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Copyright of Íkala: Revista de Lenguaje y Cultura is the property of Universidad de Antioquia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Environmental & Social Management Journal / Revista de Gestão Social e Ambiental is the property of Environmental & Social Management Journal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mendive - Revista de Educacion is the property of Universidad de Pinar del Rio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of GeSec: Revista de Gestao e Secretariado is the property of Sindicato das Secretarias e Secretarios do Estado de Sao Paulo (SINSESP) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Cultural identity in the context of migration is shaped by the gathering of migrants in so-called provincial clubs that have formed in Lima. In these spaces, Acorian migrants recreate festivities and expressions such as the dance Los negritos, which brings families together with the winning troupe from the celebration held in Acoria (Huancavelica, Peru). This festive moment is loaded with symbols that recognize the identity of Acorian residents in Lima, based on a sense of belonging that encompasses the community from the diaspora to the dance itself, sustaining the memory and identity of the Acorians. This qualitative, ethnographically designed article analyzes the relationship between these significant elements of Acorian identity among migrants in Lima. In-depth interviews were conducted with nine Acorians residing in the capital (during the months of September and October 2022), some involved in organizing the festival, others recurring participants in club activities. The research results are based on these interviews. It is concluded that social, familial networks generate the sense of identity in migratory processes, and cultural expressions such as dance contribute to the consolidation of cultural identity by recognizing its social and cultural value, making it representative of a people. In sum, this article captures the voices of Acorian migrants who value their origin and find in dance a symbol of unity between residents in Lima and those in Acoria. This supports the sense of belonging and strengthens the group that constructs its identity by recognizing itself as migrants. Thus, the article contributes to discussions on the reconstruction of identity in a context of migration. [ABSTRACT FROM AUTHOR]

This systematic literature review examines the relationship between media ecology, collective memory, and cultural tourism in the digital age. It also highlights the impact of technology on how we think, relate, and communicate, as well as on the construction of identity and the appreciation of culture. The potential adverse effects of cultural tourism, such as the commodification and trivialization of culture, are explored, and solutions are proposed using digital tools, such as platforms for preserving collective memory and augmented reality for authentic cultural experiences. The study stresses the importance of investigating this relationship and the potential of digital tools in constructing significant collective memories. [ABSTRACT FROM AUTHOR]

In the processes of occupation of rural space, the norms given from the Territorial Planning have prevailed, which allows the advancement of urban land, in the face of the decline of rural land. This article presents a reflection of the processes of appropriation of the territory from the perspective of rural settings through these case studies, based on the conceptual reflection on rurality and governance. Through qualitative and quantitative methods, documentary techniques, review of primary sources, technical reports from cars, and secondary (carried out in the period from 2006 to 2020). Among the main results, a marked polarity is observed in environmental management in governmental and territorial institutions, a derogatory sense towards the protection of rural soil in both cases, for this reason it is necessary to generate regulatory processes and management in the pursuit of rural soil protection. [ABSTRACT FROM AUTHOR]

Copyright of HiSTOReLo: Revista de Historia Regional y Local is the property of Universidad Nacional de Colombia, Centro Editorial Facultad de Ciencias Humanas y Economicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mendive - Revista de Educacion is the property of Universidad de Pinar del Rio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Odeere is the property of Edicoes UESB and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In popular culture, the term mainstream is related to those icons of cinema, art, and politics that have spread in a globalized world thanks to the media and advertising, transcending decades and re-emerging at different historical periods. This research will observe how social media users create content using the chosen cultural icons (Frida Kahlo, Che Guevara, Marilyn Monroe, and Pablo Picasso). The methodology has a mixed approach with quantitative variables—total number of publications, reach, impact, engagement—and qualitative content analysis to find the values mainly attributed to each of these icons in social media. The content analysis reveals that the publications are used almost exclusively as a tribute and branding, that Frida Kahlo is the character most used to sell art and fashion, and with whom young people (20–30 years old) identify the most, and that the images of Che and Marilyn Monroe are the ones that get the most likes and comments, with the highest level of interaction and engagement (especially among the 35–45-year-old audience). Concerning the analysis of the values most represented in the publications (which strengthen a massive discourse), art is the intangible most used to personify Frida and Picasso. At the same time, patriotism and freedom are more linked to Che and love, beauty, and sensuality to Marilyn. [ABSTRACT FROM AUTHOR]

Copyright of Revista Iberoamericana de la Educación is the property of Instituto Corporativo Edwards Deming and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The internationalization of the curriculum field is a phenomenon studied for several years by Professor Antonio Flavio Moreira Barbosa, a great reference in curriculum studies in Brazil. Using categories such as globalization, cultural identity and diversity as a basis, associated with recent internationalization processes, the interview seeks to update the author's understandings about this process of internationalization, especially in the face of pandemic times, in which education and the curriculum have undergone relevant transformations. [ABSTRACT FROM AUTHOR]

