Search

Taking a cue from Dana Diminescu's seminal manifesto on "the connected migrant," this special issue introduces the notions of encapsulation and cosmopolitanism to understand digital migration studies. The pieces here present a nonbinary, integrated notion of an increasingly digitally mediated cosmopolitanism that accommodates differences within but also recognizes Europe's colonial legacy and the fraught postcolonial present. Of special interest is an essay by the late Zygmunt Bauman, who argues that the messy boundaries of Europe require a renewed vision of cosmopolitan Europe, based on dialogue and aspirations, rather than on Eurocentrism and universal values. In this article, we focus on three overarching discussions informing this special issue: (a) an appreciation of the so-called "refugee crisis" and the articulation of conflicting Europeanisms, (b) an understanding of the relationships between the concepts of cosmopolitanization and encapsulation, and (c) a recognition of the emergence of the interdisciplinary field of digital migration studies. [ABSTRACT FROM AUTHOR]

The question of how we can live together with difference is more urgent than ever, now that more than half of the world’s population live in cities. For example, the majority of London’s inhabitants are ethnic minorities. Following Massey (2005), city dwellers negotiate a situation of intense “throwntogetherness,” as they live in the proximity of ethnic, racial, and religious others. Shifting the dominant focus of media and migration scholarship from transnational communication toward local everyday practices, this article develops the notion of digital throwntogetherness to chart relationships between geographically situated digital identifications and the urban politics of cultural difference and encounter. The argument draws from in-depth interviews with 38 young people living in Haringey, one of the most diverse areas in London, and builds on digital methods for network visualizations. Two Facebook user experiences are considered: transnational networking with loved ones scattered around the world and engagement with geographically proximate diverse digital identifications. [ABSTRACT FROM PUBLISHER]

'On digital crossings in Europe' explores the entanglements of digital media and migration beyond the national and mono-ethnic focus. We argue how borders, identity and affectivity have been destabilized and reconfigured through medium-specific technological affordances, opting for a comparative and postcolonial framework that focuses on diversity in conjunction with cosmopolitan aspirations. Internet applications make it possible to sustain new forms of diaspora and networks, which operate within and beyond Europe, making issues of ethnicity, nationality, race and class not obsolete but transformed. It is therefore important and timely to analyse how these reconfigurations take place and affect everyday life. Using a critical approach to digital tools that avoids utopian notions of connectivity and borderlessness, this article highlights the dyssymmetries and tensions produced by the ubiquitousness of digital connectivity. It further introduces the different contributions to the special issue, making connections and tracing relations among themes and methods and sketching main patterns for further research. It also offers a panorama of other related studies and projects in the field, which partake in a critical reassessment of the enabling power of digital media and their divisive implications for new forms of surveillance, online racism and 'economic' inequality, which we gather under the heading of postcolonial digital humanities. [ABSTRACT FROM AUTHOR]

The article discusses the increasing growth of digital communication in the imagined, transnational communities. It examines several innovative strategies carried out by migrant youth to imagine digital diasporas and highlights common approaches wherein young migrant Internet users reestablish the practices around diaspora connections. It concludes that migrant youths depicts more complex digital diasporas by considering branding and hypertextual aesthetics in transnational public fields.