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During the 1620s Girolamo Frescobaldi held the post of organist at St Peter’s in Rome concurrently with that of organist at the Ospedale di Santo Spirito. Both jobs had substantial duties. In this article, the three main requirements of the organist at Santo Spirito—to play for Mass and Vespers, the Saturday litanies and in the hospital ward at meal times—provide the means both for reconstructing part of the daily schedule at Santo Spirito and for tracing Frescobaldi’s activities. The identity of Nicolò Cochi, who frequently signed for Frescobaldi’s salary at St Peter’s, is investigated; previously unpublished documents from the Ospedale archive and financial records are compared; and some conclusions reached as to how a musician such as Frescobaldi could successfully hold dual, if not multiple employments. At the same time, new information about liturgical practice at the Ospedale di Santo Spirito is presented.

Este artículo revisa la intervención de los ingenieros militares Agustín Crame y Juan Martín Cermeño en los proyectos de reforma y reconstrucción del castillo de San Pedro de la Roca de Santiago de Cuba que siguieron a la ruina parcial de la fortificación tras el terremoto del 11 de junio de 1766. Mediante el análisis de documentación inédita será posible conocer los pormenores de los proyectos y así aclarar el grado de intervención de los ingenieros en el resultado final de los trabajos.

El artículo tiene por objetivo estudiar parte de los efectos del proceso de circulación de los saberes médicos en la jurisdicción de Córdoba –gobernación del Tucumán– a fines del siglo XVI y principios del XVII. Para ello, se indaga en los entornos materiales de las prácticas médicas y en el conjunto de los oficiales que actuaron en el marco de dichos entornos, mediante un microanálisis anclado en documentos inéditos procedentes del Fondo de Justicia del Archivo Histórico de la Provincia de Córdoba y en las ediciones de las Actas del Cabildo de la ciudad. Se sostiene que en los espacios de curación distinguibles en la jurisdicción cordobesa del período delimitado se conformó un repertorio de saberes en el cual la etiología humoral articuló conocimientos de procedencia más bien erudita con otros que formaban parte del saber-hacer de cada oficial adquiridos mediante la práctica directa. The aim of this article is to study part of the effects of the process of the circulation of medical knowledge in the jurisdiction of Córdoba –governorate of Tucumán– at the end of the 16th century and the beginning of the 17th century. To do this, an investigation was conducted into the material environments of medical practices and the group of officials who acted within the framework of said environments, through a microanalysis anchored in unpublished documents from the Justice Fund of the Historical Archive of the Province of Córdoba and in the editions of the Acts of the City Council. It is argued that in the distinguishable healing spaces in the jurisdiction of Córdoba in the period mentioned, a repository of knowledge was created in which the humoral aetiology linked knowledge of an erudite origin with that which was part of the know-how of each officer, acquired through direct practice. Cet article se propose d’étudier un certain nombre d’effets dus au processus de circulation des savoirs médicaux dans la juridiction de Córdoba –gouvernorat du Tucumán– à la fin du XVIe siècle et le début du XVIIe siècle. Pour ce faire, on s’interroge sur les environnements matériels des pratiques médicales et sur l’ensemble des officiers qui y agissaient, et ce au travers d’une mico-analyse ancrée dans des documents inédits conservés dans le Fondo de Justicia del Archivo Histórico de la Provincia de Córdoba ainsi que dans les Actes du Cabildo de la même ville. On propose que dans les espaces de guérison de la juridiction de Córdoba, à l’époque étudiée, un répertoire de savoirs s’est conformé, répertoire dans lequel l’étiologie humorale a articulé des connaissances érudites avec d’autres qui faisaient partie du savoir-faire propre à chaque officier et avaient été acquis directement dans la pratique. Fil: Tapia, Justo Roque. Centro de Estudios Históricos "Profesor Carlos S. A. Segreti". Instituto de Estudios Históricos - Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba. Instituto de Estudios Históricos; Argentina

Resumo Neste artigo apresentamos o Centro de Memória da Paróquia de Nossa Senhora da Conceição e da Irmandade Nossa Senhora da Conceição, da Freguesia de Vassouras, a partir da organização dos livros de registros e processos de matrimônio e administrativos desta Freguesia criada em 1837. Justificamos a necessidade da criação deste espaço de pesquisa, devido ao número crescente de pesquisas científicas relacionadas ao Vale do Paraíba Fluminense nas duas últimas décadas, especialmente sobre a cidade de Vassouras-RJ. Para inclusão de documentos inéditos no Acervo, aplicamos a mesma metodologia desenvolvida pelo Centro de Documentação Histórica da Universidade Severino Sombra (CDH/USS), uma vez que a codificação da documentação já foi citada em trabalhos de pesquisa durante o tempo em que ficou no CDH e posteriormente no IPHAN. O principal embasamento teórico está em Michel Foucault e Jacques Le Goff, que “a partir do modo como se fez no século XX a crítica da noção do facto histórico, que não é um objeto que surge concluído visto resultar da construção do historiador, assim se faz hoje a crítica da noção de documento, que não é um documento bruto, objetivo e inocente, mas que exprime o poder da sociedade do passado sobre a memória e o futuro: o documento é um monumento”. E completam que “o próprio arquivo dos documentos sofreu uma revolução com o recurso ao computador”. Com principal resultado temos a disponibilização do acervo online e a garantia desse acesso para pesquisadores e interessados na história desta região do Vale do Paraíba Fluminense. Palavras-chave: Preservação. Metodologia de Organização de Acervo. Igreja Católica. Abstratc We present in this work the Memory Center of the Parish of Our Lady of the Conception and the Brotherhood of Our Lady of the Conception, of the Parish of Vassouras, from the organization of the books of records and processes of matrimony and administrative of this Parish created in 1837. We justify the necessity of the creation of this research space, due to the growing number of scientific researches related to the Paraíba River Valley (Southern Rio de Janeiro) in the last two decades, especially on the city of Vassouras-RJ. For inclusion of unpublished documents in the Collection, we apply the same methodology developed by the Historical Documentation Center of Severino Sombra University (CDH / USS), since the codification of the documentation was already cited in research papers during the time it was in the HRC and later at IPHAN. The main theoretical basis is in Michel Foucault and Jacques Le Goff, who "from the way in the twentieth century the criticism of the notion of historical fact, which is not an object that arises concluded as a result of the construction of the historian, today criticizes the notion of a document, which is not a crude, objective and innocent document, but which expresses the power of society of the past over memory and the future: the document is a monument. " And they add that "the document file itself underwent a revolution with the use of the computer". With main result we have the availability of the online collection and the guarantee of this access for researchers and interested in the history of this region of the Paraíba River Valley (Southern Rio de Janeiro). Keywords: Preservation. Collection Organization Methodology. Catholic Church.

espanolEl objetivo de este trabajo es dilucidar el grado de castellanizacion y la posible la pervivencia de rasgos autoctonos propios de la oralidad local asturiana a partir de un importante numero de documentos notariales asturianos del siglo XVII. El corpus esta constituido por documentos originales, manuscritos e ineditos que recogen relaciones de bienes materiales (testamentos, cartas de arras, inventarios, donaciones, etc.). EnglishThe objective of this article/paper is to clarify the degree of Castilianization and the possible survival of indigenous features typical of the local Asturian orality from a large number of seventeenth century Asturian notary documents. The corpus consistsof original, manuscripts and unpublished documents that collect relationships of material goods (wills, letters of arras, inventories, donations, etc.)

