by means of a stochastic cellular automata-based model

32. Salt-induced iron corrosion under evaporating sessile droplets of aqueous sodium chloride solutions

33. Contribution of cellular automata to the understanding of corrosion phenomena

34. Probabilistic cellular automata model of generalised corrosion, transition to localised corrosion

35. Understanding the effects of is visual design on user experience: the influence of time of judgment and task performance

36. CONFRONTER LES MUSICIENS A LEURS PERFORMANCES : DESCRIPTION D'UN DISPOSITIF METHODOLOGIQUE POUR ETUDIER L'INTERPRETATION ACOUSMATIQUE

37. Modélisation d’un processus de co-créativité basé sur le design thinking

38. Gestural Exformation de Jesper Nordin : l’expérimentation d’une direction d’orchestre techno-augmentée

39. L’importance du surnaturel et de l’ésotérisme comme source d’inspiration chez John Zorn

40. Introduction

41. Introduction

42. Organic carbon at a remote site of the western Mediterranean Basin: sources and chemistry during the ChArMEx SOP2 field experiment

43. Introduction

44. Introduction

45. A comprehensive fracture prevention strategy in older adults : The European union geriatric medicine society (EUGMS) statement

46. Three dimensional discrete stochastic model of occluded corrosion cell

47. Olfactory stem cells reveal MOCOS as a new player in autism spectrum disorders

48. Impact of crystal antiphase boundaries on second harmonic generation in GaP microdisks

49. Cellular automata approach for morphological evolution of localised corrosion

50. Pitting corrosion modelling by means of a stochastic cellular automata based model

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