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The essay addresses Luis Ramiro Beltrán, Frantz Fanon, and Stuart Hall's contribution to social communication studies from a Caribbean setting. The scenario that Beltrán found in Puerto Rico and the theoretical contributions of Fanon and Hall in their reflection on the colonization and decolonization processes were examined. Methodologically, we worked from a contextualization of the period in which Luis Ramiro Beltrán lived in Puerto Rico and Hall's reading of Fanon's work in his analysis and theorization of the Caribbean colonial/decolonial issue. [ABSTRACT FROM AUTHOR]

This article discusses the arrival and consolidation of reggae in São Luís. It appears that São Luiz is the territory outside Jamaica where the musical genre is most successful, having incorporated by its population, mainly by blacks, a series of particular habits during the appropriation of Jamaican reggae, in this way, the regueiro of São Luís created unique bonds with Jamaican rhythm and that relationship endures to the present day. These aspects contributed to São Luís being conceived as 'Brazilian Jamaica'. The objective of the research is to analyze the relationship between reggae and the population of Ludovic, its particularities and symbolism. As a result, it was identified that the relationship between society and reggae existing in São Luís has singularities, which express historical, cultural, racial and resistance aspects. [ABSTRACT FROM AUTHOR]

The aim of the research was to promote a dynamic of construction and recovery of historical memory that identifies and documents the voices of the victims of the armed conflict in the district of Riachuelo, Santander. The methodology was the qualitative participatory action research in whose frame were used three instruments for collecting information: observation, semi-structured interviews and collective workshops. As a result, is presented the characterization of the narrations that Riachuelo's inhabitants make about three representative places of the territory and in which, during the conflict, the paramilitaries exercised control. Currently, the inhabitants of this jurisdiction are reluctant to talk about the violent past, given the different interpretations and affectations that it left behind; however, they share narratives about El Salto, the school and the church as cultural imaginaries, avoiding deeper meanings through mythical-religious narratives. [ABSTRACT FROM AUTHOR]

Copyright of Historia y Sociedad (01218417) is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas y Economicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Memorias is the property of Fundacion Universidad del Norte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Olhar de Professor is the property of Olhar de Professor and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Investigium IRE: Ciencias Sociales y Humanas is the property of Editorial Institucion Universitaria Centros de Estudios Superiores Maria Goretti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Turismo em Análise is the property of Revista Turismo em Analise and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article discusses to what extent the international legal definition of genocide protects the cultural identity of ethnic groups as an autonomous interest, independent of their members' lives. It argues that cultural identity constitutes an object of protection with relative autonomy. Although the element "intent to destroy" can be broadly construed, the means to achieve the group destruction are limited since they must necessarily be subsumed in the acts of genocide enunciated in Art. II of the Convention for the Prevention and Punishment of the Crime of Genocide. However, it points out that these acts do not always occur under identical conditions because the effects of violence depend on the context in which it takes place and the characteristics of the attacked group. The article connects the normative analysis of the relevant case law and the preparatory works of the Convention with the empirical study of the case of the Nasa people to support this consideration. Thus, it seeks to illustrate some types of damages that the cultural identity of indigenous peoples may suffer in armed conflicts. Finally, the article highlights the importance of interpreting this crime in context. [ABSTRACT FROM AUTHOR]

Copyright of Bio-grafía. Escritos Sobre la Biología y su Enseñanza is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Clio: Revista de Pesquisa Histórica (01024736) is the property of Universidad Federal de Pernambuco / Revista Clio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The present study analyzes Folkmarketing as a relevant strategy for organizations in terms of image. Due to that, the path taken by large multinationals in São João do Nordeste is exposed, which seek to sharpen the cultural identity of the Northeastern population through the consumption of their brands. These brands are “covered” by June folkloric symbols during the cycle of these important popular festivals. Therefore, this study emphasizes the role played by Folkmarketing and its integration with strategic elements of brand communication. Finally, it is evident the strength of Folkmarketing as an effective and affective element with the consumer public eager to see its culture represented in the current scenario of the Information and Consumption Society. [ABSTRACT FROM AUTHOR]