El objetivo principal de este trabajo es el estudio de voces y expresiones utilizadas para especificar el estado de las propiedades que se inventarían y que hemos registrado en documentos notariales asturianos del siglo XVII. El corpus está constituido por documentos originales, manuscritos e inéditos que recogen relaciones de bienes materiales (testamentos, cartas de arras, inventarios, donaciones, etc.), reunidos en el CorLexIn.The main objective of this article / paper is the analysis of voices and expressions used to specify the state of the properties that would be invented and that we have recorded in seventeenth century Asturian notary documents. The corpus consists of original documents, manuscripts and unpublished documents that collect list/records of material goods (wills, bridal dowry letters (“arras”), inventories, donations, etc.), gathered in the CorLexIn.

Los retablos de la iglesia colegial de la abadía del Sacro Monte son fiel testimonio de los avatares que sufrió durante los siglos XVII y XVIII, como consecuencia de la defensa de los libros plúmbeos. En este artículo, a través de documentos inéditos, además de su iconografía, conocemos a los artistas que intervinieron en ellos, desde Miguel Cano o Pedro de Raxis, hasta Francisco de Paula Castillo y Pedro Valero. También ponderamos la ingente labor de patrocinio y mecenazgo llevada a cabo por sus abades y canónigos, entre otros, Pedro de Ávila y Francisco de Barahona en el XVII, y Vázquez de Figueroa o López de Mesa en el XVIII. A estos unimos las donaciones de particulares, fundamentales en la configuración de los altares del templo., The altarpieces of church of the Sacro Mnte Abbey are a faithful testimony of the upheavals it underwent during the 17th and 18th centuries as a consequence of the defence of its Lead Books. This article offers first-hand knowledge of both the artists of the altarpieces such as Miguel Cano, Pedro de Raxis, Francisco de Paula Castillo, Pedro Valero, etc. and their iconography, through many previously unpublished documents. Sponsorship and patronage actions performed by abbots and canons such as Pedro de Ávila y Francisco de Barahona (17th century) or Vázquez de Figueroa and López de Mesa (18th century) are also documented. Among them, it should be noted that individual donations were crucial for the temple¿s altars., Universidad Pablo de Olavide

espanolEn 1605 se abririan en la Universidad Javeriana dos clases de gramatica, los cursos de Filosofia en 1608, los de Teologia Escolastica y Teologia Moral en 1612, hacia 1613 la catedra de Lengua indigena, la catedra de Visperas hacia 1616, la catedra de Medicina en 1636, los estudios de Canones y Leyes en 1706, y la catedra de Sagrada Escritura en 1722. El claustro profesoral lo componian: el Rector, el Canciller, el secretario, los dos Prefectos, los catedraticos de Prima Theologia, de Visperas, de Moral, de Artes, de Sagrada Escritura, los de Humanidades (los dos catedraticos y el director del Seminario de Letras Humanas), el de lengua chibcha y en el siglo XVIII los tres de derecho civil y canonico. En las aulas javerianas se formo una parte importante del capital humano, religioso y social de lo que seria el virreinato. Ademas, siempre se mantuvo como ventana abierta a las corrientes intelectuales provenientes de Europa y a la vez centro de suministro de ideas, libros e inquietudes para mejorar las virtudes civicas y la comunidad del pensamiento. Hemos incluido en el Apendice la «Bibliografia de los catedraticos de Prima Theologia » como expresion del reto que supone analizar tanto documento inedito. EnglishIn 1605, two studies of Grammar were opened at the Javeriana University, and so were the courses of Philosophy, in 1609; the courses of Scholastic Theology and Moral Theology were opened in 1612; around 1613, the chair of Indian Language, and the chair of Vespers, toward 1616; the professorship of Medicine in 1636; the Studies of Canons and Law, in 1706; and the chair of Holy Scripture was opened in 1722. The teaching staff was integrated by: The Rector, the Chancellor, the secretary, the two Prefects, the Professors of Prima Theologia, and the ones of Vespers, of Moral, of Arts, of Holy Scripture; the teachers of Humanities (The two Professors, and the Director of the Seminary of Human Letters), the one of Chibcha; and in the XVIII century, three professors of Civil Law and Canon Law were added. In the Javeriana’s classrooms instruction was received by an important part of the human capital, religious and social, of what was going to become the Viceroyalty. Moreover, the University was always kept as an open window to the intellectual currents coming from Europe, and at the same time it was a centre for the promotion of ideas, books and concerns for the improvement of civic virtues and the community of thought. We have inserted in the Appendix the “Bibliography of the professors of Prima Theologia”, as an expression of the challenge which means to analyze so many unpublished documents”.

In light of several unpublished documents, this article examines the 1961 centennial exhibition organized by the Direccion General de Bellas Artes and held at the Cason del Buen Retiro in Madrid, which was dedicated to Alonso Berruguete. In doing so, it analyzes the political relevance attributed by the Francoist government to the cultural program hosted in that recently restored building as well as the diplomatic efforts made to publicize the Berruguete show in Europe and Latin America, offering an ideological vision of the art of the Castilian sculptor and of its usefulness for the cultural propaganda of the regime.

Los Salones de Humoristas iniciados en España en 1914 y promovidos por José Francés, acogieron a las firmas más significativas de las distintas facetas del arte, no solo del humor y la caricatura. El presente artículo tiene como objetivos: poner en valor a las y los artistas que participaron en dichos Salones en la posguerra española desde 1940 a 1953 y la importancia que en ellos tuvo el polifacético y «creador de la caricatura moderna española», según palabras de Luis Lasa, el médico, caricaturista y experto en papiroflexia José Delgado Úbeda, de seudónimo artístico ZAS. Metodológicamente se han estudiado los catálogos y documentación inédita propiedad de los descendientes de ZAS así como los archivos de distintas instituciones. El resultado del trabajo ha puesto de manifiesto la influencia del contexto político-social y económico en dichos Salones. Pudiendo concluir en la importancia que estos tuvieron para la actividad artística española e internacional de la época.AbstractThe Humorists Halls´ started in Spain in 1914 and promoted by José Francés, received the signatures most significant of the different artistic facets not only of humor and of caricature. The present article has as objectives: to value the artists who participated in said Halls in the Spanish postwar period from 1940 to 1953 and the importance that the multifaceted one had in them «the creator of the modern Spanish caricature», in the words of Luis Lasa, the doctor, caricaturist and origami expert José Delgado Úbeda, of artistic pseudonym «ZAS». Methodologically the catalogs and unpublished documents owned by the descendants of «ZAS» have been studied as well as the files of different institutions. The result of the work has revealed the influence of the political - social and economic context of the above mentioned halls and international of the period. Palabras clave: Salones de Humoristas; caricatura; posguerra española; catálogos; José Francés; ZAS

Boudou assista, au cours des festivites de la Sainte-Estelle de 1950, a la presentation par Mouly, d’un rapport sur l’enseignement de la langue d’oc a l’ecole primaire. Il redige, le 4 juin, une lettre au Majoral suivie d’un Ensaj d’unificacion grafica. Toutes deux inedites, cette lettre et cette etude permettent d’apprehender la position qui etait celle de l’auteur de la Santa Estela dans le debat orthographique, vers 1950. Il nous a donc semble utile de publier ces documents qui marquent une etape dans l’itineraire orthographique de Boudou, mais qui eclairent aussi, pensons-nous, certains aspects de sa personnalite et de sa posture litteraires. L’edition de la lettre et celle de l’Ensaj sont suivies d’un glossaire.

