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This paper aims to dissect the presence of female writers in the main four cultural supplements of Spanish reference press: Babelia (El país), Cultura/s (La vanguardia), El cultural (El mundo) and ABC cultural (ABC). For this, we analyzed the "books of the year" recommended between 2010 and 2021 (n = 1,286), as well as the juries in charge of elaborating these ranks. The results show the subsidiary role reserved for women in this sphere of cultural information: they barely author 25.3% of the selected books, although some degree is progress is observed in the historical series, after going from 4.8% in 2011 to 37.8% in 2020. The increase in the presence of women in the juries has contributed to this phenomenon --the correlation between ratio of women in both lists being statiscally significant (rs = 0.647, p < 0.001)--, together with the commitment of supplement such as Babelia and Cultura/s to literature written by women. On the contrary, there still seem to be pockets of exclusion in El cultural and ABC cultural, which reduce the visibility of work of female writers in Spain. According to our findings, women authors stand out for their youth (they are between 8 and 20 years younger than men, depending on the indicator), cosmopolitism (there are more foreign female writers, especially American, than Spanish) and origin (mainly, Madrid and Barcelona). This article evinces the collective imaginary, settled for centuries, by which literature was considered a men's affair, and reflects on the role of cultural journalism and its prescriptive function when it comes to breaking down gender stereotype --a task that, in view of the data provided in this paper, is still far from been completed. [ABSTRACT FROM AUTHOR]

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Copyright of Documentación de las Ciencias de la Información is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos.info is the property of Pontificia Universidad Catolica de Chile, Facultad de Comunicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Newsgames has constructed narratives based on real-world issues containing journalistic principles. Since the first experiment of Kabool Kaboom in 2001, game developers have released a number of newsgames based on current events. The main purpose of newsgames is to represent current important issues with a different approach in terms of designs and language. A question has arisen regarding the aim and the effectiveness: Do newsgames can convey the mainstream journalistic approach? Through reviewing Bogost, Bogost, Ferrari, and Schweizer's (2010) concept on newsgames, this paper presents a theoretical concept of analyzing the game contents compared to mainstream journalism. The main objective of this essay is to determine if it is feasible to use these newsgames to tell a narrative while idealizing the fundamentals of journalism and doing so in a meaningful manner, such as by increasing public awareness of a significant event or subj ect. Six different newsgames were analyzed in relation to empathy, representation, and the most important of all objectivity- Kabool Kaboom (produced by Gonzalo Frasca, 2001), Madrid (newsgaming.com, 2004), September 12th (Powerful Robot Games, 2003), The Refugee Challenge (The Guardian, 2014), Against All Odds (United Nations Refugee Agency, UNHCR, 2005) and The Migrant Trail (Software Studio Gigantic Mechanic and filmmaker Macro Williams, 2013). This study adds new findings to the literature review of previous articles adjoining the effectiveness of the newsgames compared to the conventional journalistic approach. [ABSTRACT FROM AUTHOR]

Copyright of Correspondencias & Analisis is the property of Universidad de San Martin de Porres and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper we want to analyze the pictures publishing in the Spanish and international newspapers before the Madrid terrorist attack, March, 11. With this research we get some ideas about freedom speech limits: the respect of the privacy and, in special, the respect of the pain. At the same time, we'll remark the importance of the photography in the press and their communication power. For this research we used the March, 11 and 12 newspapers of most important Spanish editors and the digital edition of international press. [ABSTRACT FROM AUTHOR]

Copyright of IC: Revista Científica de Información y Comunicación is the property of Universidad de Sevilla, Departamento de Periodismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Through the analysis of Spanish media coverage of the terrorist attack in Madrid 11 March 2004, and specifically of the so-called 'conspiracy theory' sustained by certain media for political or commercial reasons with large public success, this article examines the consolidation in Spain of a kind of journalism that tries to model with Lewis Coser's concept of 'greedy institution'. The political functions of this 'greedy journalism' and its relationship with the so-called 'neo-populist turn' of present politics in Western democracies are discussed in brief. [ABSTRACT FROM AUTHOR]