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According to the precarious manhood perspective, masculinity threat triggers various compensatory mechanisms and heightens motivation to restore and reaffirm masculinity via typically masculine attitudes and behaviors. Four experiments aiming to examine the effect of masculinity threat on prejudices toward sexual and gender minorities were undertaken, controlling for adherence to sex role stereotypes. Our studies showed that Polish men representing university and high school students exposed to gender threat experienced increased negative affect (Experiment 1) and expressed higher prejudices toward gay people (Experiment 2) and transgender individuals (Experiments 3a and 3b). Furthermore, Experiment 2 revealed an effect of masculinity threat on modern prejudices predominantly toward gay people but not old-fashioned homonegativity. The results are discussed in terms of the role of masculinity threat as the mechanism responsible for gender differences in the attitudes toward sexual and gender minorities.

The article Black Seasons. Black Kites. About the Children’s Reading in Ghettos is devoted to the Holocaust seen and lived from the perspective of children. The author is interested in book collections of those who survived the war and later became writers (U. Orlev, A. Frankel, and M. Glowinski), and those stories that thematise children’s reading in ghettos (D. Combrzynska-Nogala, M. Szczygielski). Joanna Roszak shows which books became for the children readers a matrix imposed on reality, which met the needs of a library therapy, helped children to cope with the emotional challenges of ghetto existence, and which enabled integration and identification processes. Moreover, the authoress presents which books triggered the escapist interpretation and finally which found an extension in the stories and essays created after the war. The title of the paper refers to The Black Seasons [Czarne sezony] by Michal Glowinski, and to a line from Czeslaw Milosz’s Campo di Fiori.

In the article I have been studying what premises constitute in the work of this German-speaking Nobel Prize winner and how the author brings the wounded world to the poem. I am aiming at interpreting her works in the relation to the refugees theme. I read her neurotic poetry also in the context of the contemporary nomadological discourse and I perceive it as a signpost to the language of solidarity. In the works of the Nobel Prize winner from 1966 one can see a preview of the style of the poems written by contemporary refuges (Breyten Breytenbach or Ashur Etwebi), and the artistic community of people deprived of their homes. I close the article with the conclusion related to the use of poetry in education for peace.

This study assesses interpersonal acceptance-rejection theory’s (IPARTheory’s) prediction that adults’ (both men’s and women’s) remembrances of parental (both maternal and paternal) rejection in childhood are likely to be associated with adults’ fear of intimacy, as mediated by adults’ psychological maladjustment and relationship anxiety. The study also assesses the prediction that these associations will not vary significantly by gender, ethnicity, language, culture, or other such defining conditions. To test these predictions a sample of 3,483 young adults in 13 nations responded to the mother and father versions of the Adult Parental Acceptance-Rejection Questionnaire (short forms), Adult Personality Assessment Questionnaire (short form), the Interpersonal Relationship Anxiety Questionnaire, the Fear of Intimacy Scale, and the Revised Personal Information Form. Results of multigroup analyses showed that adults’ remembrances of both maternal and paternal rejection in childhood independently predicted men’s and women’s fear of intimacy in all 13 countries. However, remembered maternal rejection was a significantly stronger predictor of adults’ fear of intimacy than was remembered paternal rejection. Results also confirmed the prediction in all 13 countries and across both genders that both maternal and paternal rejection independently predicted adults’ psychological maladjustment and relationship anxiety, which in turn predicted fear of intimacy. In addition, psychological maladjustment partially mediated the relation between remembrances of maternal and paternal rejection, and adults’ fear of intimacy in all 13 countries and both genders. © 2019 SAGE Publications.

In June 1942 Emanuel Ringelblum asked: “What kind of books do people read? This topic has always been interesting for each Jew and after the war it also became interesting to the world”. This topic hasn’t received a comprehensive study yet. The author of the paper The Remains of the Letters. Three Reading Paradigms in the Ghettos examined this aspect of history of the ghettos. The literature allows us to shed light on the topic of the life and deaths of their inhabitants. But, taking up this topic enables us also to activate new ways of interpreting the books. The volumes they spent time on in the ghetto allow to capture the way the residents of the ghettos built or broke the bond with the reality, how they taught their own children to read or found solace in someone else’s pain. The author considers, however, whether the studies of ordinary life in extraordinary times of the Holocaust can be considered micro-historical.

Mutually illuminating planes: the silent and the distant in J.S. Foer’s 'Extremely Loud and Incredibly Close' The paper offers an analysis of sub-renting relations in J. S. Foer’s Extremely Loud and Incredibly Close, which are put in the context of the author’s debut novel Everything Is Illuminated . I suggest that the two novels shed light on, or “illuminate”, each other. The writer, a descendant of Polish Jews, precisely stratifies the novels and intertwines two planes: the explicit and the implicit (encoding signs of the Jewish plight), which are also the two planes of the protagonists’ identities. Oświetlające sie plany. Ciche i dalekie w „ Extremely Loud and Incredibly Close” Jonathana Safrana Foera Artykul koncentruje sie wokol zagadnienia sublokatorstwa w powieści Extremely Loud and Incredibly Close (polski przeklad: Strasznie glośno, niesamowicie blisko ) Jonathana Safrana Foera. W refleksji o zydowskiej kondycji sublokatora (w oryginale: the renter ) autorka nie pomija debiutanckiej powieści Amerykanina, Wszystko jest iluminacją . Stawia teze, ze oba dziela wzajemnie sie oświetlają. Pisarz, bedący potomkiem polskich Żydow, precyzyjnie stratyfikuje powieśc i naklada na siebie dwa plany, bedące takze planami tozsamości glownych bohaterow: wyrazony i domyślany (szyfrujący znaki zydowskiego losu).

The theme of the article is translation as a mode of internal immigration. Paul Celan, who chose German as the language of his work, (it was the language of his mother and of murderers), found a sanctuary also as translator. In translator’s profession, he found ways of distilling the German language, which never ceased to be his “internal landscape” in spite of the wound inflicted to the language by Nazism. Most of the discussion focuses on Celan’s motivations when he translated Osip Mandelstam’s poetry.

In her essay, the author recalls literary contexts (including John Donne, Michel Houellebecq and Ernest Hemingway) and philosophical and anthropological contexts (including Aristotle, Thomas Merton, Maurice Blanchot, Jean-Paul Sartre and Gilles Deleuze) presenting the poetic “I’s” various ways of approaching friendship. The quotation from a German translation of John Donne’s poem used in the title of the article is in itself a meaningful phonetic wordplay: “Kein Mensch ist ein Ich-Land” (no man is an “I” land, no man is an island). The main part of the essay includes an interpretation of the television series Lost — Joanna Roszak investigates philosophical references in the series and indicates biblical contexts (“Am I my brother’s keeper?”). A very apt comment to many episodes in the series is, according to the author, the formula told by Z. Herbert’s Fortinbras: Ani nam witac sie ani zegnac zyjemy na archipelagach/ A ta woda te slowa coz mogą coz mogą ” [It is not for us to greet each other or bid farewell we live on archipelagos/ and that water these words what can they do what can they do prince]. It is a similar defencelessness in which the main characters of Lost try to struggle the reality, even if they live together, and die all alone. Collective memory has become a safeguard for the community in the world, which is to be destined for homelessness and forlornness. The other person though becomes a reference point — it is him or her that makes it possible to find the way home.