Una de las principales preocupaciones de Bernardo Canal Feijóo (1897-1982) fue la de configurar una concepción de cultura basada en la relación del hombre con su lugar como modo de definir una identidad que concilie la unidad nacional y la particularidad regional. El presente artículo analiza esta concepción teniendo como base dos documentos inéditos que forman parte del Archivo Bernardo Canal Feijóo, de cuyo estudio se desprende una noción de cultura que, transfigurada estética y simbólicamente, pone de manifiesto el modo de ser de un sujeto colec-tivo constituido como pueblo. One of the main concerns of Bernardo Canal Feijóo (1897-1982) was to configure a conception of culture based on the relationship between the man and his place as a way of define and identify an identity that recon-ciles national unity and regional particularity. This article analyzes the concept of culture based on two unpublished documents that are part of the Bernardo Canal Feijóo Archive. From his study emerges a notion of culture that, aesthetically and symbolically transfigured, reveals the way of being of a collective subject constituted as a people. Fil: Fabbian, Gisela Noelia. Universidad Nacional de San Martín; Argentina. Centro de Investigaciones Filosoficas. Instituto de Filosofia "ezequiel de Olaso". - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Oficina de Coordinacion Administrativa Ciudad Universitaria. Instituto de Filosofia "ezequiel de Olaso".; Argentina

This article tells the story of Ivan Goncharov’s participation in a failed voyage around the world led by vice admiral Yevfimiy Putyatin, with an emphasis on the question of how the future author of The Frigate “Pallada” (1858) profited from his position of Yevfimiy Putyatin’s secretary. Based on a whole set of previously unpublished documents found in the Russian State Navy Archive, the article shows that Goncharov’s assignment was a very lucrative one: not only did he receive a doubled remuneration and generous daily allowances while on board the “Pallada”, but also managed to charge the Russian state for his untimely return from the Eastern coast of Eurasia to Russia proper. All of those documents are published for the first time. Keywords: 19th-Century Russian Literature, Ivan Goncharov (1812–1891), Yevfimiy Putyatin (1803–1883), Personal Finances, History of Literature.

Los procesos inquisitoriales emprendidos en Córdoba a fines del reinado de Isabel la Católica provocaron una serie de turbulencias en el colectivo judeoconverso que desestabilizaron el reino de Castilla. Aunque la dimensión socio-religiosa del fenómeno ha suscitado algunos análisis, no se han explorado sus vínculos con la disputa sucesoria que enfrentó a Felipe I de Castilla −el Hermoso− y Fernando el Católico (1504-1506), ni se ha ahondado en la actitud del papado ante aquellos procesos que implicaron al arzobispo de Granada, fray Hernando de Talavera. Con documentación inédita de archivos españoles y franceses, el presente artículo estudia la pugna mantenida por ambos monarcas por el control de la Inquisición, reconstruye sus respectivas negociaciones con la Curia romana, y valora la política de Julio II para resolver la crisis evitando su politización.

In 1935 the Prado Museum's audience had the opportunity to admire the Holy Ark (c. 1096-1101) belonging to the Oviedo Cathedral, one of the most unique reliquaries of European Romanesque and an essential piece of the Holy Chamber, outside its usual setting for the first time. This display was connected to its restoration at the Instituto Valencia de DonJuan. The extensive historiography on this masterpiece barely contains any entries about this exhibition, which we now narrate it here, based on unpublished documents.; En 1935, le public du Musée du Prado put admirer, pour la première fois hors de son cadre habituel, l'Arche Sainte (c. 1096-1101) de la Cathédrale d'Oviedo, l'un des reliquaires les plus uniques de l'art roman européen et une pièce essentielle de la Sainte Chambre. Cette présentation fut liée à sa restauration chez l'Instituto Valencia de Don Juan. Dans l'abbondante historiographie sur ce chef-d'œuvre cette exposition non est presque pas notée. Nous la décrivons maintenant sur la base de documents inédits.; En 1935 el público del Museo del Prado pudo contemplar por vez primera fuera de su marco habitual, el Arca Santa (c. 1096-1101) de la Catedral de Oviedo, uno de los relicarios más singulares del románico europeo y pieza esencial de la Cámara Santa. Esta presentación estuvo relacionada con su restauración en el Instituto Valencia de Don Juan. En la dilatada historiografía sobre esta obra maestra, apenas se registra dicha exhibición, que ahora relatamos en base a documentos inéditos.

Our goal is to rethink the place that the initiatives of Spanish exiles should occupy in our apprehension of the European movement. Anti-fascist and anti-Stalinist expatriates, with the support of transatlantic intellectual and political networks, laid the foundations in the 1940s for a movement to vindicate federalism and the unification of Europe. The analysis of unpublished documents allows us to approach that essentially informal dimension of European construction. We will thus address the initiatives undertaken by some exiles in Mexico in collaboration with left-wing intellectuals living in New York (1940-1945); the efforts to establish a “third way”, independent of the two superpowers and anchored in the fusion of socialism and freedom (1945-1947); and the slow transformation of these initiatives into a more transversal and plural project, open to collaboration with other European movements (1948-1950).; Nuestro objetivo es replantear el lugar que deben ocupar las iniciativas de los exiliados españoles en nuestra aprehensión del movimiento europeísta. Expatriados antifascistas y antiestalinistas, con el apoyo de las redes intelectuales y políticas de carácter transatlántico, pusieron en los años cuarenta los fundamentos de un movimiento de vindicación del federalismo y de la unificación de Europa. El análisis de documentos inéditos permite aproximarse a esa dimensión esencialmente informal de la construcción europea. Abordaremos así las iniciativas emprendidas por algunos exiliados en México en colaboración con intelectuales de izquierdas afincados en Nueva York (1940-1945); los esfuerzos por establecer una “tercera vía”, independiente de las dos superpotencias y anclada en la fusión de socialismo y libertad (1945-1947); y la lenta transformación de dichas iniciativas en un proyecto más transversal y plural, abierto a la colaboración con otros movimientos europeístas (1948-1950).

The recent discovery among the notarial protocols of the Provincial Historical Archive of Seville of a new and unpublished Cervantine document, granted in the Sevillian capital on March 11, 1593 and linked to the novel commission that Cristóbal de Barros, the first general supplier of the Navy of the Guardia de las Indias, commissioned Miguel de Cervantes Saavedra on February 21 of that same year for the collection of supplies, would confirm a fact that some of the most distinguished Cervantes biographers had always assumed but could never corroborate documents: Miguel de Cervantes’ personal stay in the ducal town of Osuna. In this way, we would fulfil the dream of Francisco Rodríguez Marín, the famous Cervantist who dedicated most of his life to search for some documentary proof that would demonstrate the real presence of the author of Don Quixote in Osuna and thus justify the mentions that Cervantes made of it, its dukes and it vilified University in his most universal literary work., El reciente hallazgo entre los protocolos notariales del Archivo Histórico Provincial de Sevilla de un nuevo e inédito documento cervantino, otorgado en la capital hispalense el 11 de marzo de 1593 y vinculado a la novedosa comisión que Cristóbal de Barros, el primer proveedor general de la Armada de la Guardia de las Indias, encomendara el 21 de febrero de ese mismo año a Miguel de Cervantes Saavedra para el acopio de provisiones, vendría a confirmar un hecho que algunos de los más insignes biógrafos cervantinos siempre habían supuesto pero que nunca pudieron corroborar documentalmente: la estancia personal de Miguel de Cervantes en la villa ducal de Osuna. Cumpliríamos así el sueño de Francisco Rodríguez Marín, el insigne cervantista que dedicó la mayor parte de su vida a la búsqueda de alguna prueba documental que demostrara la presencia real del autor del Quijote en Osuna y justificar así las menciones que de ella, de sus duques y de su vilipendiada Universidad, hiciera Cervantes en su obra literaria más universal.

