1. Julius Zeyer i Stanisław Wyspiański. Modernistyczny projekt krytycznej mitologii narodowej
- Author
-
Mielczarek, Joanna, Uniwersytet im. Adama Mickiewicza, Instytut Fi- lologii Słowiańskiej, and Ph.D., born 1972, a bohemist, works in the Department of Slavonic Philology at the Adam Mickiewicz’s Uni- versity in Poznań. She is an author of the monograph of the Czech manuscript from the 16th century, situated in the Copernicus Library in Toruń, entitled Řeči z mudrců pohanských jakož i z Petrarky vybrané a přeložené, and also an author of the papers devoted to the Czech literature and language.
- Subjects
mythology ,national ,romanticism ,General Earth and Planetary Sciences ,tradition ,collective awareness ,General Environmental Science - Abstract
The Czech and Polish modernistic project of the critical national mythology is, in general, a form of the artist’s discussion with his own cultural tradition which was represented by the common, collective awareness. This collective awareness was, at that time, deprived of official form, due to the lack of state independence. In the works of Stanisław Wyspiański and Julius Zeyer, we can see the aspiration to achieve the recent, non-fixed look at the national tradition in its literary shape. There was the idea of tragic conflict which has been used by Wyspiański, first of all, in the cycle of his historical plays: Bolesław Śmiały and Skałka. Julius Zeyer’s most famous work, the epic poem named Vyšehrad, refers to the most important tradition of Czech romanticism, namely, to the way of the functioning of folklore in literary tradition. Zeyer also took up the discussion with the tradition of the alleged medieval manuscripts (the so-called Rukopis královédvorský and Rukopis zelenohorský) and suggested a critical using of national mythology. Critical – in this case – means: non-particular, non-provincial, opened to influence and reinterpretation.
- Published
- 2014