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The article reviews several exhibitions in New York in 2016 including "The Back Door," by artist Martin Creed at the Park Avenue Armory building, the "Unfinished: Thoughts Left Visible" at the Met Breuer museum, and "Turner's Whaling Picture" at the Metropolitan Museum of Art.

The article reviews several exhibitions in various art museums in New York including the "This Place" photography until June 5, 2016, "Peter Fischli David Weiss: How to Work Better" sculpture, photographs, and video until April 27, 2016, and "Ocean of Images: New Photography 2015" until March 2016.

The article reviews several exhibitions to be held at museums in New York city, as of December 2015, including the "Art Brut In America: The Incursion Of Jean Dubuffet" at American Folk Art Museum, "Alberto Burri: The Trauma Of Painting" at Guggenheim Museum, and an exhibition on Andrea Del Sarto.

The article reviews several art exhibits in New York City for September 2015 including the exhibit of Isamu Noguchi at Brooklyn Botanic Garden through December 13, the exhibit "Transmissions: Art in Easter Europe and Latin America, 1960-1980," at the Museum of Modern Art through January 3, and the exhibition "Sarah Charlesworth: DoubleWorld" at the New Museum.

The article reviews several exhibitions in New York such as "The Rise of Sneaker Culture," featuring athletic footwear at Brooklyn Museum until October 4, 2015, "Navigating the West: George Caleb Bingham and the River" at Metropolitan Museum of Art until September 20, and "Endless House: Intersections of Art and Architecture" at Museum of Modern Art until March 6, 2016.

Focuses on the reopening of the renovated Noguchi Museum in Queens, New York City in June 12, 2004 and the exhibition, "Isamu Noguchi: Sculptural Design," which remains on view through October 4, 2004. Design of the museum; Major spaces of the show; Thematic exhibitions related to Noguchi's work; Background on life and career of Noguchi; Notable works presented at the exhibition.

The article offers information on several art exhibitions being held at various museums in New York in 2014-15 including the Bronx Museum of the Arts, Cooper Hewitt Smithsonian Design Museum, and Asia Society and Museum.

The article reviews several museum exhibitions in New York City as of October 17, 2014 including "Crossing Brooklyn: Art From Bushwick, Bed-Stuy and Beyond" at the Brooklyn Museum, "From the Margins: Lee Krasner and Norman Lewis, 1945-1952" at the Jewish Museum, and "Puddle, Pothole, Portal" at the Sculpture Center.

Freight + Volume 530 West 24th Street, Chelsea [ABSTRACT FROM PUBLISHER]

What with all those cataclysmic storms, shipwrecks, sea battles and marauding pirates in 17th-century Dutch marine paintings, it's a wonder anyone dared venture off land at all. There are periods of calm in ''The Golden Age of Dutch Seascapes'' at the Peabody Essex Museum here, but the overall impression is harrowing. Yet the intrepid shipbuilders of the Netherlands launched vessels by the tens of thousands during the 1600s, and the Dutch ruled the known -- to Europeans -- aquatic universe until the British caught up and surpassed them by the end of the century. [ABSTRACT FROM PUBLISHER]

EVE SUSSMAN AND RUFUS CORPORATION 'White on White: The Pilot (just like being there)' [ABSTRACT FROM PUBLISHER]

Over the last four decades Mary Heilmann, 68, has been painting with an infectious, unabashedly hedonistic joie de vivre. Working with big brushes and generous quantities of paint, she continues to produce wildly colorful abstractions that riff with irreverent verve on basic elements of Modernist painting: the grid, the monochromatic rectangle, stripes, organic forms, linear webs, spots, checks and drips. There's a charming sloppiness about Ms. Heilmann's paintings, which are on display in an exhilarating retrospective called ''To Be Someone'' at the New Museum on the Lower East Side. She makes it look easy and fun. Where some artists would neaten up the edges, smooth out the brushy areas and clean up the dribbles, she leaves well enough alone. First thought, best thought. Some paintings are evidently the result of many layers, but the final picture almost always seems spontaneous, and her lively touch gives her works a sensuous intimacy. [ABSTRACT FROM PUBLISHER]

Just before Germany invaded the Netherlands in May 1940, Amsterdam's pre-eminent art dealer, Jacques Goudstikker, who was Jewish, escaped by ship with his wife and young son. He died in a shipboard fall, and the fortune in fine art he left behind was possessed by the Nazi leader Hermann Goring. In 2006 the Dutch government returned 200 paintings from the Goudstikker collection to their rightful heir, Marei von Saher, the widow of the dealer's son and a resident of Greenwich, Conn. How great was the Goudstikker collection? Pretty great, judging by a beautiful display of 40 paintings included in ''RECLAIMED: PAINTINGS FROM THE COLLECTION OF JACQUES GOUDSTIKKER,'' at the Bruce Museum in Greenwich. A specialist in northern Baroque art, Mr. Goudstikker sold paintings not only to Dutch and other European museums but also to the Metropolitan Museum of Art, the Art Institute of Chicago and to Andrew Mellon for the National Gallery of Art in Washington. Dating mostly from the 16th, 17th and 18th centuries, the paintings in the exhibition all look like pieces those institutions would still have on their wish lists. [ABSTRACT FROM PUBLISHER]

''Oh, grow up!'' would be a reasonable response to ''Double Album: Daniel Guzman and Steven Shearer,'' an intermittently interesting but ultimately disappointing exhibition at the New Museum. Organized by Richard Flood, the museum's chief curator, it introduces two artists in their 40s who not only share a fascination with male adolescence and classic rock but also seem mired in creative adolescence themselves. The exhibition consists of two separate but conjoined shows, each occupying half of the museum's second floor. In their respective displays of confusingly diverse works Mr. Shearer, who lives in Vancouver, and Mr. Guzman, of Mexico City, resemble promising but unfocused grad students who have yet to assimilate their influences fully. [ABSTRACT FROM PUBLISHER]

The article reviews the exhibition "Manufactured Landscapes: The Photographs of Edward Burtynsky," at the Brooklyn Museum in New York City.

Reports on the exhibit of the biblical paintings of Reverend McKendree Robbins Long at the Art Students League in New York City. Duration of the exhibition; Location.

Features the exhibition 'Great Masters of Mexican Folk Art From the Collection of Fomento Cultural Banamex' on view at the Smithsonian National Museum of the American Indian in New York City through March 15, 2003.

Presents information on some art exhibitions in Hudson Valley, New York. Painting show titled Maine and the Modern Spirit at the Katonah Museum of Art; Two very different shows at the Hudson River Museum in Westchester County; Artworks by the Japanese artist Kunie Sugiura at the Loeb Art Center of Vassar College, in Poughkeepsie.

Reviews the art exhibition `The Guennol Collection: Cabinet of Wonders,' at the Brooklyn Museum of Art in New York City, New York, through May 7, 2000.

Reviews the exhibition Domestic Transformations at Brooklyn Museum of Art in New York City.