espanolEn este articulo realizamos una revision del uso del concepto de estrategia en las ciencias sociales, en particular en el campo de la etnohistoria andina. Nos centramos en la fase denominada Nueva Etnohistoria (1980-ad), momento de consolidacion transcontinental de este campo interdisciplinar. Las fuentes de informacion empleadas consisten en publicaciones colectivas de relevancia y en documentos ineditos relativos a la organizacion del I Congreso Internacional de Etnohistoria. En base a ellas identificamos los sentidos asociados al concepto de estrategia y reconstruimos los debates que su aplicacion suscito, los cuales estan ligados a problematicas cientificas vigentes. A partir de este recorrido fundamentamos la necesidad de reactualizar la revision critica del concepto bajo analisis. EnglishIn this article we review the use of the concept of strategy in the social sciences in particular in the field of Andean Ethnohistory. We focus on the phase called Nueva Etnohistoria (1980 and later), a moment of transcontinental consolidation of this interdisciplinary field. The sources of information used in this study consist of relevant collective publications and unpublished documents related to the organization of the I International Congress of Ethnohistory. With respect to these, we identify the meanings associated with the concept of strategy and reconstruct the debates that arise in its application, which are linked to current problems in the social sciences. Based on the foregoing, we propose the need to update the critical review of the concept of strategy.

Using unpublished documents, this volume restores the meeting between two masters in a historical and ideal way: Norberto Bobbio and Silvio Trentin. Through the writings which Bobbio dedicated to Trentin between 1954 and 1991, the readers are introduced to Trentin’s world. They gradually discover Trentin’s exemplary biography, his clear moral personality and his commitment to anti-fascism and the Resistance, as well as the great themes of his work as a jurist and political thinker: the criticism of fascism, federalism and the idea of the 'third way'. As Bobbio observes, the fundamental reason why Trentin represents a still valuable example is that, through his life and thought, he has perfectly embodied the conception of politics as a desire of justice, as opposed to the will to dominate.Il volume restituisce – con documenti inediti – storicamente e idealmente l’incontro tra due maestri: Norberto Bobbio e Silvio Trentin. Attraverso gli scritti che Bobbio gli ha dedicato tra il 1954 e il 1991, il lettore viene introdotto nel mondo di Trentin di cui scopre a poco a poco la biografia esemplare, la limpida personalita morale e l’impegno nell’antifascismo e nella Resistenza, nonche i grandi temi della sua opera di giurista e di pensatore politico: la critica del fascismo, il federalismo e l’idea della ‘terza via’. Come osserva Bobbio, la ragione fondamentale per cui Trentin rappresenta un esempio che ci parla ancora e che ha impersonato perfettamente con la vita e con il pensiero la concezione della politica come volonta di giustizia contrapposta alla volonta di dominio.

Russian Abstract: В статье рассматриваются и анализируются особенности организации учебно-методической работы в органах прокуратуры Псковской области на начальном этапе периода «развитого социализма». Данная работа написана на основе ранее неопубликованных документов и материалов Государственного архива Псковской области. English Abstract: The article discusses and analyzes the features of the organization of educational and methodical work in the Prosecutor’s Office of the Pskov region at the initial stage of the period of «developed socialism». This work is written on the basis of previously unpublished documents and materials of the State Archive of the Pskov Region.

espanolHacia fines del siglo XVIII e inicios del XIX, en el contexto de un periodo de expansion por parte de naciones europeas y la naciente republica norteamericana, empieza a desarrollarse la caza comercial de lobos marinos, y en tal sentido, el extremo austral de America, se configuraria como uno de las principales areas de sus incursiones. Este trabajo busca contribuir a conocer mayores antecedentes respecto de la presencia de este grupo de navegantes, en relacion a la interaccion sostenida con los aborigenes australes y las actividades cinegeticas propiamente tales. El estudio se basa en documentos ineditos, especificamente bitacoras (logbooks) de embarcaciones loberas estadounidenses. Se plantea la hipotesis de que esta actividad comercial fue mucho mas que un transitorio deambular dedicado a la obtencion y acopio de pieles para su posterior traslado a mercados lejanos, por el contrario, los cazadores de lobos establecieron una estrecha relacion con los aborigenes que poblaban dichos territorios, ademas de generar un paulatino proceso de familiarizacion con la geografia. EnglishTowards the end of the XVIII century and the beginning of the XIX century, in the context of a period of expansion on the part of European nations and the nascent North American republic, the commercial hunting of fur seals began to develop, and in this sense, the southern end of America became one of the main areas of their incursions. This work seeks to contribute to know more background regarding the presence of this group of navigators, in relation to the sustained interaction with the austral aborigines, as well as, regarding hunting activities. The study is based on unpublished documents, specifically American sealing ship logs. It is hypothesized that this commercial activity was much more than a transitory wandering dedicated to obtaining and collecting skins for distant markets, on the contrary, fur-seal hunters established a close relationship with the aborigines who populated these territories, in addition to generating a gradual process of familiarization with geography.

Russian Abstract: В статье рассматриваются и анализируются особенности деятельности следственных органов прокуратуры Псковской области в 1970-е – 1980-е гг. – эпоху «застоя» и период «перестройки». Работа написана на основе ранее неопубликованных документов Государственного архива Псковской области. English Abstract: The article discusses and analyzes the features of the activities of the investigating authorities of the Prosecutor’s Office of the Pskov region in the 1970s – 1980s – the era of «stagnation» and the Perestroika. This work is written on the basis of previously unpublished documents of the State Archive of the Pskov Region.

The Scuola superiore di architettura di Venezia, later called Iuav, was founded in 1926. To cope with the inadequacy of the original seat in Palazzo Giustinian, during the Sixties the University moved to the complex of San Nicolo da Tolentino, known as “i Tolentini”. Investigating the history of the transformations of the Renaissance monastery, the book highlights the often-overlooked contribution of Carlo Scarpa, one of the most significant figures of the Scuola, but also of other designers who contributed to outline the features of the iconic building of Iuav. The analysis is divided into two parts: the first presents the protagonists, the designs, the building works, and the management of the building site, principally on the basis of a rich amount of visual sources; the second is a collection of mostly unpublished documents, which contributes to understand the cultural climate of those years with the power of primary sources. Nel 1926 viene istituita la Scuola superiore di architettura di Venezia, successivamente denominata Iuav. La sede originaria, palazzo Giustinian a San Trovaso, si rivela presto inadeguata ed e necessario trovare un nuovo edificio che accolga un numero sempre crescente di studenti. Dopo diverse ipotesi, la scelta definitiva cade sull’antico complesso monastico di San Nicolo da Tolentino, noto come “i Tolentini”. Questo studio indaga la storia degli interventi che hanno trasformato, dai primi anni Sessanta, l’ex monastero teatino in sede universitaria, mettendo in luce l’apporto sinora scarsamente considerato di Carlo Scarpa, una delle figure piu rilevanti della Scuola, ma anche degli altri progettisti che hanno contribuito a delineare l’aspetto dell’edificio simbolo dello Iuav. Il libro si articola in due parti: la prima racconta i fatti, i protagonisti, i progetti, le opere e la gestione del cantiere, anche con l’ausilio di un ricco repertorio iconografico; la seconda e una raccolta di documenti, in gran parte inediti, la cui lettura restituisce con la forza delle fonti di prima mano le voci e il clima entro cui questa lunga storia si e dipanata.