The reduction or omission of the analysis of local cultural identity in the framework of the municipal strategic diagnosis limits the identification, integration and mobilization of this cultural resource, leads to the underutilization of its endogenous capacities and its integral contribution to the management of local development. The study started from a previous theoretical foundation with the objective of revealing local cultural identity indicators that, from the descriptive logic of the municipal development strategy, contributes to strengthen the diagnosis of this intangible resource of development. The techniques of document analysis and surveys were used to recognize and contrast the problems of the study and the scientific methods of analysis-synthesis and induction deduction. The research established the relations and characteristics of components of relative independence with a cognitive, practical, psychosocial and patrimonial cultural repertoire and with endogenous potentialities for development, which play a referential role of local cultural identity. It was determined in conclusions that the set of cultural identity referents, contained in the Knowledge of Local Productive Systems, Local Productive Culture, Local Collective Action and Local Cultural Heritage, provide a wide source of local cultural identity indicators that will contribute to strengthen the strategic diagnosis of this cultural resource for the management of local development. [ABSTRACT FROM AUTHOR]

Copyright of Mendive - Revista de Educacion is the property of Universidad de Pinar del Rio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Lusofona de Educacao is the property of Universidade Lusofona de Humanidades e Tecnologias, CEIEF and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Anagramas is the property of Editorial Universidad de Medellin and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of PODIUM- Revista de Ciencia y Tecnologia en la Cultura Física is the property of Universidad de Pinar del Rio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Stardom is a paradigmatic example of contemporary mythology. Through their function as semiotic-cultural and somatic-emotional receptacles, the stars serve as referents and mirror of the social collective that engenders them. Within digital communities and through interactive technology, celebrity liturgy, fan rituals, and the symbolism of this massive secular religion reach its zenith. Our first goal is to analyze the parallels between stardom and religion. To do this, we will place idols in a theoretical framework and describe the transformations that digital fan communities are undergoing. Our second objective is to interrelate the transmedia phenomenon of Rosalía's album El mal querer with the notion of "hyperculturality" proposed by Byung-Chul Han. We will expose how the conceptual universe generated by the Catalan artist reflects the transformations that identities attend in the globalized, hyper-connected and digital culture. The article concludes by developing the idea of stardom as modern mythology and the importance of interactive digital technology in the transformation of online audiences. Likewise, the global and intergenerational dissemination of Rosalía's work is symptomatic of the non-fundamentalist model of globalized culture, as well as the prominence of the traditional, the consumption of the aesthetic-cultural and the active role of audiences in the configuration of contemporary cultural identity. [ABSTRACT FROM AUTHOR]

Copyright of Anales de Investigación en Arquitectura is the property of Universidad ORT Uruguay, Facultad de Arquitectura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Parties are historical spaces and are relevant when we approach the study of cultural entrepreneurship. A centenary party, which influenced brazilian culture and is one of the most important in Europe today, reveals strategies and relevant innovations for research and discussion in the field of cultural entrepreneurship. This work, therefore, aims to understand the relevance and strategies of cultural entrepreneurship in the São do Porto festival. To this end, the ideas of cultural entrepreneurship, cultural identity and youth will be discussed in the theoretical and practical scope, in the context of a party. As a result, the theoretical and practical elements that constitute the longevity and growth potential of the São João do Porto festival in Portugal are presented, through the ethnographic methodology with the case study strategy, and with the support of photographic and filmic techniques. [ABSTRACT FROM AUTHOR]

Copyright of Nodos y Nudos is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Kaingang indigenous population has inhabited the space that comprises the heart of the municipality of Chapecó-SC, State of Santa Catarina in Southern Brazil, since before the formal foundation of the city. However, due to the urbanization process, this community has seen its history and relationship with the city made invisible by actions, originating mainly from the government. In order to contribute to the transformation of this context, a system of free spaces for intercultural dialogues was prepared collaboratively with the indigenous community, which proposes to tell the history of the city from the perspective of its traditional people and to redefine urban public spaces through spatial interventions at different scales. The methodological strategies adopted include bibliographic research, exploratory visits, oral history reports, a poem of wishes and participant observation, valuing the role of the Kaingang community in the design process. This paper presents the results of this project and highlights the possibilities for historical and cultural valorization through urban interventions. It is believed that spatial actions can re-signify both the places and the human interactions resulting from the experience of these spaces. [ABSTRACT FROM AUTHOR]

Copyright of Estudios Pedagogicos (Valdivia) is the property of Estudios Pedagogicos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article aims to identify how the Brazilian short and medium-length documentary represents cultural identities in frontier zones, evoking knowledge about alterities and differences. For that, seven films directed by Brazilian filmmakers from border states with Uruguay, Argentina, Peru and Bolivia were analyzed. The methods used in the interpretative exercise were film analysis, documentary and bibliographical research. From the decupagem, the documentaries were agglutinated in two axes of analysis that translate different ways to represent the border: the "Border as a place of permanence" and the "Border as a space of resistance". The results collaborate to uncover violenceridden groups and also to value the border contexts where the recognition of difference is constitutive of life in society. [ABSTRACT FROM AUTHOR]

Copyright of Ensaio: Avaliação e Políticas Públicas em Educação is the property of Ensaio: Avaliacao e Politicas Publicas em Educacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)