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The Kabbalah tries to explain the existence of suffering and evil by introducing new details in the myth of Creation. Isaac Luria’s school created the concepts of /Tsimtsum/ (contraction), /Shevirat kelim /(breaking of vessels) or /Tikun olam /(World restoration) in order to focus on the imperfection of Creation and to highlight human responsibility towards the world, as the man is considered God’s allied in the restoration. These ideas have drawn the attention of a group of contemporary Hispanic poets, who have put them in the context of their own creative experience. They could help the contemporary world develop a reflection on human responsibility towards the threatened nature.

À la fin du XIX-è siècle et au début du XX-è le système de la langue enregistre une évolution : de nouveaux processus de communication sont mis en œuvre. La langue littéraire travaille sur de nouveaux critères lexicaux, syntaxiques et autres, ses règles se réajustent et le langage poétique n’échappe évidemment pas à cette métamorphose. À l’époque où le symbolisme fait son apparition, les poètes réfléchissent plus sur le vers, en découvrant ainsi les propriétés intrinsèques du langage poétique, très importantes.

The Kabbalah tries to explain the existence of suffering and evil by introducing new details in the myth of Creation. Isaac Luria’s school created the concepts of /Tsimtsum/ (contraction), /Shevirat kelim /(breaking of vessels) or /Tikun olam /(World restoration) in order to focus on the imperfection of Creation and to highlight human responsibility towards the world, as the man is considered God’s allied in the restoration. These ideas have drawn the attention of a group of contemporary Hispanic poets, who have put them in the context of their own creative experience. They could help the contemporary world develop a reflection on human responsibility towards the threatened nature.