This article presents an original research based on a set of interviews that includes both almost all the chiefs of staff of the office of the President of Government and one of the previous presidents of the Spanish Government. It tries to understand, from this double point of view, the two vertexes of the relationship between the prime minister and his main adviser. The study deals with the profile, the emergence and expansion of this political figure and its evolution, with unpublished documents from Moncloa archives. It also shows the double power of exclusion and connection the chief of office has accumulated and it develops a comparative analysis of the power exercised by the various occupants of the post since the transition to democracy.

Este artículo estudia el conjunto de edificios construidos por el arquitecto Fernando Moreno Barberá en el campus universitario de Blasco Ibáñez de Valencia, cuyos proyectos se redactaron entre el final de los años cincuenta y primeros sesenta del siglo XX. Este artículo se ha elaborado a partir del estudio de las fuentes originales, sobre todo de las actas de las sesiones celebradas por la Junta de Obras de la Universidad de Valencia; se trata de documentos inéditos que describen con exactitud el proceso constructivo de este espacio tan singular.

espanolResumen: Se reproducen, precedidos de introduccion y notas, dos documentos ineditos depositados en el Fondo Ministerio de Relaciones Exteriores del Archivo Nacional que muestran a las claras el clima de violencia, excesos y hechos infaustos que debieron capear miles de carrilanos chilenos contratados para trabajar en la linea de Arequipa-Puno en los anos de 1871 y 1872, todo en el marco de los 25.000 a 30.000 mapochinos reclutados para una gigantesca obra ingenieril ferroviaria dirigida por Enrique Meiggs, el cual auspicio y fomento junto con ingenieros y mayordomos como Campbell, Mayo, Tomas, Wiman, Retamal, Anrique todo tipo de excesos y tropelias contra los nuestros, contando ademas con la complicidad de las fuerzas de orden y los jueces peruanos para denegar todo tipo de justicia. EnglishAbstract: Two unpublished documents under the custody of the Archive of the Ministry of Foreign Affairs have been reproduced including an introduction and notes. These clearly evidence the violence, excesses and infamous events that thousands of Chilean railroad workers suffered when working in the railroad of the Arequipa-Puno railway between 1870 and 1871. This event corresponds to the 25.000 to 30.000 Mapochinos that were hired to build an enormous railway engineering work directed by Enrique Meiggs who, along with other engineers and administrators such as Campbell, Mayo, Tomas, Wiman, Retamal, Anrique, allowed all sorts of excesses and outraging situations against fellow Chileans, also with the complicity of the forces of law and order and the Peruvian judges to deny any type of unfair treatment.

El trabajo presenta, siguiendo un criterio cronoespacial, una síntesis de la biografía de Juan Bautista Cabrera Ivars, precedida de una breve descripción del ordenamiento jurídico en que transcurre. Se presta atención particular a la obra organizativa y reformista y se destaca el hecho novedoso de haber sido elegido miembro de la Hispanic Society of America. En el cuerpo del texto se reproducen algunos documentos inéditos y en apéndice se adjunta una clasificación de la obra escrita, surgida casi toda ella del impulso reformador y como complemento de tal empresa, y una estadística del desarrollo del protestantismo en España.

The Universal Exhibition in 1878 was held in Paris and three years later Bologna hosted the 2nd International Geological Congress.In occasion of those events, the priority of the Regio Ufficio Geologico d'Italia (Geological Survey of Italy) was the completion of small scale geological maps. It was clear that there were many gaps in the geological knowledge of large areas, especially in the Southern part of the peninsula, and it was therefore necessary to collect all available geological data. In the historical Archive of Geological Survey of Italy - ISPRA, two unpublished documents by Giovanni Battista Bruno, engineer of the Corpo Reale del Genio Civile (Royal Corps of Civil Engineers), which provided a helpful contributionin achieving that goals. The most important is a geological map at 1:114,000 scale, exhibited in Paris, acompanied by a table of geological sections and supported by a manuscript dated 1878. The historical value of this documents is significant because, despite interpretation results were largely superseded by later studies, they provided field data that were innovative with respect to state of the art in such historical period. The rediscovery of these documents provides new elements about the history of geological interpretation of the Southern Apennines.

José González y Giménez, escultor granadino que desempeñó una importante labor docente en diferentes instituciones académicas en Ecuador y en España, pasó sus últimos años en Córdoba. Siendo poco conocida su producción y su periplo vital, había un desconocimiento total de las circunstancias de sus últimos momentos. Gracias a las fuentes hemerográficas y a documentación inédita procedente del archivo de la Real Academia de Bellas Artes de San Fernando, hemos podido reconstruir sus postreros momentos como docente y también los amargos años que pasó hasta su deceso. En este trabajo abordamos la situación de González y Giménez en su etapa final, así como el papel que desempeñaron otros artistas en su jubilación. José González y Giménez, a sculptor born in Granada who played an important teaching role in different academies in Ecuador and Spain, spent his last years in Cordoba. Being little known its production and his life, there was a total ignorance of the circumstances of his last years. Thanks to the hemerographic sources and to unpublished documents from the archive of the Real Academia de Bellas Artes de San Fernando, we have been able to reconstruct his last moments as a teacher and also the bitter years that passed until his death. In this paper we address the situation of González y Giménez in his last years of life, as well as the role played by other artists in his retirement.

Resumen : En este trabajo se analiza el retrato del XVIII obispo de Quito, don Pedro Ponce Carrasco, realizado por Francisco Alban y su hijo en 1769 y actualmente conservado en el Museo de America de Madrid. Se estudia la composicion de la pintura, las fuentes grabadas utilizadas por el artista, y tambien el sentido de la pintura, relacionandola con las particulares circunstancias en que se encontraba el retratado en el momento del encargo. Asimismo, se aporta documentacion inedita sobre el proceso de adquisicion del cuadro por parte del Museo de America a mediados del siglo XX. Abstract : This paper analyzes the portrait of the XVIII bishop of Quito, Don Pedro Ponce Carrasco, painted by Francisco Alban and his son in 1769, and exhibited in the Museo de America (Madrid). We study the composition of the painting and the engraved source used by the artist. In addition, we study the meaning of the painting, relating it to the particular circumstances of the bishop at the time of the commission. Also, unpublished documents on the process of acquisition of the painting by the Museo de America in the middle of the 20th century are provided.

El objetivo del presente artículo es describir los cambios en el espacio urbano fronterizo de Posadas (Argentina)-Encarnación (Paraguay), como consecuencias de la ejecución de las obras del Plan de Terminación Yacyretá (etapa final de la Represa Hidroeléctrica Binacional Yacyretá) en los últimos diez años y analizar su impacto en la práctica fronteriza de “comercio hormiga” llevado a cabo por las mujeres paraguayas “paseras”. Para ello se utilizaron entrevistas multisituadas al actor transfronterizo “pasera” entre los años 2009 y 2010, las cuales se procesaron mediante la técnica de “relatos de vida comparados”. También se empleó documentación inédita de la Empresa Binacional Yacyretá como fuentes secundarias The objective of the present article is to describe the changes in the urban landscape at the border area of Posadas (Argentine)-Encarnación (Paraguay) in the last ten years: the Plan de Terminación Yacyretá (final stage of the Represa Hidroeléctrica Binacional Yacyretá) and analyze its impact on the cross-border dynamics of informal trade by the Paraguayan women called “paseras”. We made multi-situated interviews to the trans-frontier actor called “pasera” between the years 2009 and 2010, which were processed by “compared life-stories” tecniques and we used unpublished documents of the Empresa Binacional Yacyretá as secondary sources. Fil: Linares, María Dolores. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de La Pampa. Facultad de Ciencias Humanas. Instituto de Estudios Sociohistóricos; Argentina

Through the analysis of unpublished documents, newspaper articles and archive material, this article attempts to trace a historical profile of the so-called "Seventy-Seven Movement" in Turin: in a context characterized by the city’s industrial crisis, the election victory of the Communist Party and the crisis of the so-called "revolutionary groups", they are rebuilt the features of the Turin movement through the activities of the Circles of the Young Proletariat, the Feminist Collectives, the students in the occupied University, but also the attempts to compile a confrontation and a stable connection with the workers’ struggles and the collision between the movement and icp; finally the article analyzes the matter of violence, both "mass" and armed, in the evolution and above all the defeat of the movement in Turin.

