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We argue that the representational primes of the human phonological faculty, the so-called distinctive features, are innate and substance-free. Our arguments for the innateness of features are built on traditional and novel logical arguments, experimental evidence accumulating over recent decades, and somewhat detailed proposals about their neurobiological reality. As symbols in the brain, features are substance-free, that is, they are devoid of articulatory and acoustic content, or even any direct reference to such phenomena. This is consistent with our substance-free conception of phonological computation, an approach that eschews functionalist notions like markedness, ease of articulation, and so on. We also outline a neural model of the phonetics-phonology interface called Cognitive Phonetics, which transduces innate features to speech articulation and from speech acoustics. These extra-grammatical transduction procedures are also part of the human biological endowment, which leaves no room for language-specific phonetics in our theory of the externalization of language. We show how Cognitive Phonetics can account for traditionally recognized intersegmental coarticulation, as well as the previously unexplored intrasegmental coarticulation, strongly suggesting that the basic units of speech production are transduced features.

We propose that the interface between phonology and phonetics is mediated by a transduction process that converts elementary units of phonological computation, features, into temporally coordinated neuromuscular patterns, called ‘True Phonetic Representations’, which are directly interpretable by the motor system of speech production. Our view of the interface is constrained by substance-free generative phonological assumptions and by insights gained from psycholinguistic and phonetic models of speech production. To distinguish transduction of abstract phonological units into planned neuromuscular patterns from the biomechanics of speech production usually associated with physiological phonetics, we have termed this interface theory ‘Cognitive Phonetics’ (CP). The inner workings of CP are described in terms of Marr’s (1982/2010) tri-level approach, which we used to construct a linking hypothesis relating formal phonology to neurobiological activity. Potential neurobiological correlates supporting various parts of CP are presented. We also argue that CP augments the study of certain phonetic phenomena, most notably coarticulation, and suggest that some phenomena usually considered phonological (e.g., naturalness and gradience) receive better explanations within CP.