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An interview with art critic Jerry Saltz is presented. Topics include architecture and renovation of the Museum of Modern Art, New York City; architect Diller Scofidio + Renfro, the demolition of the American Folk Art Museum and Saltz's love for the museum; the challenges regarding driving the Museum of Modern Art design including traffic engineering.

Theresults are cool patterns that recall digitizedversions of van Gogh paintings morphinginto paintings that look like Monet's,which then turn into de Koonings orFrankenthalers or Rothkos, into sandstormsand mashed potatoes and other things thatsort of look like art. The CULTURE PAGES Refik Anadol's unsupervised is in MoMA's lobbythrough April 15 IN THE LOBBY of the Museum ofModern Art stands a 24-foot-tallscreen that emits a continuous flowof psychedelic slush and bacterialblobs. [Extracted from the article]

The article reviews the exhibition titled "Henri Matisse: The Cut-Outs" at the Museum of Modern Art In New York City which is ongoing until February 8, 2015.

The article comments on the planned renovation of the Museum of Modern Art (MoMA) in New York City as of March 24, 2014. Topics highlighted include MoMA director Glenn Lowry's unveiling of the renovation plans prepared by the architectural firm Diller Scofidio + Renfro, the author's assertion that the proposed renovation will ruin the MoMA and the refusal to act by the people who can stop the renovation plans.

A review is offered for the Museum of Modern Art, located in New York City.

The article provides information on the exhibits at the Museum of Modern Art (MoMA) in New York City. The exhibition titled "Abstract Expressionist New York" features the works of Mark Rothko. One of the paintings of Jackson Pollock that is displayed at the museum is "Pollock's One: Number 31, 1950." According to the author, Barnett Newman's "Vir Heroicus Sublimis" is the reddest painting ever made.

A review is offered for the Museum of Modern Art located in New York City.

The author reflects on the representation of female artists at the Museum of Modern Art (MoMA) in New York City. He states that the lack of women artists speaks to the museum's creative failure as well as gender bias. The author points to the incorporation of women artists, such as Georgia O'Keefe, at the Metropolitan Museum of Art. He also comments on the exhibitions of Deborah Wye, Louise Bourgeois, and Hanne Darboven in various other art departments.

article discusses the art work " Guitar Lesson," by Count Balthasar Klossowski de Rola. Thomas Hess in his 1977 review of Balthasar's show said that the art work will never be illustrated in the pages of "New York" magazine. Pierre Matisse donated the art work to the Museum of Modern Art after the exhibition. author says the work is unique for Balthasar as it breaks away from his usual overweening coyness, predictability and button-pushing.

The article focuses on the exhibition of Bruce Nauman at the Museum of Modern Art (MOMA) in which it says that the venue has 14 speakers and five stools which can be moved around the room and that the exhibition is until August 23, 2010.

The article offers a review of the art exhibition "Van Gogh and the Colors of the Night" at The Museum of Modern Art in New York City through January 5, 2009.

The article offers management advice for both New York City's Museum of Modern Art (MOMA), and the Guggenheim Museum since both are acquiring new curators. MOMA promoted Ann Temkin to replace John Elderfield as chief curator, and as such, is in charge of promoting art's modernism philosophy, from Pablo Picasso to Richard Serra. The Guggenheim hired curator Richard Armstrong to make it vibrant again.