This article critically re-examines Maria Rosa Lida’s works devoted to the Alexander legend (matiere d’Alexandre) in Spain, paying special attention to her abandoned project of a new edition of the "Libro de Alexandre" with the help of previously unpublished documents. This historiographical review serves as a background and starting point for the study of the "Libro decimo de Alixandre", an anonymous Castilian translation of Gautier de Châtillon’s "Alexandreis", probably redacted around mid-fifteenth century and preserved in a single copy (Madrid, Biblioteca Nacional de Espana, MS 12672). Together with a survey of the manuscripts of the "Alexandreis" held by Spanish libraries and of earliest references to this Latin poem in the Iberian Peninsula –above all in Castile– this article offers a detailed codicological analysis of BNE, MS 12672. In doing so, the facticious nature of the codex and the relative chronologies of the different materials there compiled are revealed. As a result, evidence is provided about the role of the "Libro decimo de Alixandre" in this multi-layered volume and about the reception of this text at large.

A partir de documentos inéditos, conservados no Arquivo da Universidade de Coimbra e no Archivio Segreto Vaticano, o estudo visa (re)considerar Agostinho Barbosa (1590-1649), douto canonista formado na Universidade de Coimbra (1608-1618), e uma parte da sua extensa produção editorial em latim. Estes eruditos textos lexicográficos e jurídicos motivaram, muitas vezes, afirmações difamantes, transmitidas também por quantos trataram, recentemente, da complexa personagem. Barbosa foi um canonista com um cursus itinerante entre a Península Ibérica e a Italiana, durante décadas de profundo colapso social para Portugal, nos anos de integração na coroa espanhola., By analysing unpublished documents stored in the Arquivo da Universidade de Coimbra and the Archivio Segreto Vaticano, the study aims to (re)consider Agostinho Barbosa (1590-1649), an erudite canonist who graduated from the University of Coimbra (1608-1618), and part of his vast Latin editorial production. These erudite lexicographical and legal texts often gave rise to slanderous statements that have also been passed on by historians who recently studied this complex figure. Barbosa was a jurist who lived between the Iberian and Italian peninsulas, during decades of inner social collapse in Portugal, in the time of the political union between the Portuguese and Spanish crowns.

Carlo Battisti (Trento 1882-Empoli 1977) was one of the major linguists in Italy and took part to the history of cinema starring in Vittorio De Sica’s Umberto D.. His long and intense activity has been largely divided between linguistics and library science since the very beginning of his studies at the University of Vienna. In Florence, Battisti held lectures of Comparative History of the Romance Languages and of Library science and Bibliography at the School for Librarians and Palaeographer-Archivists, of which he was also director. The eight studies published here offer biographical and intellectual insights on him, and bring a series of unpublished documents to light. The volume is completed by an iconographic appendix.Carlo Battisti (Trento 1882-Empoli 1977) e stato uno dei maggiori linguisti italiani ed e entrato nella storia del cinema come protagonista del film Umberto D. di Vittorio De Sica. La sua lunga e intensissima attivita fu per larghi tratti divisa fra la linguistica e la biblioteconomia, fin dagli esordi all’Universita di Vienna. A Firenze Battisti ha insegnato Storia comparata delle lingue romanze e Biblioteconomia e Bibliografia alla Scuola per bibliotecari e archivisti paleografi, di cui fu anche direttore. Gli otto studi qui pubblicati ne ricostruiscono il profilo biografico e intellettuale e portano alla luce una serie di documenti inediti. Il volume e completato da un’appendice iconografica.

En este artículo se aborda el estudio de la actividad cultural, editorial y empresarial realizada por la escritora Faustina Sáez de Melgar. Documentos inéditos de su archivo personal permiten un renovador acercamiento a su figura y a su labor profesional, desvelando su verdadera dimensión como mujer, escritora, periodista, empresaria y activista cultural que supera con creces su tradicional y reductora clasificación como escritora isabelina. La aclaración de relevantes datos personales y profesionales desvelan a una mujer emprendedora y con iniciativa propia que, paralelamente a su labor literaria, asumirá, a lo largo de toda su vida, novedosos retos en campos tradicionalmente masculinos. This article discusses the cultural, editorial and business activities carried out by the writer Faustina Sáez de Melgar. The study of as yet unpublished documents from her personal archive enables a renewed approach to her figure and her professional work, revealing her true dimension as a woman, writer, journalist, entrepreneur and cultural activist that far exceeds her traditional and reductionist classification as a typical mid-nineteenth-century woman writer. The clarification of important personal and professional data shows her as an independent enterprising woman who, in parallel to her literary work, assumed, throughout her life, challenges in traditionally masculine fields, new for a woman of her time.

By using the unpublished documents of the Bemporad archive, the paper looks at the main themes of the Rassegna del movimento femminile italiano, one of the key sections of the Almanacco della donna italiana. The section was written at first by the socialist Laura Casartelli Cabrini, then by the young Ester Lombardo, and it was the perfect place to talk about women's movements, suffrage and the rise of the fascism. The two journalists did it in two different ways. After analyzing the contribution of Laura Casartelli Cabrini, the author rebuilds the background of the drafting of the Rassegna, by Ester Lombardo by studying her letters, telegrams and postcards.

Este estudio analiza dos documentos inéditos relacionados con Juan Gómez de Mora que aclaran numerosas cuestiones relativas a la reforma de la capilla mayor del monasterio de Santo Domingo el Real de Madrid.

On the base of unpublished documents from the State Archive of Genoa, the Author retraces the phases of the naval blockade of Genoa by the Catalan-aragonese fleet led by admiral Bernat de Vilamarí in 1456-1458, which represented the last attempt by king Alphonse V the Magnani­mous to destroy the rival Sea-power in the struggle for the control of Wes­tern Mediterranean commercial routes. Sur la base des documents inédites de l'Archive d'Etat de Gênes, l’Auteur donne une reconstruction des phases du siège naval de Gênes par la flotte catalano-aragonaise commandée par l'amiral Bernat de Vilamarí en 1456-1458, que représentait le dernier tentative du roi Alphonse V le Magnanime de detruire la Puissance rivale dans la lutte pour la maîtrise des routes de la Meditéranée occidentale.

Sur la base du matériel d’archives, jusqu’alors inédit, de la collection de Guillaume de Lamoignon – soit la correspondance officielle entre la cour française et ses correspondants étrangers et diplomatiques – qui est conservée actuellement à Moscou et concerne entre autres les documents de la conquête française de la Corse au cours des années 1550, l’histoire politique de l’administration française de l’île est considérée au travers du prisme des phénomènes naturels. Dans le contexte de la fin des Guerres d’Italie, la couronne française et ses représentants administratifs en Corse ont dû faire face à des problèmes difficiles, parce qu’ils n’avaient pas l’expérience de la défense du vaste territoire de l’île, contre la République de Gênes alliée à la maison de Habsbourg. En outre, l’une des difficultés principales, soulignée dans cet article, résidait dans l’accès par mer, qui dépendait de la saison, des conditions météorologiques et de l’état de la mer.

Giorgio Caproni is certainly among the most loved Italian poets of the 20th century. Anna Dolfi used this widespread passion to involve not only well-known scholars of Caproni, but also young researchers, in new research activities. This results in a considerably rich book which, together with an overall vision, offers a series of hermeneutical insights on themes which were not as frequently investigated until then (memory, bestiaries and so on), by combining new readings of exemplary texts with unpublished documents, with reflections on language and poetry, on musical, pictorial and mythical suggestions, never forgetting Caproni’s activity for translation, self-commentary and civic commitment. The book is functionally divided into Percorsi e attraversamenti, Letture (e immediati dintorni), Risultanze tra/dalle carte d’archivio, which enhances the diversity of the critical commentaries and the close comparisons, of the surveys and experiments of comment, of explication de texte, and highlights the great technical skill and the extreme lyrical depth of an author who, between cantability and dissonances, arpeggios and apostrophes, cabalettas and cadences, flourishes and delays, vocalizations and little verses, recoveries and leave, talkativeness and aphasia, was able to interpret the contradictory research, the questions, the fears, the faults and the incurable wounds of our time.Giorgio Caproni e sicuramente tra i poeti piu amati del nostro Novecento. Anna Dolfi ha intercettato questa diffusa passione per coinvolgere in nuove ricerche non solo noti capronisti ma anche giovani ricercatori. Il risultato e un libro di notevole ricchezza che, assieme a una visione complessiva, propone una serie di approfondimenti ermeneutici su temi fi nora meno battuti (la memoria, i bestiari…) accostando nuove letture di testi esemplari a documenti inediti, a riflessioni sulla lingua, la poetica, le suggestioni musicali, pittoriche, mitiche, senza scordare la caproniana attivita di traduzione, auto commento ed impegno civile. Una funzionale suddivisione del libro in Percorsi e attraversamenti, Letture (e immediati dintorni), Risultanze tra/dalle carte d’archivio esalta la diversita delle off erte critiche e dei serrati confronti, dei sondaggi ed esperimenti di commento, di explication de texte, e mette in rilievo la grande perizia tecnica e l’estrema profondita lirica di un autore che, tra cantabilita e dissonanze, arpeggi e apostrofi , cabalette e cadenze, svolazzi e dilazioni, vocalizzi e versicoli, riprese e congedi, loquacita e afasia, ha saputo interpretare la contraddittoria ricerca, le domande, i timori, le colpe, le ferite insanabili del nostro tempo.

The “Tudor revival” of late nineteenth and early twentieth-century England saw unprecedented enthusiasm for the study and performance of English Renaissance music. The revival, which emphasized choral music, was characterized by a rich and interconnected fabric of events including manuscript discoveries, the publication of sundry new scholarly and performing editions, the founding of ensembles who specialized in early music, and an overall increase in the study and performance of Tudor music. Narratives of the Tudor revival have traditionally focused on the role of institutions and ensembles in London, thereby neglecting the important work that occurred elsewhere in the country. In order to more adequately represent the full extent of the movement, this study examines the previously unrecognized role of the institutions and ensembles of Oxford, demonstrating the many ways in which the foundation colleges, student societies, and civic ensembles and organizations helped to bring about the Tudor revival. The appendix contains previously unpublished documents from the Oriel College Archives in Oxford, primarily consisting of letters to and from Edmund Fellowes between 1897 and 1925. Abstract Approved: ______________________________________________________ Thesis SupervisorApproved: ______________________________________________________ Thesis Supervisor ______________________________________________________ Title and Department ______________________________________________________ Date 1 “PEOPLED WITH INVISIBLE PRESENCES”: OXFORD AND THE TUDOR REVIVAL, CA.1890–1939

Publication des documents Berk. 77 et 149 de “l’Archive Pehlevie” qui mettent en lumiere que les biens — vetements, viande — destines a la maisonnee de l’ōstāndār etaient examines auparavant par plusieurs personnes.

[EN] This work faces the analysis of the process of an architecture academic project through unpublished documents. It also tries to serve as a reference to the approaches that may find in the analysis and the interpretation of academic drawings a way for a better understanding of the origin of the contemporary architecture project. So the aim of this work is expositive and didactic at the same time. In this sense, the example of the failed project of the Basque architect Pedro Manuel de Ugartemendía for San Martín cemetery in San Sebastian, allows to identify the different factors involved in the architectural academic utopia. The architectural fact is approached within its own temporal context, bringing a viable solution that may complete the coherence of the original proposal., [ES] Este artículo desea afrontar el análisis del proceso de un proyecto académico de arquitectura a través de documentos inéditos. Pretende también servir de referencia a los acercamientos que puedan llegar a encontrar en el análisis y la interpretación de los dibujos del academicismo un cauce para la mejor comprensión del origen del proyecto contemporáneo de arquitectura. Su finalidad, por tanto, es expositiva y didáctica al mismo tiempo.En ese sentido, el ejemplo del fallido proyecto del arquitecto vasco Pedro-Manuel de Ugartemendía para el cementerio de San Martín en San Sebastián, va permitir reconocer cuantos factores intervienen en la utopía académica de la arquitectura. Se trata del acercamiento a un hecho arquitectónico en su propio contexto temporal y de la aportación de una solución viable que pueda completar la coherencia de la propuesta original.

This book was born from an observation and a desire. The starting point is that the multilingual nature of Andrea Zanzotto's poetry becomes almost invisible by virtue of being evident in the eyes of its readers. The babelic hypersensitivity of the petel’s poet is certainly not absent in critical studies, yet this work addresses it in a systematic way for the first time, by investigating on the multiple connections between poetic writing and languages. The desire that accompanied this reflection was to lead it with a "prismatic" gaze, crossing the poetry's multilingualism and the poet’s translation practice, and summoning the many voices of its translators around the Zanzottian multivocality. A series of unpublished documents in the appendix, and the interventions of poets like Cecchinel, Demarcq and Rueff, alongside those of the best European experts of Zanzotto, add a special significance to this work. Speech given on June 26, 2007 at the Locanda da Lino in Solighetto (TV, Italy) on the occasion of the presentation of the book by F. Carbognin, L’«altro spazio». Scienza, paesaggio, corpo nella poesia di Andrea Zanzotto (Nuova Editrice Magenta, 2007) and of issue no. 230 of «l’immaginazione» (year XXII, May 2007). Videotaped and included in the DVD Tribute to Andrea Zanzotto (Viviafilm production), which also includes speeches by Niva Lorenzini, Marco Antonio Bazzocchi and Silvana Tamiozzo Goldmann.Questo libro nasce da una constatazione e da un desiderio. Il riscontro di partenza e che la natura plurilinguistica della poesia di Andrea Zanzotto diventi quasi invisibile a forza di essere evidente agli occhi dei suoi lettori. Se l’ipersensibilita babelica del poeta del petel non e certo assente negli studi critici, in questo volume viene affrontata per la prima volta in modo sistematico, con un’indagine sulle molteplici connessioni che intercorrono fra la scrittura poetica e le lingue. Il desiderio che ha accompagnato questa riflessione e stato quello di condurla con uno sguardo “prismatico”, incrociando multilinguismo della poesia e pratica traduttoria del poeta, e convocando, attorno alla multivocalita zanzottiana, le tante voci dei suoi traduttori. Particolarmente significativi, accanto a quelli dei migliori studiosi europei di Zanzotto, gli interventi anche di alcuni poeti (Cecchinel, Demarcq, Rueff) e l’offerta in appendice di documenti inediti. Intervento pronunciato il 26 giugno 2007 presso la Locanda da Lino di Solighetto (TV) in occasione della presentazione del libro F. Carbognin, L’«altro spazio». Scienza, paesaggio, corpo nella poesia di Andrea Zanzotto (Nuova Editrice Magenta, 2007) e del n. 230 de «l’immaginazione» (a. XXII, maggio 2007). Videoregistrato e apparso nel DVD Omaggio ad Andrea Zanzotto (produzione Viviafilm), che comprende anche gli interventi di Niva Lorenzini, Marco Antonio Bazzocchi e Silvana Tamiozzo Goldmann.

OBJECTIVE To explore the details of Samuel D. Gross's achievements as America's foremost historian of medicine in the mid-nineteenth century. BACKGROUND The life of Samuel D. Gross, the most renowned of the nation's surgeons in the nineteenth century, has been extensively researched and celebrated. Despite the long-standing interest in Gross's accomplishments, there is an important and influential aspect of his career that has been forgotten. Gross was the country's first surgical historian and his boosting of the popular image of the knife bearer was crucial to shaping the future of the craft, in particular surgery's rise as a respected specialty within the whole of medicine. METHODS An analysis of the published medical literature and unpublished documents relating to Samuel D. Gross and his status as the country's earliest historian of surgery. RESULTS At a time when surgery was not considered a separate branch of medicine but a mere technical mode of treatment, Gross's efforts in medical and surgical history provided a much needed boost to surgeons in their pursuit of self-confidence and self-respect. CONCLUSIONS Although Gross's accomplishments as a medical historian have been overlooked, it is undeniable that he was America's pioneer surgical historian and, as such, afforded surgeons their earliest measure of self-esteem, a critical attribute that was indispensable for the rise of surgery as a distinguished profession.

By means of the thorough analysis of unpublished documents, newspapers articles, archive records, this article traces back the reasons that led to the dissolution of the non-parliamentary political movement Lotta Continua in the city of Turin. The process developed during the period of time starting from the movement Provincial Meeting (23 and 24 September 1976) until the eve of the widespread blowup of the so called "Movimento del ’77". Events such as the deep cracks in the structure of the organisation itself, the dramatic loss of political initiative, the harsh confrontation among the "social actors" inside Lotta Continua (blue collars, young activists, women and students), furthermore the discussion about the "mass" or armed political violence had an impressive role on speeding up the inner crisis of the revolutionary movement and on the exhaustion of its experience in Turin.

Founders Online, a digital initiative of the National Historical Publications and Records Commission (NHPRC) of the U.S. National Archives, launched in June 2013. Since its debut, the site has attracted over a million visitors interested in learning more about the creation of the United States of America in the words of six of its Founding Fathers. Founders Online contains 177,000 letters or other writings of these men and their contemporaries. Widely used by academics and the general public, the site has demonstrated the value of digital humanities’ emphasis on free access. As a former assistant editor at Documents Compass, a program of the Virginia Foundation of the Humanities, I served as a project manager on the Early Access portion of the project. We worked directly with the staffs of the currently active Founding Fathers documentary editing projects to make preliminary versions of unpublished documents available for early viewing on Founders Online. These Early Access documents will eventually be replaced by fully vetted and annotated versions to be completed later by the documentary editing projects. Relying on a large staff of over thirty people, we transcribed or proofread over 50,000 Early Access documents from 2012 to 2015. My Early Access experience demonstrated the need to give employees constant feedback, to reward them for good work, and to encourage specialization among project staff. My experience also reemphasized the need for unified metadata standards when aggregating different sets of data from multiple projects into a single digital platform. Founders Online, une initiative numérique de la National Historical Publications and Records Commission (NHPRC) des Archives nationales des États-Unis, lancée en juin 2013. Depuis ses débuts, le site a attiré plus d’un million de visiteurs intéressés à en apprendre davantage au sujet de la création des États-Unis d’Amérique d’après six des pères fondateurs. Founders Online contient 177,000 lettres ou autres écrits de ces hommes et de leurs contemporains. Largement utilisé par les universitaires et le public en général, le site a démontré la valeur de l’emphase des humanités numériques sur le libre accès. En tant qu’ancien rédacteur en chef adjoint à Documents Compass, un programme de la Virginia Foundation of the Humanities, j’ai travaillé comme gestionnaire de projet pour la partie d’accès anticipé du projet. Nous avons travaillé directement avec les membres du personnel des projets de montage documentaire de Founding Fathers actifs à l’heure actuelle, pour rendre disponibles en accès anticipé des versions préliminaires de documents non publiés sur Founders Online. Ces documents en accès anticipé seront éventuellement remplacés par des versions entièrement approuvées et annotées qui seront complétées plus tard par les projets de montage documentaire. Comptant sur un personnel nombreux de plus de trente personnes, nous avons transcrit ou relu plus de 50,000 documents d’accès anticipé entre 2012 et 2015. Mon expérience de l’accès anticipé a démontré le besoin de donner aux employés une rétroaction constante, de les récompenser pour leur bon travail, et d’encourager la spécialisation parmi le personnel du projet. Mon expérience a de plus souligné davantage le besoin de normes de métadonnées communes en transposant différents ensembles de données de projets multiples en une plateforme numérique unique. Mots-clés: Founders Online; Libre accès; transcription; métadonnées; externalisation à grande échelle; Histoire numérique

espanolEl objeto de este trabajo es dar a conocer una documentacion inedita que podria considerarse como el primer ensayo de periodismo manuscrito en La Habana, antes de la aparicion del primer periodico impreso. Se describe y analiza lo principal de su rico cont enido, y se sugiere su posible autoria y finalidad. En conjunto, estos papeles o noticias de La Habana resultan de una especial utilidad para la historia de la capital cubana, y de la isla en general, en la decada de 17 EnglishThe purpose of this paper is to provide evidence of an unpublished documents that could be considered as the first attempt at manuscript journalism in Havana, before the appearance of the first printed newspaper. It describes and analyzes the principal of its rich content, and possible authorship and purpose is suggested. Together, these papers or news from Havana result from a special utility for the history of the Cuban capital and the island in general in the 1770s .

The San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer makes it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte, and the breadth of a repertoire which, between 1726 and 1749, spaced from dramas to musical interludes, passing through the “canovacci” of the commedia all’improvviso and tragedies. Thanks to unpublished documents and to a critical analysis of the repertoires, the author appoints the actors as the main protagonists of the spectacular Venetian scene, and offers important updates on the migrations of troupes in the second quarter of the 18th century.La compagnia del San Samuele di Venezia costituisce un caso esemplare della straordinaria vitalita delle truppe comiche nel primo Settecento, prima del successo della drammaturgia goldoniana. La ricostruzione della cronologia dell’attivita della formazione guidata dal capocomico Giuseppe Imer consente di osservare la straordinaria versatilita degli attori dell’Arte e l’ampiezza di un repertorio che tra il 1726 e il 1749 svariava dai drammi agli intermezzi musicali, passando per i canovacci della commedia Improvvisa e per le tragedie. Grazie a documenti inediti e a un’analisi critica dei repertori l’autore elegge gli attori a principali protagonisti della scena spettacolare veneziana e propone importanti aggiornamenti sulle migrazioni dei comici nel secondo quarto del XVIII secolo.